(In this 49th edition of THE SYNN REPORT, Andy Synn reviews the discography of Junius from Boston, Massachusetts. Their music is an exception to our Rule.)
Recommended for fans of: Deftones, Katatonia, Solstafir
I first heard about this band in a rather unusual way back at the tail-end of 2011, when they stepped in at the last minute as replacements for Ghost, who were forced to drop off Enslaved’s North American tour at the last minute due to visa issues. Having no prior knowledge of the band at all, I was particularly intrigued when I started to see a quiet shit-storm floating around certain parts of the internet about “that indie band opening for Enslaved”, and felt compelled to check them out… after all, there must be something to them to be causing such a fuss.
And I’m glad I did, because the music they make is astonishingly beautiful and moving, with a sense of haunting atmosphere and blooming melodic power. The guitars shimmer and blossom in great waves of light and shade above an electric foundation of looping bass lines and lithe, progressive drum work, while the vocals – pulsing with echoes of both Joy Division and The Smiths – weave their own distinctive spell of captivating, clean-sung poetry and passion.
The band have been described in several ways… “Alt Metal”, “Post Rock”, “Indie Metal”, “Art Rock”, “Shoegaze Doom Metal”… though none of them really hit the spot. There’s certainly elements of Post-Punk and New Wave in their DNA, that’s obvious enough, as well as a fascination with the metallic atmospherics of acts like Neurosis and Isis, but really their sound is quite unique – oddly anthemic, yet strangely apocalyptic.
Ultimately then, the proof is in the listening. Perhaps start with their latest EP, and work your way backwards. After all, this may not be typical NCS fare, but you trust me… right? Continue reading »