Andy Synn

Apr 172023
 

(Andy Synn bathes in the pyroclastic flow of the debut album from Iceland’s Altari)

I promise you, at some point I’ll write about something a little more… normal.

Maybe some stupid, stompy Death Metal or some chunky, chuggy Hardcore. How does that sound?

But, for whatever reason, there’s been so many brilliantly weird and wonderful albums released over the last few months – especially on the Black Metal side of things – which I’ve felt compelled to write about that you’d be forgiven for thinking that we’re in the middle of some sort of renaissance in the field of Avant-Garde extremity (and maybe we are!).

And, providing yet more evidence for this, may I present the debut album from Icelandic iconoclasts Altari.

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Apr 132023
 

(Andy Synn celebrates the latest prolific produce of Ὁπλίτης)

There’s a famous saying… “god doesn’t close a door without opening a window.” Perhaps you’ve heard it?

Now, I’m not a religious man – and, even if I were, that’s patently false – but I can still appreciate the poetry behind the sentiment, the idea that a loss can also be an opportunity for gain, for change, etc.

Case in point, as bereft as I was by the end of Serpent Column in 2021, the unexpected appearance of Ὁπλίτης with their debut EP, Ἡ εἰκών, later that year definitely helped ease the pain a little, and the release of the project’s first full-length album earlier this year more than cemented them as worthy successors in their own right (in fact, as of writing, Ψ​ε​υ​δ​ο​μ​έ​ν​η is firmly ensconced on my “Best of the Year” shortlist).

And now, in another move which recalls their equally prolific predecessor(s), Ὁπλίτης are back with their second album in just over three months, which once again affirms their status as a band we should all be watching, and listening to, very closely.

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Apr 122023
 

(Andy Synn invites you all to come worship the new album from Out of the Mouth of Graves)

There’s always been something almost inhuman… practically supernatural… about how prolific the members of this band are.

Whether it’s with Acausal Intrusion, Feral Lord, Maggot Crown, Psionic Madness, or Out of the Mouth of Graves themselves (and that’s just a handful of the projects they are, or have been, involved in) it’s hard to comprehend how the trio find sufficient time to keep pushing the boundaries year after year after year.

But Shrines to Dagon finally offers us an explanation – it’s now clear that Vølus, Turner and Moran have made some sort of unholy pact with the ruinous powers beyond this realm. How else could they do what they do?

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Apr 112023
 

(Andy Synn explores the new album from the shapeshifting sultans of strange, Dødheimsgard)

There’s an unfortunate tendency, as I’m sure many of you aware, among some of the more… ahem… self-consciously “Avant-Garde” members of the Metal community to try a little too hard to convince everyone how progressive, how clever, and how creative they are, rather than letting their work simply speak for itself.

Whether that’s due to a lack of confidence – or an over-abundance of it – is always up for debate, but the truth is it’s almost always better to show rather than tell, and if you’re more interested in making solipsistic statements and delivering pretentious proclamations about your own intelligence, then… well, that says a lot, doesn’t it?

Dødheimsgard, however, have always come by their weirdness honestly, and their unwillingness to conform has never come across as contrived or calculated, but simply as an organic expression of their own unique oddness.

And Black Medium Current is a sublime space oddity of a very special sort, no doubt about it, that may one day be held up as the band’s de facto magnum opus.

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Apr 052023
 

(Andy Synn has four more albums to recommend from March that you, and we, may have missed)

For this month’s catch up on “Things You May Have Missed” I’ve elected to cover four bands who – in my opinion at least – don’t conform neatly to any particular genre stereotypes or fit into one specific stylistic box.

That doesn’t mean that there wasn’t a heap of other, more genre-specific releases to check out last month – Death Metal fans would do well to check out the malevolent murk of Aphotic and/or the sheer brutality of Thanatophobia, whereas those of a more “blackened” persuasion should give Blaze of Sorrow and Malphas a try (the latter especially), while anyone looking for something moodier and doomier will doubtless enjoy the new Isole and Weight of Emptiness (and I may still try and find time to write a few words about the former if/when I get chance) – but I thought I’d go with a few selections that are a bit harder to pin down.

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Apr 032023
 

(Andy Synn presents his thoughts on the new album from Cursebinder, out Friday on Avantgarde Music)

First things first, I’d like it to be noted that Cursebinder is a truly excellent band name.

Of course, the… ahem… curse of having such a good moniker like that is that you really have to live up to it, musically speaking. And if you don’t, well… you’re going to hear about it.

Thankfully, however, the band’s captivating concoction of pristine blackened power, dream-like melody, and doom-laden melancholy proves to be more of a blessing than a curse, and fans of of the introspective intensity of Der Weg Einer Freiheit or the darkly melodic majesty of Claret Ash in particular would do well to invite Drifting into their lives.

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Mar 312023
 

Recommended for fans of: (early) Ulver, Panopticon, Wolves In The Throne Room

Well, I promised you two Synn Reports this month, and I always (well, sometimes) keep my promises.

So here’s a little extended feature about Afsky, the solo-project of one Ole Pedersen Luk, whose music – rich in rugged sonic textures and raw, unfiltered emotion – errs more towards the “atmospheric” side of the Black Metal spectrum, while still possessing a sense of primal power and passionate urgency that runs deep through each and every track.

Equal parts melancholic and majestic, and infused with sombre folk influences that add a brooding, soulful edge to each of the band’s albums – all three of which I’ll be talking about here today, while leaving their two EPs (their self-titled 2015 debut and their 2022 acoustic release, I stilhed) for you to discover on your own time – this is Black Metal that you really feel, right down in the marrow of your bones.

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Mar 302023
 

Recommended for fans of: Necrophobic, Naglfar, God Dethroned

I was honestly spoilt for choice this month when it came time to choose which band to cover.

Don’t get me wrong, I knew it was going to be a Black Metal band, but choosing between Thron, Downcross, Mork, Aara, Afsky, Lamp of Murmuur, and Nemesis Sopor was almost too difficult a task… which is why you’re going to get two editions of The Synn Report this month!

The subjects of today’s article deal in a particularly high-intensity form of Black Metal – big on both riffs and melody, with just a dash of deathly power and a touch of gothy glamour – that hits many of the same hook-heavy highlights as the likes of Necrophobic and Naglfar (the former especially), all propelled by the sort of electrifyingly extreme drum work that wouldn’t sound out of place on a God Dethroned or Dark Funeral album.

The group’s songwriting skills, however, are more than sharp enough to separate them from their peers, especially on their new album, Dust, which I’d say is the best of their impressive career so far.

Before we get to that though… there’s three other albums for you to sink your proverbial teeth into!

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Mar 282023
 

(Andy Synn takes a walk on the weird side with the debut album from Belarus’s Leprethere)

Right from the start, Tarnished Passion is not an easy album to pin down.

The duo who make up the band themselves refer to their sound as a mix of Dissonant Death Metal and Mathcore, and both those elements are certainly present.

But I’ve also seen them referred to as Progressive Metalcore, Technical Death Metal, and even Djent (though that one is really making a mountain out of the proverbial molehill in my opinion) by various different sources, so there seems to be some confusion about how to classify exactly what it is that Leprethere actually do.

And I can’t help but think that’s how they like it.

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Mar 222023
 

(Today’s edition of “The Best of British” features a bunch of old favourites)

While we absolutely love highlighting the work of new bands and artists, we’re also loyal followers of bands we’ve covered in the past, and make a point of keeping our ears to the ground about what they’re working on as best we’re able.

So today I’m going to be introducing (or reintroducing) you to three bands whose newest releases haven’t actually come out yet… but which will be with us very soon… with Dawn Ray’d‘s new album set for release this coming Friday, and the new albums from Allfather and Ohhms following next week.

This, of course, makes this a perfect jumping on point for new fans, and a great opportunity for existing ones to get a feel for what’s about to hit their ears!

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