Sep 252026
 


Photo Credit: Christian Sobeck

(The lineage of the German death metal band Fleshcrawl is a long one, with its founding dating back to 1987, but the band persists — their new album Epitome of Carnage was released last June. Our Comrade Aleks interviewed Fleshcrawl guitarist Apu Justin Reisch close to that release date for another publication, and we present it here for the first time in English.)

In 2027, the ferocious Bavarian death metal outfit Fleshcrawl will turn 40! Naturally, the lineup has undergone numerous changes over the years; and only the drummer (and backing vocalist) Bastian Herzog represents nowadays the band’s original lineup, which makes the situation surrounding their new release, Epitome of Carnage, all the more intriguing.

Vocalist Sven Gross had been a long-standing member of the band as well, but he lost his battle with cancer tragically in 2021. Since that year Boris “The Savage” Sharafudinov performs vocals, while guitarists Christian Kalbrecht and Apu Justin Reisch joined Fleshcrawl one year earlier in 2020. And it’s good to mention bassist Manuel Markowski, who has been on board already for 15 years.

So given such turnover, it is remarkable that the group has managed to revive and faithfully capture the spirit of the original Fleshcrawl—complete with its old-school charm, massive, churning power, and infernal delivery. Continue reading »

Sep 222026
 

(Today we happily present Zoltar’s interview of the Belgian death metal band Torturerama, whose pleasingly foul and ripping second full-length was released this past July by Memento Mori Records.)

Back in 2010, as in the bowels of the Swedish underground scene a new breed of newcomers were doing their best to take death metal back to its natural habit, aka somewhere dark and ominous, a seemingly new band popped out of nowhere – nowhere being Bilzen, Belgium for you – and gave everybody a lesson in pure classic SweDeath worshipping straight out of 1991, with the help of the legendary producer Tomas Skogsberg, with their debut demo/EP, Left As Remains. A few releases as filled with HM-2 filth followed, until the band went very quiet before dissolving without a fuzz in 2018.

Having returned in 2023 with a reconfigured line-up and a slightly different – yet still as Swedish-obsessed – mindset, they’ve delivered their second and even more putrid sounding second album, The Elaborate Theatre Of The Macabre, through Memento Mori this summer. And it’s collectively that they’ve agreed to answer a few of NCS’ questions, with their tongue firmly in their cheek as you can see… Continue reading »

Sep 172026
 

(This past July Personal Records released a fine debut album [for which we did a premiere] by the Peruvian band Illwind, whose lineup was forged from members of some top South American bands such as Reino Ermitaño, Cobra, Arcada, and Argul. The album provided the impetus for our Comrade Aleks to re-connect with Illwind’s Marcos Koifman, and that produced the following excellent interview with him.)

About 10-15 years ago, the Peruvian band Reino Ermitaño was well-known to doom metal fans. The aesthetics of shamanic rituals, textured riffs, subtle psychedelia, bassist Marcos Koifman’s expressive artwork, and Tanya Duarte’s vocals among other features set the band apart from their contemporaries. Reino Ermitaño was disbanded, and its members joined new outfits, yet Marcos Koifman made his manifest only now with the new doom-act Illwind.

From the ten-minute heroic doom metal anthem “Crimson Skies”, and the down-to-earth “Wanderer” or “Portal,” to the droning stoner-armored “God of Sleep” and the hypnotic “Lucifer’s Mule”, Illwind proves their intention to make something special and refreshing for the underground Doom Cult. It was a proper reason to interview Marcos, as Illwind’s debut album The Unfolding at the End of Light did not go unnoticed for both NCS co-writers and dedicated readers.

Continue reading »

Sep 112026
 

(In June of this year Edged Circle Productions released a new album by the Swedish heavy metal band Dead Kosmonaut, and that led to the following extensive interview by our Comrade Aleks of the band’s founder and songwriter Mattias Reinholdsson.)

This Swedish heavy metal band, officially formed almost twenty years ago by bassist Mattias Reinholdsson, now boasts not only its third album but also a still-stellar lineup. In addition to Mattias’s Book of Hours buddy Henrik Johansson (drums), Dead Kosmonaut features vocalist Per Hellbutcher (Hellbutcher, Nifelheim), as well as guitarists Fredrik Folkare (Unleashed) and Peter Hallgren (Sorcerer).

Such a lineup could offer listeners a brutally extreme experience, but instead, these gentlemen deliver the same melodic, classic metal. The sound of their new album Retrospectre is heavy and clear, not overly cluttered, and the production, entrusted to Fredrik, was oriented toward the ’80s, although these tracks lack the retro-vibe. Despite the artwork and the title, Dead Kosmonaut are not only alive, but kicking ass, and Mattias is here to tell how it’s possible. Continue reading »

Sep 082026
 

(Comrade Aleks has brought us a very good interview with guitarist/vocalist Emilio from the Catalan death/doom metal band Bocc, whose new album Demolarium will be released in just a few days by Night Terrors Records.)

While all members of the Barcelona trio Bocc had previously gravitated toward different sorts of extreme metal (some dabble in sludge, others in death metal), in 2019 they came together in a single, pernicious fervor and gave birth to a blood-soaked death-doom monstrosity.

You can tell from the cover of their second full-length album, Demolarium: the Catalans eschew the sentimentality of melodramatic doom, embracing its uncompromising, destructive, yet musically savvy expression instead. Bocc would be a good match for bands like Autopsy, Cianide, and Coffins, if you’re looking for references, but their sludge-laden, uncompromising base and vitriolic aggression adds variety to the sound.

This fact might be considered curious, given the brutal roar of Bocc’s frontman, but the lyrics are written in Catalan, and their themes are historical, mythical, and folkloric. The vocal delivery negates this merit – the lyrics are impossible to decipher. And that’s one of a few reasons why we got in touch with the band. Continue reading »

Sep 042026
 

(Today our Denver-based contributor Gonzo brings us high points of his conversation at the recent Fire In the Mountains festival with members of the Montana band Galvanist, intertwined with his thoughts about their new album The Silence Between Stars, released in May of this year via ATMF.)

There’s a particular kind of magic that only happens when you’re standing out on tribal land in the shadow of the mountains, dust coating your boots, cold drink in hand, talking heavy music with people who live and breathe it. Festivals like Fire in the Mountains aren’t just weekend party stops; they’re cultural touchstones where you discover something deeper about the music, the setting, and the people making the noise.

That’s precisely the headspace I was in when I sat down with Bozeman, Montana’s Galvanist to unpack one of the most cerebral, devastatingly heavy, and quietly fascinating projects brewing in Bozeman’s DIY heavy music underground. Continue reading »

Sep 012026
 


photo by Tomi Mäenpää

(On October 9th Cruz Del Sur Music will release Let the Posers Fall!, a new album by the Finnish doom band Cardinals Folly. This provided an occasion for our Comrade Aleks to re-connect with the band for an extensive new interview with Mikko Kääriainen that we present below.)

A band like Cardinals Folly can afford to title their albums in such a brazenly provocative manner…  Such Power Is Dangerous! Our Cult Continues! This Is No Church! And this time Let the Posers Fall!. This is the Finnish doom masters’ seventh full-length release in nearly twenty years, and the band, led by vocalist and bassist Mikko Kääriainen, excels not only in the studio but also on tour. Mikko, albeit with a varied lineup, has not only conquered Europe but also made it to the US, which, given the lack of major label support, is an achievement in itself.

Incidentally, thanks to touring, the Cardinals Folly lineup almost broke up, and Mikko recorded new material with Joni Takkunen, who drummed in the band for 12 years, and Tuomo “Space Doom” Kosonen, guitarist of Pohjoinen. Considering Mikko’s stubbornness and obsession with his creation, I’m not surprised that these changes haven’t affected the new album’s quality. Let The Posers Fall! is a blast, and there’s some truth to the pathos of the joke in the title.

Cardinals Folly are still as good at everything related to jaunty trad-doom and solid heavy metal, and their songs seem to have even more of the latter. Here’s our traditional interview with Mikko, and it’s traditionally good. Continue reading »

Aug 242026
 

(Earlier this year our Comrade Aleks interviewed Javier Fernández Milla, one of the two members of the Spanish doom metal band TodoMal. Today we present an English translation of that very good discussion. TodoMal’s newest album Graveyards of Joy was released on July 3rd by Season of Mist, and we reviewed it, along with their two previous albums, here.)

We simply couldn’t ignore the third album by the Spanish band TodoMal, Graveyards of Joy. While their second release, A Greater Good, clearly showcased innovative, luxurious doom metal with the global cinematic backdrop and emotional vibe of Anathema in the late ’90s, today the band’s founders Javier Fernández Milla and Christopher B. Wildman have taken a step beyond that. TodoMal’s new material sets a new standard for melodic, still-heavy doom music, laced with a genuine sadness and an ineradicable humanity.

What is this doom with a human face about? I believe Javier will answer that question, too. Continue reading »

Aug 112026
 


photo by Acidolka Photo

(We happily welcome back The Goat Tavern, a metal enthusiast based in the UK but with roots in Poland whose contributions to metal you can also find here and here. This time he has brought us an extensive, truly wide-ranging, and impressively articulate interview he conducted with Nihil, frontman of the groundbreaking and ever-evolving Polish band Furia.)

For nearly twenty-five years, Furia have stood apart – not only within Polish black metal, but within the genre as a whole. Restlessly evolving while remaining unmistakably themselves, they’ve built a body of work that defies easy categorization, drawing equally from black metal, theatre, Silesian identity, and a deeply personal search for meaning. I spoke to the frontman of the band, Nihil in search for answers to questions that many of us wanted to ask for a long time. Continue reading »

Aug 072026
 

(Here we have Comrade Aleks’ interview of Antonio Ortiz from the Bolivian doom metal band Lachrima Corphus Dissolvens, whose latest album was released this past April.)

Lachrima Corphus Dissolvens is the rare (or only?!) representative of death-doom metal in Bolivia. Being founded in La Paz in 2003 by Antonio Ortiz (vocals) and Beyson Gibson (guitars) with a bunch of friends who soon left the band, it remains still active, although there are only two full-length albums in its discography.

Yes, the new piece Where Shadows Speak and Time Weeps is only the second big work of Lachrima Corphus Dissolvens, but a dozen of singles, EPs, splits, and compilations show that the men didn’t waste their time carrying the torch of Ruinous Powers. I interviewed Antonio earlier in July, so you can make an impression of what Lachrima Corphus Dissolvens is from this interview. Continue reading »