Jan 292018
 

 

I’m continuing to stack these installments of the list pretty deep, in an effort to prevent the onset of depression when I have to stop it. However, I’m confident I’ll be depressed and frustrated anyway, because I’ll still be forced to leave a lot of great 2017 songs on the cutting-room floor when I do stop.

Today you’ll again notice some stylistic connections among the songs I’ve packaged together, and because of that I again think I’ve compiled a grouping that makes for a nice, stand-alone playlist.

EVOKE THY LORDS

The first song in this collection is another rare example of a long-form track that I think is immensely infectious despite its significant length. It hooked me the first time I heard it, and I’m still hooked. Continue reading »

Jan 292018
 

 

(DGR presents the following round-up of new music.)

 

My last appearance with a news roundup was, admittedly, a little ridiculous. I will say, however, that I was not initially aware it had gotten so huge as I just kept adding things that I had noticed we had missed in my vain effort to cover everything I thought the NCS crowd might be interested in.

The nice thing about that method, though, is that the act of doing so with such a large dragnet, combined with the massive three-part Shades Of Black post that went up shortly after, means that we’re able to keep this roundup small, covering just three groups that barely missed the bus when those posts went up. One in particular was released right after the post that was perfect for it went up.

So, we return once again to do a little globe-trotting, skirting around the edges of heavy metal and talking about three more newly released songs that have popped up over the past week and a half. Continue reading »

Jan 292018
 

 

(This is Andy Synn’s review of the new album by the California band Ion, which is now available on Bandcamp.)

 

To say that I have been anticipating the release of this particular album would be a rather glaring understatement. The band’s self-titled debut was so good that I declared it to be my number one album of 2014, and while things have been relatively quiet for the Californian triptych since then (barring a series of irregular live appearances), its manifold metallic delights have remained in steady rotation ever since.

You can therefore possibly imagine my shock to find that their sophomore album, A Path Unknown, was released suddenly and without fanfare on Bandcamp yesterday. Continue reading »

Jan 292018
 

 

Today we present the full streaming premiere of Vargkult, the fifth album by the Ukrainian band Ulvegr, in advance of its January 30 release by Ashen Dominion. It follows quickly on the heels of 2017’s Titahion: Kaos Manifest, which we also premiered last April. But this album is a different beast from the last one, a relentless, incinerating assault that never pauses to take prisoners.

For those who may be newcomers to Ulvegr, the band’s two steadfast members are Helg (songwriting, vocals, guitar, bass) and Odalv (drums). Both of them are members of Kzohh, Ygg, and Runes of Dianceht, and Helg is also a member of Khors, while Odalv has also contributed his talents to Twilightfall and Elderblood. Continue reading »

Jan 292018
 

 

(Todd Manning wrote this review of the new split by Baltimore’s Neolithic and the Swedish band Martydöd, set for release on February 15 by Deep Six Records.)

 

Does anyone want to burn down a city to kick off the new year? If so, the new split between Neolithic and Martyrdöd should provide the perfect soundtrack to the chaos. This is a short record, but goddamn if it isn’t raging. Continue reading »

Jan 282018
 

 

My NCS time has been constricted by other activities this weekend, so I won’t have time to prepare the usual Sunday SHADES OF BLACK column, but to (sort of) make up for that I did decide to focus on black metal in this 15th Part of my Most Infectious Song list. And I also decided to pack five songs into this installment rather than the usual smaller number.

Hope you enjoy these choices, especially because it was so tough for me to pick just one song from each of the albums released by these bands last year. I think they make a pretty damned powerful playlist.

TAAKE

I delivered an impulsive though compact review of Kong Vinter very soon after listening to it for the first time, and proclaimed it one of my favorite albums of 2017. My impression now, two months later, is that it was under-appreciated in the froth of year-end lists, perhaps because it came out so late in the year and was preceded by the release of only one single (“Inntrenger”). Continue reading »

Jan 272018
 

 

It’s a shitty situation. Here I am, posting more of this list on a Saturday, the weakest day of the week, measured by how may eyes alight on our site. But I’m doing my best to finish this list by February.

Still, the three songs here deserve a fireworks display more grand than what our Saturday traffic usually provides. Life isn’t fair, and it’s too damned short and miserable, too.

MAZE OF TERROR

I read through my list of candidates for this series every day, because I’m still trying to figure out what to include. When I come to this one, I see 10 asterisk marks next to it. I have a vague memory that I was trying to tell myself many months ago, “Your mind is a sieve, it loses important things every day, but don’t forget this one, you fractured motherfucker, this one you FUCKING HAVE TO REMEMBER.” And so I have. Continue reading »

Jan 262018
 

 

This music is meaner than a junkyard dog, crazier than a shit-house rat, as grim as a lung cancer diagnosis, as brutal as a crowbar to the back of the neck. It screams murder, and then delivers. It’s a good thing it’s an EP; a full album might put listeners in the hospital.

I’m referring to In Hell, by a band of marauders from Edmonton, Alberta, who call themselves Feeding. The EP will be released on February 2nd, shortly before the band go out on tour, but we have a full stream for you today. Continue reading »

Jan 262018
 

 

(We present Andy Synn’s review of the new album by Norway’s In Vain, which is being released today by Indie Recordings.)

If you’ve been paying attention to the Metal blogosphere over the last few months, chances are that you’ll have stumbled across either (or both) of the new singles from Norwegian Prog-Metallers In Vain, released in advance of their new album Currents (out today on Indie Recordings).

What might surprise you, however, is the revelation that these two tracks are. arguably, the worst on the album. Continue reading »

Jan 262018
 

 

This is the last installment of a three-part post I began on Wednesday, focusing on new and recently discovered metal in a blackened vein. I packed a lot of music into this tripartite post — including a pair of video premieres today — in part because I failed to get a SHADES OF BLACK column finished in time to post in its usual place last Sunday, but also because I won’t get one done for this coming Sunday either. The weekend is going to be an unusually busy one for me, and if I can manage to get anything done at all for NCS, it will be a continuation of our Most Infectious Song list… because time is rapidly running out on that.

When I started this post two days ago I had a list that I alphabetized by band name before dividing it into thirds. I did say that I might discover something else to add that would screw up the alphabetic ordering, and so I have.

STORMBANE

Stormbane (from Melbourne, Australia) have explained that they recorded their debut album Eldritch Devotion in 2014 but only released it on January 1 of this year “due to explosive bowel movements and disagreements”. It also appears to be a posthumous release — Metal Archives now classifies the band as “Split-up”. Too bad. But at least the band decided to discharge this explosive movement before they themselves exploded. Continue reading »