In today’s installment of our make-it-up-as-we-go tribute to Finnish metal, I’m doing something I probably shouldn’t do. I’m writing about a genre of metal about which I’m almost completely ignorant.
Wait a minute. Why did I just say I shouldn’t do that? If I were to limit myself to subjects I know something about, this site would have folded long ago. Either that or I would have been forced to change the focus to NO CLEAN UNDERWEAR. I wonder what groverXIII would have come up with as a banner for that?
Anyway, since I’ve never let abject ignorance stand in the way of expressing my opinions, I’m forging ahead. And you can’t stop me! Today, the focus is on funeral doom, Finnish style. Since I know next to nothing about this genre, I’m being guided 100% by the suggestions we received when I solicited ideas for this ongoing tribute.
And speaking of ongoing, in an e-mail Andy Synn helpfully pointed us to the following passage in the quite hysterical Uncyclopedia: “Earth’s orbit around the sun also contributes to it’s aging process. Each new orbit is considered one local year, which in universal terms of time is simply a standard galactic week. As you can imagine, the Earthlings don’t get much done within this massive waste of time.” And yes, this does put Finland Tribute Week in an whole new perspective.
The suggestions on which I relied came from what appear to be some very reliable sources. Misha Nuis, the vocalist/guitarist for Akelei (a Dutch band whose very impressive 2010 debut album we reviewed here) and self-professed doomster, pointed us in the direction of Tyranny, with these words: “This is crushing funeral doom at its best. If you put this album on and sit down while it plays, you’ll find it hard to get up again after it’s finished. That’s how heavy it is.”
Our second source, CarlSk, named two more Finnish funeral doom bands, one of which was Colosseum. And finally, Canopy‘s Fredrik Hultgren brought Skepticism to our attention, calling them “nothing short of amazing” and “mesmerizing” on stage. (more after the jump . . .)