AN NCS ALBUM PREMIERE (AND A REVIEW): SMOTHER — “CHAPTER IV – TYING THY NOOSE OF RUSTED CHAIN”

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Jan 142022
 

The black metal collective known as Smother are writing a musical saga in chapters, eventually to be joined by a book that is connected to the lyrics and audio experiences of those sonic chapters. The members of the collective have shifted, but are still anchored by drummer SD (Black Vice, Ravnblod), whose percussion tracks and conceptions are the foundation for what the other collaborators contribute.

Four musical chapters have been recorded so far (out of a planned 10 releases), and in each one the sounds have changed. The latest installment, Chapter IV – Tying Thy Noose of Rusted Chain – is the one we’re presenting in full today. For this newest work SD was joined by MW (Crown of Asteria) as principal vocalist and keyboardist, and by guitarist JV (Grst, Uruk), both of whom also participated in Chapter III.

What you now have the opportunity to experience is a single 41-minute track that’s being released by Red River Family Records. At a very high level (and potentially a misleading one), it could be considered atmospheric black metal, but it’s an experience that makes significant use of harsh and mentally destabilizing electronics and of ingredients from catastrophic doom metal. It’s capable of creating trance states, but more often is a manifestation of terrors, most of which don’t seem bound to an earthly plane of existence. Continue reading »

FIT FOR AN AUTOPSY – OH WHAT THE FUTURE HOLDS

 Album Reviews, Reviews  1 Response »
Jan 132022
 

(Andy Synn takes a look at the new album from Fit For An Autopsy – out tomorrow on Nuclear Blast – to see what the future holds the band)

Love them or loathe them – and it should be pretty clear what side of the equation we fall on here at NCS – there’s no denying that Fit For An Autopsy have been on a nigh-unstoppable roll for the past several years.

But I’m here to tell you that, as good as both The Great Collapse and The Sea of Tragic Beasts were (the latter especially), Oh What The Future Holds makes them seem like a mere practice run in comparison.

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AN NCS EP PREMIERE (AND A REVIEW): ECRYPTUS — “KYR’AM BESKAR”

 Album Reviews, Premieres, SHORT BUT SWEET  2 Responses »
Jan 122022
 

The breathtakingly savage death metal band Ecryptus introduce themselves as “an elite group of assassins from Korriban, now based in Atlanta, Georgia. We dispense galactic death metal inspired by the Dark Side and brutal tales of the Canon Arcane.”

For those who may not be as steeped in the lore of Star Wars as the marauders in Ecryptus, one internet source discloses that Korriban “was the original homeworld of the Sith species and a sacred planet for the Sith Order, housing the tombs for many ancient and powerful Dark Lords of the Sith, and containing immense dark side power.”

And for those who may not speak Mandalorian, the title of Ecryptus‘ new EP — Kyr’am Beskar — means (what else?) “Death Metal” in the tongue of far-flung Mandalore. Continue reading »

TRENCHES – RECKONER

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Jan 122022
 

(For his first album review of 2022 Andy Synn selected a record more than a decade in the making)

Hands up if you enjoyed Zao‘s latest album, The Crimson Corridor, last year?

I did, obviously, since I chose it as the #1 pick on my “Personal Top Ten” list, and I’m guessing that quite a few of you did too.

Well, if you’re looking for something on a similar wavelength – something which combines the bruising bite of Metalcore (or Metallic Hardcore, if that term offends you) with the moody dynamics of Post-Metal – then the long-gestating new album from Indiana’s Trenches should be right up your alley.

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KONTACT: “FIRST CONTACT”

 Album Reviews, Exceptions to the Rule, SHORT BUT SWEET  2 Responses »
Jan 122022
 

(We welcome first-time NCS writer Alex Atkinson, who makes his debut with a review of the recently released first EP by the Calgary-based heavy metal band Kontact.)

As our planet continues on its path toward ultimate doom, we must look to the cosmos for relief, enlightenment, and breakneck, extraterrestrial riffing.  Kontact fills the vacuum of space with songs soaked in all the ancient technologies of heavy metal’s heroes while creating a sense of new possibilities that help the surging traditional metal scene remain exciting.  Through the combined forces of Canadian powerhouse Traveler and the downright dirty Blackrat, Kontact has managed to harness their talents to finely (space)craft their debut EP, First Contact.

The album opener, “Ancient Malice”, uses some familiar tropes to build up to an unexpected vocal performance by singer, The Alien.  The vocals sound a bit like Alice Cooper and King Gizzard and the Lizard Wizard stopped listening to music once they heard King Diamond’s lamentation, “Melissa”, while creating something stark and original inside that space.  This is what really sets First Contact apart from an overwhelming couple years of excellent heavy metal releases.  Surprising vocal melodies are around every corner on this track, not to mention the remaining four powerhouse songs. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): DESCENT — “ORDER OF CHAOS”

 Album Reviews, Premieres  1 Response »
Jan 112022
 

 

The Boss HM-2 distortion pedal, and other devices that emulate its effects, are fantastic inventions. Similes for the sound abound, including the ubiquitous references to chainsaws cutting through dense wood. It also brings to mind someone gunning a big V-8 engine (do such things exist any more?) in a vehicle with a severely corroded, smoke-belching muffler, or maybe a junkyard car compactor working at full metal-mangling intensity. The deployment of the tone just makes everything sound more massively crushing.

That brand of distortion has become inseparably linked to old school Swedish death metal in all its gruesome, dragging, and scampering glory. But its uses extend beyond music devoted to death and supernatural horror, and in the case of Australia’s Descent (which features members of Snorlax, Resin Tomb, Feculent, Siberian Hell Sounds, and more) it has become a weapon in the discharge of violent, politically charged fury. In their case it’s also not the only weapon in their arsenal, nor is death metal the only genre ingredient in their music, because black metal and grindcore play prominent roles as well.

Maybe especially for those of who may think chainsaw discordance has worn out its welcome after so many years, Descent‘s new album Order of Chaos is worth your attention. And it definitely demands attention for any fan of metallic extremity who’s looking for a cathartic release through music of pulverizing, neck-ruining power and shuddering ferocity (coupled with effective use of gloom-drenched melody).

The album is set for imminent release on January 14th by Brilliant Emperor Records in cooperation with Redefining Darkness (CD) and Caligari Records (tape), and it’s our privilege to present its full streaming premiere today. Continue reading »

UIV – FRIGUS

 Reviews, SHORT BUT SWEET  1 Response »
Jan 102022
 

(Andy Synn officially kicks off his 2022 coverage with a look at the debut album from uiv)

At last, it’s time to take a look/listen at what the new year has for us, and I’ve decided to get things started with a short-but-sweet review of the debut EP by mysterious underground Death Metal dissophiles uiv.

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AN NCS ALBUM PREMIERE (AND A REVIEW): VAROSHAN — “…AND THEN THE RAINS CAME”

 Album Reviews, Premieres, RANDOM FUCKING MUSIC  No Responses »
Jan 102022
 

 

Tomorrow the Finnish label Elitbolaget will release …And Then the Rains Came, the debut album by the multinational band Varoshan, whose members are divided among Helsinki (Finland), Berlin (Germany) and Leeds (UK). But you won’t have to wait until then to absorb what it has to offer because we are now presenting its complete streaming premiere.

What it has to offer is a stylistic amalgam that combines the ethos of hardcore with diverse sonic vibes that bring to mind (as Elitbolaget suggests) the likes of Neurosis, slow-burning Converge, sludge-era Tombs, and Soilent Green covering Black Sabbath, i.e., music that’s “slow, dark, and gritty”. Continue reading »

SHADES OF BLACK: STANGARIGEL, KLUIZENAER, MUR, SCHAUER, A PREGNANT LIGHT, SIVYJ YAR

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  1 Response »
Jan 092022
 

It may seem like a paradox, but the less time I have to devote to preparing these columns the easier it is for me to do them. When I have a greater than usual amount of time, I listen to more music, I find more releases that I want to recommend, and then I struggle to whittle down the choices into a group that I can manage to write about in the time I have left.

That’s the situation I find myself in today. Because my spouse has been out of the house a lot over the last couple of days galavanting around with one of her visiting sisters, I plowed through a lot of new music. The listening sessions were a blast, but then I had to engage in a painful winnowing process. The results may be painful in a different way for you: Even after the winnowing, today’s column provides a lot to take in, and might put added pressure on your bank accounts if you find as much to like as I did.

Speaking of how much music I’ve included today, I narrowed the albums down to three new ones (which is still more than usual for these SOB installments), and then sprinkled in some advance tracks from forthcoming records, plus one new EP. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): WOLFBASTARD — “HAMMER THE BASTARDS”

 Album Reviews, Premieres  No Responses »
Jan 072022
 

Anyone with eyes to see and a mind that hasn’t been brainwashed or turned into docile slag knows full well that the world is mainly ruled by bastards — bastards in the boardrooms, bastards in the halls of government, bastards in the church. They do what they want, they get their way, and they’re rarely held to account for all the ways in which they make the lives of the powerless so much more miserable than they need to be.

What ought to be done? Isn’t the answer obvious? HAMMER THE BASTARDS.

That’s the name Manchester (UK)-based Wolfbastard gave to their new third album, which is set for release by Clobber Records on January 14th, and they back that message to the hilt with their music, which is a feral and ferocious barrage of D-Beat, crust punk, black metal, and blackened hardcore that takes no prisoners and asks for no mercy.

The press materials for the record include an evocative summing-up of the sensations the album channels, and it’s worth quoting here before we give you our own impressions along with a complete streaming premiere: Continue reading »

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