Nov 142018
 

 

When I saw the name of the song we’re presenting here, my mind flashed to the horrifying scene in the movie Hannibal where the mutilated Mason Verger is dumped into a pen of wild boars who proceed to eat him alive. And speaking of horrors, how about that cover art? And of course there’s the band’s name — Degragore — which perhaps was conceived as a union of degradation and gore.

Naturally, I did not expect the music would be nuanced, graceful, or uplifting — and it definitely is none of those things. Instead, as is abundantly evident from “Eaten By Pigs“, this Hungarian duo have dedicated themselves to a particularly grotesque and remorselessly brutalizing form of un-gilded anti-Christian death metal. Continue reading »

Nov 142018
 

 

Rauhnåcht is the solo project of Austrian musician Stefan Traunmüller, who has been a presence in many other projects over many years, including Golden Dawn, A Portrait of Flesh and Blood, and Wallachia. Although he began releasing music under the Rauhnåcht banner as far back as 2010, with two albums, two EPs, and a split with Sturmpercht recorded over the next four years, it was Rauhnåcht‘s wonderful 2017 split with Hanternoz and Tannöd, which we premiered, that first brought the artistry of Rauhnåcht to our attention.

That split, which was released by the underground French label Antiq Records, was an hour-long concept recording about the legends of the Alps. It was not the first nor the last example of the ways in which the natural splendor of the Alpine peaks and valleys, through all their changing seasons, and the old cultures that have evolved in their presence, have inspired the music of Rauhnåcht. The most recent example is a new album named Unterm Gipfelthron, which will be released on December 7th by Debemur Morti Productions.

We’ve already written about the album’s opening track, “Zwischen den Jahren”, which at four-and-a-half minutes is shortest of the album’s fives songs. The two that come last — “Ein Raunen aus vergess’ner Zeit” and “Winter zieht übers Land” — are long compositions, at ten-and-a-half and more than 11 minutes, respectively. To provide alluring glimpses of what they’re capable of doing to your head and heart, DMP has prepared a medley of the music from those two tracks that we’re sharing with you today. Continue reading »

Nov 142018
 

 

(This is Vonlughlio’s review of the new album by OSMED from Jakarta, Indonesia, which was released this past weekend.)

It’s a Saturday and a great day to spend with the family and to plan for the small write-ups I have to do.  So in the midst of such planning I logged into FB and discovered that Brute Productions (a label based in Bangkok, Thailand) had released Territory of Warfare, the debut album by an Indonesian band (from Jakarta in West Java) named OSMED. And so yours truly stopped what he was doing and went in to listen to the release on Bandcamp. Twenty-eight minutes later, I bought the CD on the spot.

I’ve been waiting for this debut since the band’s 2015 EP Ultimate of Realms Ruination, which was released via Endless Torture Records and ended up on my list of favorite EP’s of that year here at NCS. After that they released a promo, and then silence. When I read the news that the album had finally arrived, I was really excited to see what this effort would sound like. And after I finished listening to it, I decided to revisit the EP and the promo, as a way of seeing how the band’s sound had evolved, for better or worse. Continue reading »

Nov 132018
 

 

Even if Bloodsoaked Necrovoid had never recorded the kind of horrifying, necrotic death-doom that’s capable of turning your mind into a foul and rotting mess, they would still deserve an award for nightmarishly evocative creativity based on their song titles alone. Here are the names of the four tracks on their debut demo, which was released in July of this year:

1. Quintessence of the Colossal Cosmic Entity
2. Metaphysical Prolapse Through Purulent Detaching Nightmares
3. Dismal Catacombs of Eternal Flagellating Torment
4. Consuming Darkness of Void Towards Inconceivably Vast Insanity

Not to be outdone, they’ve concocted four more deliciously arcane titles for their second demo, which we’re premiering today in advance of its November 23 release by Caligari Records: Continue reading »

Nov 132018
 

 

Once again, like Pavlov’s dog at the sound of the bell, I’ve started slobbering to the massive mauling tones of HM-2-powered Swedish death metal done right. And you can look long and hard among the current purveyors of such old-school slaughtering and find damned few who do it as well as Feral.

These Swedish veterans have already made a deep mark (choked with congealing blood) within the lineage of this undying style of metallic extremity with their first two albums, Dragged To the Altar (2011) and Where Dead Dreams Dwell (2015), as well as a handful of shorter releases, and their third album — Flesh For Funerals Eternal (which again features the instantly memorable eye-gouging cover art of Costin Chioreanu) — shows early signs of at least equalling, if not surmounting, the horrid excellence of their previous work.

The first sign was a track named “Horrendous Sight” that debuted on the first day of this month, and today we have a further sign as we premiere “Black Coven Secrets“. Continue reading »

Nov 122018
 

 

Korpsesoturi began as the solo death metal project of Juha Ahlfors from Kouvola, Finland, first releasing demo tracks last year (which were eventually captured on tape by Caco-Daemon Records and on CD via Death In Pieces Records). Now Korpsesoturi is about to deliver an explosive debut album named Malus Corpus through Rotted Life Records. You won’t have to wait long for it — the release date is November 16th — and you won’t have to wait even that long to hear it, because we’re presenting a full stream today.

On this album Juha Ahlfors composed the music and performed vocals and bass, and he was joined by a pair of astonishingly good musicians — drummer Oskari Viljanen and guitarist Isto Jänönen (who was also responsible for acoustic and ambient parts). And “explosive” really is the right word for what the three of them have done here. Continue reading »

Nov 122018
 

 

We have been ardent followers of the changing musical explorations of Matron Thorn for many years, through his work under the names Ævangelist, Benighted In Sodom, and Death Fetishist, to name but a few of his many morphing projects. His latest endeavor takes the name Devil Worshipper, a project in which he is joined by Fr.A.A. (from Portugal’s Tod Huetet Uebel) and Erethe Arashiel as vocalists, with guest appearances by Kabukimono and Sebastian Montesi (of Auroch and Mitochondrion).

The debut album of Devil Worshipper, Music For the Endtimes, will be released on December 14th by I, Voidhanger Records. The title makes no attempt to conceal what you’ll experience, and if you’re familiar with Matron Thorn’s previous work, you might also guess that in this particular sonic vision, things won’t end with a whimper. As the label accurately describes, this is the sound of “reality crumbling”, “revealing a nauseating yet fascinating abstract dimension of sin, depravation and oblivion.” Continue reading »

Nov 122018
 

 

Sometimes when record labels use the “for fans of” format to recommend new records, they drop names of other, usually better-known, groups in ways that seem mystifying when you listen to the music. Such references may prove alluring, but they become disappointing or, even worse, deceptive, when you discover that what’s being promoted doesn’t measure up, or doesn’t even live in the same neighborhood as the reference points. But in the case of Cerebrum, the references by the Transcending Obscurity label seem spot-on.

In highlighting the music on this Greek band’s new album, Iridium, Transcending Obscurity recommends it to fans of mid-period Death, Cynic, Atheist, and Necrophagist. It is a form of technical death metal, but not the kind of “tech-death” that has become a kind of nuclear arms race in the modern scene, in which speed, agility, and ever-more-extravagant efforts to pack in notes and beats per second can lead to a mechanistic soullessness. Cerebrum also haven’t forgotten that what they’re creating is DEATH METAL, even if they mount their ferocious assaults with impressive intricacy and technical skill. Continue reading »

Nov 112018
 

 

The Ungodly Lamentations is the second album from the Philippine death metal band Comatose, who first came together in 2003 in Cebu City. Their debut album, The Ultimate Revenge, was originally recorded in 2011 and later released in 2015 by Satanath Records and Darzamadicus Records, a year that also saw the release of the band’s Thy Mighty Conquest demo.

This second album is the work of a new line-up in which (among other changes) founder LD “Bellz” Lee has become the vocalist as well as a guitarist, joined by guitarist Milojan Mondejar, bassist Surge Inso (Black Mantra) and drummer Kyndall Cesar (Astarus).

And now that we have those details out of the way, let’s get murdered by “Forever Reign Supreme”. Continue reading »

Nov 102018
 

 

I first encountered “Immaculate Deconception” two-and-a-half years ago when it was released as a single on tape (by the Ukrainian label Depressive Illusions Records), and wrote about it here soon after. Later that year, in a revised recording, it was included on this band’s latest EP, Madness Incarnate, which was released by Symbol of Domination Productions (and is still available through that label on CD, as well as digitally). And now, we all have a chance to revisit this striking song because it has become the basis for a new lyric video that we’re premiering today.

For those who might be discovering Nihilistinen Barbaarisuus through this video for the first time, it is a Philadelphia-based black metal band co-founded by a man of Finnish heritage and dual citizenship (Mika Mage); the band’s name means “nihilistic barbarity”. On Madness Incarnate he composed all the music and performed guitars and synths, enlisting drummer Joffre Videz and bassist Manuel Rodriguez for the recording, and vocal contributions from James Dorton (Black Crown Initiate, Nightfire, Aborted Existence, Antikythera), Joel Robert Thompson (ex-Nihilistinen Barbaarisuus, Omelas), and Gary Hadden (Lesch-Nyhan) — whose voice you’ll hear and whose lyrics you’ll read on “Immaculate Deconception”. Continue reading »