(written by Islander)
It’s a Bandcamp Friday. But you probably knew that. I failed to put it on my calendar but the engorgement of our in-box over the last 24 hours reminded me. So even though we’ve already published our usual three features for the day I decided to do this fourth one so I don’t feel quite as overwhelmed in preparing the usual Saturday roundup.
Be forewarned: you might experience whiplash as you move from song to song today (and within some of the songs too). Continue reading »
(written by Islander)
On this day (a Bandcamp Friday for those who pay attention to such things) the Italian band Stygian are releasing a new two-song EP named Hunt the Divine. It follows their 2025 debut album Dreadlands, which we had the pleasure of premiering and reviewing. As we wrote then, Dreadlands presented “an intersection or fusion of two worlds, a hybrid of crust punk and black metal” that proved to be “as fierce, as wounded, and as defiantly resilient as the album’s thematic insights”.
As for those thematic insights, they reflected “serious thought, scorching insight, and honest rage”. To quote the band:
Dreadlands explores the contrast between two spiritual worlds: the harmony-centered pagan traditions and the legacy of Abrahamic religions, which often channel humanity’s most violent instincts. While pagan rites served to express and contain primal forces, maintaining balance between humankind and nature, monotheistic dogmas have frequently justified war and destruction in the name of faith. This work stands as a tribute to life, to the sacred bond between people and the natural world — a bond shattered by centuries of religious conflict.
Now we return to Stygian with our premiere of the new EP on the day of its release. Here’s the description we received of the EP’s themes: Continue reading »
(written by Islander)
As I did yesterday morning, I began today by again bleakly staring at my enormous list of links for new music. I could hear the list chortling at me. “You fool,” it muttered in between cackles, “you won’t even scratch the surface.” The truth of that mockery made it no less degrading. (Let’s put aside any concerns about hearing voices from a typed list.)
On days like this I often resort to time-savers, one of which is to prioritize recommendations from people I trust, a kind of life-line to a beleaguered soul.
(The Associated Press reports that on this day in 1916 explorer Ernest Shackelton successfully returned to Elephant Island in Antarctica to rescue 22 of his stranded crew members, who had survived on the barren island for four and a half months after the sinking of their ship, the Endurance. I feel this is not a coincidence.)
The recommendations proved to be worthy. Beyond those I resorted to impulse, and fortune smiled upon my scattershot urges. Here are the resulting choices I made for today; if you think of yourself as a trve cvlt listener, be forewarned that many of them challenge black metal orthodoxy in varying (and very interesting) ways: Continue reading »
(written by Islander)
My short vacation which spanned last weekend prevented me from writing both this Saturday column and the usual one on Sunday. So for today I had two weeks’ worth of possibilities to choose among, along with many more on my list from previous weeks. Deciding what to recommend is always difficult, but today’s decisions were monumentlly difficult. That will be true for tomorrow’s column as well.
I think I’m best advised to cut this introduction short and get right into the music. Continue reading »
(written by Islander)
The Swedish group Teratum rose up from the ashes of the band Beastiality in 2024, and the next year they viciously announced themselves with a two-song promo tape made available in extremely small quantities. They are now following that with a debut EP named Ordnance of Spiritual Warfare, which will be widely released by Dying Victims Productions on August 21st.
The EP includes re-recorded versions of both songs from the demo, and two more. For those who weren’t exposed to the demo tape, Teratum’s music does draw upon the violent black/thrashing antecedents of Beastiality, but it has other dimensions as well — and we’re revealing all of them in our premiere of the EP in its entirety. Continue reading »
(What follows is TheMadIsraeli’s review of an EP announced as the final release by Sepultura. It came out in April of this year via Nuclear Blast.)
Some of us here at NCS are believers in modern Sepultura. I’ve always come to bat for them because the thing that spoke to me of a band who shamelessly and uncompromisingly followed their creative instincts was how, even by the sub-genres of metal they are considered part of, they have chosen to take progressive off-kilter approaches to all of it.
Ever since Max’s departure, and especially from Roorback onward, Sepultura have chosen the hard path. I’m not saying that to imply that Against and Nation aren’t good in and of themselves, by the way, but there is a definitive locking-in that occurs at Roorback. I’d chalk this up to those two records being the warm-up, adapting to Derrick’s inclusion and trying to find who they wanted to be. Some people may not fully appreciate what Sepultura was faced with when Max left and Andreas Kisser had to overcome the perception which had taken over that Max WAS Sepultura.
Andreas Kisser will forever be one of my favorite songwriters and guitarists in metal purely because his answer to that challenge was to not play the fame game at all. He essentially ditched the band’s previous legacy for a new one. I think this decision obviously paid off, but they’ve had to deal with a never-ending barrage of people crying about how this wasn’t the old thing anymore. Continue reading »
(Andy Synn picks up the slack today while the boss is away)
Our beloved leader, he whose eyes are all-seeing and whose arms encircle the sun, is currently off on a scenic break, leaving myself and DGR in charge of the site over the weekend.
And, as consumnate professionals… we have nothing prepared.
Or, at least, I should say that we had nothing prepared, since – as luck would have it – a surprise release yesterday has allowed me to complete another tripartite “Short But Sweet” article (which, thankfully, I already had half written) so as to ensure we don’t go another day without feeding the internet’s constant craving for new content to consume.
(written by Islander)
I was able to spend a fair amount of time yesterday afternoon checking out new music I’d noticed over the past week, and made the choices you now see — though I again got a late start on the writing due to Friday night diversions that also went late. Here are just a few quick notes on what’s ahead:
I do enjoy making these roundups a roller-coaster ride, genre-wise. It was easier to do that with this one because the music that made the biggest impressions on me as I listened yesterday just happened to make a big spread of different experiences. You’ll see. If you’re not crazy about one thing, just keep on going, because the next thing will be a different kind of creature.
I’m not sure I will be able to post a SHADES OF BLACK column tomorrow. My wife and I are going to a birthday event for an old friend, and we’ll have to leave home well before I usually finish those columns. Maybe I’ll feel like making enough of a head-start this afternoon that I can get something ready, even if it’s short, before we head out. Or not. Continue reading »
(Andy Synn offers up three bite-sized bursts of brutal flavour for you to sink your teeth into)
No matter how big of a music lover you are there are always going to be times when you’re just “not feeling it”.
Case in point, I’ve been circling the idea of doing another edition of the “Best of British”, as well as a Death Metal-centric collection, but just haven’t found the right albums/artists yet to fill up a full article of either (a minimum of three is always preferred, and in both cases I’m struggling to find that third band or record that really inspires me to write about them).
Thankfully all it took was a quick shift in focus – away from considering full-length albums towards a trio of recent short-form releases – to get my proverbial juices flowing, so let’s stop wasting time and dig into today’s hand-picked selection of EP-sized extremity, shally we?
(Our writer DGR has been playing catch-up on records released earlier this year when other distractions interfered with writing about them. In mid-July he delivered Issue One (which you can find here), and now we have Issue Two, encompassing reviews of four records released in March, May, June, and July.)
It is politics season here in California, which means that by living in proximity to the state’s capital (Sacramento) you get battered relentlessly with ads from all neck of the woods. Over thirty-five million people live within the boundaries of California, which means that this metro area consisting of a mere two-to-three million means fuck-all to anyone internationally and is barely important enough to list on a map. You have to zoom in two or three times on Google, for instance, before Sacramento is revealed unto the wider world and long after Los Angeles and San Francisco.
By virtue of growing up in the Bay Area I’ve found my wider allegiances between the two regions fairly split, such that I kind of equally care for both even though my current residence will forever suffer from a generationally-instilled case of short-man’s syndrome. It’s why politics season tends to be annoying, because you get to hear your city’s name with the same sort of thin-mouthed sneer that is usually reserved for the scum of the Earth, such that even when filling up your gas tank you get greeted with banners pointing to the price of fuel and a notice that “Sacramento policies did this”.
Which I guess is nice, because at least the rest of the country is finally acknowledging that California is the real capital of this country, and clearly, we’re the ones who decided to start bombing the Middle East again and start a new forever war. It’s a fucked up way of finding that sort of thing out, but I guess anything to mask your consistent rape of the consumer wherein your prices don’t line up at all with what you claim, and by virtue of this state having more drivers than most anywhere else, is most often used to goose your profit margins so that we end up paying way more than “Sacramento policies” might’ve caused. Continue reading »