Jan 152021


North Carolina-based Basilica took shape beginning in September 2016 through the desire of three music-school majors at Appalachian State University who wanted to form a metal band in the vein of Dying Fetus, Power Trip, and Code Orange. Those three — guitarist Cameron Price, bassist Chandler Bell, and drummer/vocalist Reilly Appert — originally took the name Golgotha, and the following year they welcomed drummer Brady Kennedy into the fold, allowing Reilly to move up front on vocals, and also changed their name to Basilica.

With two EPs to their credit under the Basilica name — 2018’s Orbit Has Ceased and 2019’s Weight — they’re now on the verge of releasing their self-titled debut album on Innerstrength Records. And in advance of that February 5th release we’re now presenting the album’s second single, “Starve“. Continue reading »

Jan 152021


Just after last Thanksgiving Day, our man Andy Synn wrote combined reviews here of the three EPs released in 2020 by Holy Death, who describe themselves as “three piece death doom out of the Nevada desert by way of Los Angeles”. Those EPs — Supreme Metaphysical Violence, Celestial Throne ov Grief, and Deus Mortis — revealed a multi-faceted and evolving approach, with the most recent of those EPs demonstrating that (in Andy‘s words) “the band continue to (somehow) get even harsher and even heavier as they grow in confidence and skill”.

With those EPs stacked up in very impressive fashion, Andy predicted “there’s a very good chance that the group’s next release will be their best yet!” What we didn’t know then but do know now is that Holy Death‘s next release (which we’re now premiering) is a cover song — a cover of Metallica‘s “Creeping Death“. Not completely surprising, since Deus Mortis closed with a cover (of Entombed‘s “Wolverine Blues”), but also kind of an intimidating choice as a song to cover. Continue reading »

Jan 142021


The EP by Sacrocurse that we’re premiering in full today is a streamlined nuclear missile, a four-track attack that’s just shy of 17 minutes in total. The length seems just about perfect — just long enough to feed a ravenous hunger for incendiary chaos, but stopping short of the point when a listener might go into a seizure, gasping for air, overcome by the speed, the madness, and the eviscerating ferocity of this audio apocalypse.

Supreme Terror is a well-chosen name for the EP, because it is indeed supremely terrorizing. But it won’t take long for you to appreciate that despite the violence and lack of sanity in the music, the technical skill of the performances is jaw-dropping, and the songs aren’t just howling storms. There is structure and dynamism within these outbursts, and more clarity in the production than you might expect from what is fundamentally an exercise in black/death warfare. Continue reading »

Jan 142021


Even if you’;re not suffering from covid you might want to have some supplemental oxygen on hand before you dive into this track we’re about to premiere, because it’s a breath-taker. And a spine-smasher. And a brain-scrambler.

The song is “Attuned to the Chasm“, and it’s the second single from Amidst Voices That Echo In Stone, which is the second album by the northern California technical death metal band Ominous Ruin. The record is set for release on February 26th by Willowtip Records. Continue reading »

Jan 142021


North Carolina’s Suppressive Fire made their full-length debut four years ago with Bedlam, an album that loosely explored the terrible nature of World War I. Wasting no time, they followed that with a second full-length the next year entitled Nature of War, which again organized the band’s hell-raising brand of black thrash around the subject of warfare, culminating in the closing track “Nuclear Dismemberment”.

Now Suppressive Fire are returning to the field of battle with a new EP entitled Invasion that’s set for release on the Ides of March. The band’s line-up has undergone significant changes, with guitarist Joseph Bursey as the only remaining original member, now joined by vocalist Devin Kelley (also of Cemetery Filth and Dire Hatred), drummer Scott Schopler (owner of Blasphemous Mockery Productions), bassist Andrew Nye (also from Leachate and Eyn), and second guitarist Nate Stokes (also of Witchtit and Noctomb). But the band’s thematic focus has remained consistent, with this new EP heavily focused on the events of World War II, and as you’re about to discover through our premiere of a track named “Siege“, their music is even more explosive. Continue reading »

Jan 122021


Among almost all die-hard metalheads the phrase “Bay Area thrash” immediately brings to mind a very well-defined and much-loved sound, but one that for many listeners has been done to death, to the point that for many fans clutching their old favorites the chance of finding something new seems hardly worth the time. But while Molten are a Bay Area band and thrash is a vital part of their DNA, their new album Dystopian Syndrome is very much worth all the time you can give it.

As you will discover through our premiere of the entire album stream today in advance of its January 15th release, thrash is the foundation but not the entire edifice of what they’ve constructed. As a function of the band’s varied musical interests, their music is a richly embellished experience that channels changing moods and energies and reveals a taste for instrumentation not usually found in the genre, while also delivering monstrous vocals and the kind of technical performance skill that drops jaws and pops eyes. Continue reading »

Jan 122021


This is one of those premieres that spurred us to engage in arcane research, and to learn some macabre facts which you can now learn too, in addition to digesting the most obvious thing, i.e., a new song by Dipygus — unless it digests you first.

We will of course eventually turn to the music off this California death metal band’s forthcoming second album, Bushmeat, but first let’s share the results of our curiosity, beginning with the band’s name. What does it mean? Continue reading »

Jan 112021


With a previous incarnation under the name Snorri and contributions to underground black metal across various other projects, three lifetime friends from Perth are now cutting their way forward under the name Pestis Cultus. Their self-titled debut album will be released on February 12th, and from that album we are today premiering a track named “Black Tongue Hymn“, which follows a previous single, “To the Old Ruins“.

The album begins and ends with an intro and outro fashioned by Mortiis, and in between Pestis Cultus have fashioned a truly chilling yet electrifying experience, one that’s hideous and vampiric, violent and chaotic, sepulchral and sinister — and yet with a turn-on-a-dime dynamism that makes each song more twisting and turning than a simple exercise in raw black metal orthodoxy. These two tracks you can now hear are solid proof of that. Continue reading »

Jan 082021


On January 22nd a consortium of labels — Gurgling Gore Records, Life After Death Records, and Cavernous Records — will release a tremendous split by two fearsome and frightening North American death metal bands: Thorn from Phoenix, Arizona, and Fumes from Toronto, Ontario. Each band contributes two tracks to this experience in crushing audio horror, and today we’re premiering one of them by each band.


Thorn is the solo project of Brennen Westermeyer, a musical vehicle dedicated to the creation of cavernous, ominous, and dreadful death metal. Thorn made its advent last year with an EP entitled The Encompassing Nothing, and for this new split Thorn recorded two songs — “Eclipsing a Dying Sun” and “Iron Sharpens Iron“. It’s the second of those which we present today. Continue reading »

Jan 082021


Consider this description of the new project that’s the source of the track we’re premiering today:

Lung Knots is a vessel of auditory violence whose sole purpose is to exist in this place and moment in time. It is an overwhelming form of aural terror conveyed through primal and mechanical means, conjoining visceral matter of an organic origin with that of an abiotic one. These together fabricate an entity focused on the seething aspects of interminable dread and the humiliation of flesh.

Lung Knots‘ essence can be summed up as the channeling of hate and disgust towards man and its progeny, and the very construct of humanity in its current, turbulent state, by weaving together textures that vary from harsh noise to black metal and carefully crafted sound design-like sonical scapes, and everything falling in between. The territory from where these scraps are gathered is a profound, hopeless, and lightless hole, familiar to every single being in one sense or another.”

Now consider the lyrics of the macabre audio assault you’re about to experience: Continue reading »