SEEN AND HEARD ON A SATURDAY: AGRICULTURE, BLESSINGS OF MARA, CAVERN WOMB, DEVOURER, GOM JABBAR, OIL SPILL, URZAH

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Apr 202024
 

This has been an unusual week for me. I broke out of my hermit-like existence (originally provoked by covid but comfortably extending to the present) and made a quick Wednesday-Friday trip to Texas for a celebration of an old friend. The travel part of it was an annoying hassle; the celebration part of it was great.

During that trip I didn’t accomplish much for NCS. Among the things I didn’t accomplish was paying attention to the emergence of new songs and videos I might want to celebrate today. I bookmarked a few things in even more random fashion than usual while away and quickly spotted a few more things this morning.

These roundups are never comprehensive; this one skims the surface even more lightly. Kind of like a flying fish briefly airborne, with bigger toothsome things hungrily rocketing up from below without warning, jaws gnashing for a bite. The following things jumped up and bit me. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): DEADSPEAK — “NO RESPECT – NEITHER FOR LIVING NOR FOR THE DEAD”

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Apr 182024
 

The occult death metal band Deadspeak was formed in 2008 in Ireland, where its two Polish co-founders (Krakus and Tomasz Prokop) were then living. They recorded a pair of demos in 2008 and 2010, but then the band seemed to disappear for a long time.

Yet after returning to Poland the creative embers caught fire again and just last year Deadspeak released an excellent debut album named Human Alchemy (available here), a 44-minute work that they have described as “a blizzard of obscure riffs and strange melodies, fueled by hypersensitivity to society”.

Striking while the iron is hot, Deadspeak are already following up that album with a two-song EP that we’re happily premiering today. For these recordings, the Deadspeak duo of adventurous guitarist Krakus and venomous vocalist Tomasz were joined by guest bassist Ataman Tolovy and, as session drummer, the veteran hitter James Stewart (Decapitated, Berserker Legion, Bloodshot Dawn, ex-Vader, etc.). Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): TENEBRIFIC — “LABYRINTH OF ANGUISH”

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Apr 032024
 

Tenebrific is a new band from Australia, a studio project created by Adam Martin of Golgothan Remains and Sarcophagum, in collaboration with Cris Bassan from Decrepid. Their debut release (in which they’re aided by some special guests) is an EP fittingly named Labyrinth of Anguish, which is set for release on April 8th.

The band have described the EP (quite accurately) as a release that “offers a glimpse into the abyss of existential despair, inviting listeners to confront their own inner demons and navigate the labyrinth of anguish.” “Throughout 22 minutes,” they say, “we summon monstrous and hallucinatory blackened death deformations that echo the howls of tortured souls and the whispers of malevolent entities.”

Over the course of three substantial tracks, the EP progresses as a single cohesive and carefully planned journey, one that really must be heard straight through to get the full effect — and fortunately, that’s what you’ll be able to do further down in this article as we premiere the full stream. Continue reading »

SHADES OF BLACK: ROTTING CHRIST, CHARUN, SATANIC NORTH, DODENKROCHT, FRAGMENTUM, CANTIQUE LÉPREUX, BEDRÄNGNIS

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Mar 312024
 

It is a good thing to be tolerant of people who are different from you, including people who believe things you think are ridiculous. But tolerance is sorely tested by people who are hypocrites and con-men, whose professions of faith are a cover for corruption, hatefulness, and abuse of others.

Having those people in mind today, and all the people who have fought back against them (with a kind thought also for the sweet people who humbly try to follow the precepts of such passages as Matthew 7:12 and 25:35-40), I picked the following five songs from forthcoming records and two complete releases to recommend to you on this Easter Sunday.

ROTTING CHRIST (Greece)

Rotting Christ, but of course I’m starting with them today. Their new album ΠΡΟ ΧΡΙΣΤΟU (Pro Xristou) — “Before Christ” — “serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge”. Continue reading »

SEEN AND HEARD: VERBERIS, ALLEGAEON, PARTY CANNON, MORTAL WOUND, VRYKOLAKAS, VERITERAS, OLD IRON, FRAIL BODY, ATARAXIA

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Mar 282024
 

Lately I’ve been organizing these roundups of recommended new songs and videos in alphabetical order by band name, because that means I don’t have to spend any time thinking like a DJ, trying to figure out what makes sense in the flow of the music. Sometimes that has coincidentally led to interesting juxtapositions.

Today, however, I’ve chosen a different organizational scheme, because some of the songs naturally paired up with each other. So this collection includes a block of goofy stuff, a “hulking and hideous  death metal” block, a Seattle block, and some curveballs at the end, although the very end is more like a sequence of eephus pitches that sail in high and slow (look it up).

But to begin, you’ll find something that doesn’t fit anywhere else but left me wide-eyed and slack-jawed. Continue reading »

SHADES OF BLACK: SCARCITY, SIDUS ATRUM, STRYCHNOS, SVDESTADA, SVRM

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Mar 242024
 


Scarcity — photo by Caroline Harrison

Today’s selection of black and blackened metal was partly the result of coincidence and partly by design. Coincidentally, out of all the worthy songs I listened to in searching for selections, many of them were by bands whose names begin with “S”. By design, I limited this column to those bands. Chalk it up to some need for order out of chaos.

Also coincidentally, two of these songs were accompanied by videos that are among the best I’ve seen this year in any genre, and by arranging this column alphabetically by band name, they come first. Continue reading »

SHADES OF BLACK: VIRCOLAC, IARMHAIRT, TORTURERS’ LOBBY, JZOVCE, PORONIEC

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Mar 172024
 

Yesterday I read that in the annual St. Patrick’s Day parades in the Irish Channel of New Orleans, float riders toss cabbages and potatoes to the people on the street, a unique twist on the Mardi Gras practice of throwing strings of beads to revelers.

Although a flurry of cabbages would be entertaining, I’ll have to aim some other things at your head on this Paddy’s Day — spiky obsidian things dipped in poison or hallucinogens, some red with heat and some freezing.

Of course, I felt compelled to lead with music from a couple of Irish bands before crossing the waters east and west.

P.S. This column is late-appearing because I can’t hold my Saturday night Jameson shots and Guinness back like I used to. and my spouse and friends kept me up way past my bedtime. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): BACKSTABBER — “PATTERNS OF DOMINATION”

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Mar 142024
 

On March 15th — tomorrow! — the Quebec band Backstabber, now featuring a revised lineup since their last album, will release their new EP, a four-song assault called Patterns of Domination, but today we’re giving you a chance to hear all of it without delay.

Before we get into some detailed thoughts about the music, here’s the band’s description of what the EP represents:

“Loosely based on James Redfield’s The Celestine Prophecy, Patterns of Domination delves into the 4 patterns that serve as means to canalize someone else’s attention and energy. Together, they form an endless cycle of consumption that completely breaks down the victim from the inside out. Like fresh air. These are the first songs with the new members of the band and they contributed a lot to this album.” Continue reading »

SEEN AND HEARD ON A SATURDAY: ACOD, ISCHEMIC, LOCKTENDER, LOKA, NECROT, NEVER THE DEAD, PAIN, POPIOŁY, SHADOHM

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Mar 092024
 

Like yesterday, I had enough time to compile a very big roundup of new music for this Saturday. It includes two full EPs and seven individual songs, most of them from forthcoming releases, presented in alphabetical order by band name.

Like yesterday, there’s so much to hear here that I’ve attempted to cut back on the usual volume of impressionistic words so I can finish this before I turn into a pumpkin. Also like yesterday, I think there’s a lot of variety in the music I picked.

Unlike yesterday, I decided to focus on more obscure names from different corners of the metalverse.(P.S. For newcomers here, there will be yet another roundup tomorrow, focusing on black metal and its kindred.) Continue reading »

SHORT BUT SWEET: PELICAN — “ADRIFT / TENDING THE EMBERS”

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Mar 012024
 

It’s another Bandcamp Friday today, and the electronic ether is flooded with new possibilities. I have dozens of recommendations I could make, in addition to the dozens my colleagues and I have been making every day since the last one of these Fridays. But the one I decided to pick out from the virtual deluge is here because… it takes me back….

In looking through our many past writings about Pelican, I found the first appearance in a list posted by one of the two other people who started NCS with me more than 14 years ago, a list posted just two weeks after we began (with no idea where we would go or for how long). And of course that wasn’t the last time we highlighted Pelican‘s music — many more features followed.

Even 14+ years ago, Pelican weren’t newcomers. Just a few weeks before that list I mentioned, they had released their fourth album, What We All Come to Need. Since then, two more albums have followed, and a few EPs, but the pace of the releases hasn’t been as intense as it once was.

That’s not shocking, given that the life of the band is now about 23 years, and the slower pace of output just makes the appearance of something new even more welcome. The new thing we have now, as of today, is a two-song EP named Adrift/Tending the Embers, and although nostalgia has admittedly played a role in why I decided to help spread the word about it, that’s not the only reason. Continue reading »

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