May 182021
 

 

(Karina Noctum brings us this new interview with the vocalist/lyricist of the Norwegian black metal band Ulvehyrde, whose excellent debut album was released last month on the Dusktone label.)

Ulvehyrde started in 2018 and they have recently released their first album, called Englemakersken. The band attracted my attention because they have a cold-tempered sound leaning toward Western Norwegian BM style, while at the same time infusing the necessary groove to keep it interesting.

Naturally, I had to find out more about them, so I talked to Sorath Northgrove, who also plays in Vulture Lord and Hagl. Continue reading »

May 052021
 

 

(We welcome NF, a new contributor to NCS. He has brought us the following interview of Fredrik Söderberg of the Swedish band DAWN, who should need no introduction, as well as lots of photos, some of which are being published for the first time.)

******
Fredrik, thank you for taking the time to do this interview. It is an absolute pleasure to be having this conversation with you. Let’s go back to the very origin of DAWN. How, where, when, and why did DAWN come to be?


-Fredrik rehearsing-

Fredrik: Thanks for your support. It’s an honor to have this conversation with you today, I really appreciate it! Continue reading »

Apr 302021
 

 

(In this new interview, Comrade Aleks has brought us a discussion with one of the members of the Dutch band Urfaust, whose latest album was released by Ván Records on April 16th.)

Black metal never was my cup of tea, but there are bands who hold my attention for years, and Urfaust from the Netherlands is one of them. They are able to perform both atmospheric and quite strict raw stuff, but at the end of the day Urfaust has kept its grim individuality (in secrecy) for years.

Performing as a duet since 2003, VRDRBR (drums) and IX (guitars, vocals) seem to be always busy filling their discography with new recordings and even though their up-to-date full-length Teufelsgeist (2020) saw the light of day in November 2020, the band already has a curious new volume – Compilation of Intoxications — released literally a few days ago as I write this. Teufelsgeist is meditative to some degree, an ambient-laden ritual. Why not to talk about it and other Urfaust-related themes?

VRDRBR is here and he has some enlightening things to say. Enjoy, I’m going to keep hydrating! Continue reading »

Apr 232021
 


photo by Ville Ruusunen

 

(Karina Noctum has brought us the following interview of Goat Aggressor, a veteran drummer and member of the Finnish black metal band Malum, whose fourth album, Devil’s Creation, was just released by Purity Through Fire.)

In this interview with Finnish drummer Goat Aggressor we talked about his most recent release with the band Malum. The band offer a melodious harmonic sound with well-structured songs. Devil’s Creation is another gem for all those who like the Scandinavian underground. Continue reading »

Apr 192021
 

 

(Comrade Aleks has brought us another very interesting interview, this time with Artyom Krikhtenko, the main man behind the fascinating Ukrainian band Odradek Room, whose newest album was released not long ago through a division of Solitude Productions.)

Odradek Room (from Mariupol, Ukraine) is one of those rare bands with their own vision and ways of unleashing their creative stream. Named after Franz Kafka’s imaginary creature, they have held on to an abstract emotional doom-death pattern with progressive feeling (and avant-garde edge) for about twelve years. They paint vast canvases of despair and grief in gloomy and violent colours, but this elegant and sometimes complex mix has its play of light and shadow.

Odradek Room’s third full-length album Painted Mind was released about seven weeks ago, and together with the band’s mastermind Artyom Krikhtenko (vocals, guitars, keyboards), we try to explore Odradek’s nature for you. Continue reading »

Apr 052021
 

 

(In this interview Comrade Aleks posed questions to Artem Serdyuk, harsh vocalist and guitarist of the Belarusian band Woe Unto Me, whose new EP, Spiral-Shaped Hopewreck, was released on March 12th by BadMoodMan Music, a division of Solitude Productions.)

Woe Unto Me remains a most creative Belarusian doom band still, despite the social catastrophe which has happened in their country. The band was formed in 2008, and as their debut album A Step into the Waters of Forgetfulness (2014) was without doubt sheer funeral doom of epic scale, the second full-length Among The Lightened Skies The Voidness Flashed (2017) tended toward more complex, multi-layered structures and even avant-garde sound.

Their new EP Spiral-Shaped Hopewreck takes us further in a desperate sonic journey of doom, woe, and lethargy, but how far? The band’s founder and ideologist Artem Serdyuk (harsh vocals, guitars) is here tonight to answer this and other questions. Continue reading »

Mar 302021
 

 

(In this new interview Comrade Aleks spoke with Quentin Aberne, guitarist of the French doom band Carcolh, whose second album The Life and Works of Death was released last month by Sleeping Church Records.)

There are few bands with whom we have had close relationships through years despite their status and activity. It’s kind of an exception to the rule indeed. It was 2013 when we did an interview with the Bordeaux-based traditional doom band Marble Chariot for Doom Metal Front magazine, and we’ve kept in touch ’til now even though the band was reincarnated by most of its lineup as Carcolh.

Named after a grotesque mythical mix of tentacled dragon and snail, Carcolh provides pure old and good traditional doom. And as their debut album Rising Sons Of Saturn (2018) tended to be a promising start, the new full-length work The Life And Works Of Death is a full-scale doom invasion, a balm for the mortal wounds of replete doom-eaters.

We had a nice talk with Carcolh’s guitarist Quentin Aberne, and I invite you now to learn more of Carcolh and their ways.

Continue reading »

Mar 252021
 

 

(In this interview Comrade Aleks spoke with Chainarong Meeprasert — bassist, vocalist, and co-founder of the Thai death/doom band Shambles — about the band’s past, present, and future.)

As a tireless doom metal researcher I was surprised when I found that Shambles had been hidden from my radars.

This Bangkok-based gore-thirsty outfit was founded in Thailand back in 1997. The guys tried to express their addiction to Satanism and Darkness through brutal death and black metal, but in the end they chose a path of heavily death-influenced doom metal with huge influences of Incantation and like bands.

After a series of demos and splits Shambles recorded the Realm of Darkness Shrine full-length in 2016. They didn’t stop, and new releases like the Primitive Death Trance EP (2017) and a split with Japanese AnatomiaAbyssal Doom Oriental (2020), followed.

Recently we talked about Shambles’ past, present, and future with one of the band’s founders, Chainarong Meeprasert (bass, vocals). Continue reading »

Mar 192021
 

 

(We present Comrade Aleks‘ interview of two members of the superb death-doom unit Rotting Kingdom from Lexington, Kentucky, whose debut album was released one year ago by Godz Ov War Productions.)

A year ago Godz ov War Productions released a debut full-length album A Deep Shade Of Sorrow by the Kentucky-based band Rotting Kingdom. The album got quite a lot of positive feedback, and it seems to have been the obvious reaction to clear and artistic old school doom-death (with a noticeable emphasis on the second). First-class growling, a truly grim sound with lots of weight and melody, and tangible macabre passion mark this material, making the album a remarkable journey into the absolute ruin of Rotting Kingdom.

Brandon Glancy (drums) and Chuck McIntyre (bass) guide us to the Kingdom’s heart. Continue reading »

Mar 172021
 

 

(We present Karina Noctum‘s new interview of drummer extraordinaire Derek Roddy.)

It was time to catch up with Derek Roddy (Serpents Rise, Nader Sadek, Malevolent Creation, Nile, Hate Eternal). We talked about drumming, but also more about his band Serpents Rise and the making of Nader Sadek’s latest EP The Serapeum (premiered in part and reviewed at NCS here), which was a collaboration with Karl Sanders (Nile) and Morean (Dark Fortress), among others — as well as other interesting endeavours. Continue reading »