Sep 102017

 

As you can see, I have music from 10 bands from the blackened realms in this post. I thought about dividing it into two parts to make it more easily digestible, posting the first 5 as soon as I finished writing about them and then beginning on the second 5. But then I remembered what happened last weekend, when the rest of life intruded and I didn’t finish Part 2 before the typhoon of Monday made landfall. So I forced myself to defer posting this collection until I had completed all of it. Though I guess I could have divided it then. Oh well.

Doesn’t mean you have to consume all of this at once. You can pretend there’s a dividing line after Witchcraft Sadomizer and come back later… just don’t forget, or let the rest of life get in the way.

VERGE

Finland’s Verge are fascinating on many levels. Wholly apart from the evolution of their music into increasingly distinctive shapes, the lyrics of their songs are also engrossing and thought-provoking, though in their unsettling poetry you must be prepared to experience despair and hopelessness in a search for self-becoming that seems perpetually elusive, always challenged and usually defeated by our own wretched flaws and misunderstandings.

Aug 142016

Capitol Theater-Day Two

 

This is the second part of a three-part recap of the first Migration Fest in Olympia, Washington. For the first installment, covering the pre-fest show on August 11 and Day One on August 12, go here.

The first day of Migration Fest proved to be a very strong start to what I selfishly hope will become an annual tradition. If anything, Day Two topped it, in large part on the strength of a history-making performance by Saturday’s headliner — Panopticon — that was simply stunning.

At the end of this post I’ve embedded five videos from Panopticon’s 90-minute set, and I’ve got one video of Vastum in here, too. By tomorrow, I also plan to update this post (and yesterday’s recap of Day One) with videos of additional bands. For now, I’m including the best of my crappy cellphone photos, and some words of course.

Oct 212015

Yellow Eyes-Sick With Bloom

 

Last Saturday I began what was supposed to be a two-part post of new music in a blackened vein. Forgetting that part-time, half-witted metal bloggers should never forecast what they’re going to do, I said that I would post Part 2 on Sunday, or Monday at the latest. And… it’s Wednesday.

Of course, the arrow of time didn’t stop in mid-flight to wait for me, and so more new songs and EPs have appeared since I compiled the stuff I originally  planned to include in Part 2. Therefore, I’ve made some additions, and postponed writing about some other things. Ain’t no way I’m saying when the next installment will come….

YELLOW EYES

When I first found out in early September that Gilead Media would be releasing a new album by New York black metal band Yellow Eyes, I blared the news as fast as I could. Now that I’ve heard the album, I feel completely justified in my initial enthusiasm.

Sep 032015

Autopsy-After the Cutting

 

I find myself in Alaska this morning, preparing for a day of toil for my fucking day job. This means that posts on our putrid site will be scarce today. I’m also behind (again) in putting together round-ups of news and new music. Before I have to immerse myself in what I’m paid to do, I thought I would at least compile a selection of things I spotted over the last couple of days — and this selection is based principally on the attractiveness of the album art.

AUTOPSY

As announced yesterday, the almighty Autopsy have two new  things headed our way. First, on November 13 Peaceville Records will release a jumbo set entitled After the Cutting that includes four discs “full of classics, new tracks and previously unheard rarities from deep within the band’s own archive”. This special release will also include “an expansive book penned by Dennis Dread recounting the career of the gore legend, featuring unseen photos and exclusive artwork”.

Wes Benscoter again handled the Autopsy artwork for After the Cutting. As you can see, it’s sick.

Aug 242014

Black metal today comes in so many shapes and textures that’s it’s almost as diverse as “death metal”, its original thorned orthodoxy having blossomed into a garden of unearthly delights. In this post I’ve collected the diverse music of five black metal bands who I discovered last week. If there’s one thing they do have in common, it’s a skill in crafting melody (of all things).

MISÞYRMING

Misþyrming (“Mis-thyr-ming”) are an Icelandic band whose name came my way in rapid succession from an e-mail by NCS supporter eiterorm and an Eistnaflug-themed article by Kim Kelly. According to Kim’s article, “The Reykjavik-based project started out as a one-man endeavor and expanded when founder D.G. added drummer H.R.H. (also of Carpe Noctem) on drums.” I’ve written admiringly about Carpe Noctem before, so that kind of made three reasons to go exploring.

Misþyrming’s debut album Söngvar elds og óreiðu will be released in a collaborative effort by Fallen Empire and Terratur Possessions, and two of the songs are on Bandcamp now. The music is incendiary — perhaps the most destructive music of the five bands in this post — but when they back down from the flame-spewing they cast mesmerizing riff spells. And they do a damned fine job of flame throwing (with eerie ambience), too.

Don’t forget this band’s name — I’m confident it’s going to spread. Brilliant stuff.

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