May 202022

When I woke up this morning I had planned to do a big round-up of 8 new songs and videos that I’d picked during a listening/viewing session yesterday afternoon. Bleary-eyed, I found messages from Mr. Synn telling me about four other new songs and videos that had popped up overnight from bands we all favor. What to do?

What I decided to do was go with those four newer ones today, plus one of the 8 I picked yesterday, and push the others I found yesterday into another round-up tomorrow. Trust me, even with the slight delay those others will be well worth your time on Saturday.


“Atmospheres awash with mysterious origins. Sacred rites of passage and formidable knowledge lead to marvels of engineering. Funnelling the mass into a finite horizon all roads travel in duality. Blurred is the line between real and illusion as the last scream of truth is destroyed by evil so grotesque. It transforms into a lone rider traveling into the forbidden darkness…”

Those are the words proffered by Imperial Triumphant for “Maximalist Scream“, the first advance track from their new album Spirit of Ecstasy, which comes with this intriguing cover art: Continue reading »

May 092022


(We welcome a new writer to our putrid site, one who goes by the name fetusghost, and we’ll let him explain his particular interests in his own words.)

Hello, friends, and welcome to the first of hopefully many Bong Metal Round-ups. Bong metal, of course, is heavy metal from bands who have ‘bong’ in the name (eg, Bongzilla, Bongripper, Belzebong, etc). If pornogrind can be a genre, then why not bong metal? The round-up part comes from the fact that getting high leads to missed deadlines, so everything covered here has already been released and awaits your ears and hard-earned dough.

On another heavy metal website, staffed by fine and handsome writers, on the twentieth day of the fourth month of the (very shitty) year of 2020, I wrote a Bong Metal Primer. Having taken a hiatus and switched teams since then, it’s now back to the bongs for this dumb writer. I chose to focus on the underground (ie, I didn’t cover Weedsconsin, which is not Bongzilla’s best, but it’s still an excellent album and we should all be delighted that they are active again), and highlight each band’s most recent release.

As a final note before we do the damn thing, I would like to humbly request your suggestions and recommendations on all things bong metal/stoner metal/weird metal/etc. Holler at me in the comments, or send your electronic mail to, and gimme those sweet streaming links! Bong metal bands take precedence of course, but sharing awesome underground metal is my love language.

Now pack a bowl/hit the vape/roll a fatty, and join me on a Bong Metal Journey! Continue reading »

Apr 232022

I’m pretty sure this is the single biggest roundup I’ve ever created. The streams of music were indeed overflowing over the past week, and I felt compelled to get out to you as many of the good ones as I could — though I still have more, drawn from blackened veins, to push your way in tomorrow’s column.

I will say that there’s more rocking out to be found in this collection than usual, and a couple of exceptions to our no-singing rule. But don’t worry your pointed little heads, there’s plenty of savagery in the mix too. I’ll also say that I played DJ, trying to arrange these in a way that would pair up like-minded songs here and there. But some of the segues are still probably jarring, which is how I like it.


I decided to begin with music from forthcoming releases by a big label before clawing deeper under ground. The first pick is a video for “Dadaist Disgust“, a new single from this Norwegian band’s upcoming debut album Antithesis, out May 27th on Nuclear Blast. Continue reading »

Apr 162022

I hope your weekend is off to a good start. I got my good start at a baseball home opener last night, arrived home late, and spent a chunk of the morning texting with fellow Mariners fans, still reveling in the ass-whipping they administered to the much-loathed Astros. Which is to say that this roundup will be a relatively short one.

A regrettably short one, because this past week was huge for new metal. I did a fairly good job making lists of new stuff I spotted, and it sure seemed like the torrent was greater than average. I basically just took random shots at some bands who have already proven themselves, and a few that seemed intriguing. To make the quick search a bit easier, I left all the black metal options to explore for tomorrow’s usual column. Be forewarned that this includes a couple exceptions to our rule about singing.


To lead off we’ll go with a new Exocrine song, which two of my NCS comrades enthusiastically pushed my way. It’s the title track from the band’s fifth album, The Hybrid Suns, which Unique Leader plans to release on June 17th. Continue reading »

Apr 092022

Mantar – pic by Matthis van der meulen


I was a hamster last week, racing along the treadmill at my day job, with the only apparent signs of progress being motion and the cage filling up with shit. Oh lordie, while I was spinning that wheel the NCS in-box and other message accounts filled up with a lot of shit too — the good shit!

Based on my pawing through it this morning, I found a lot to share, as you’re about to discover in a very wide-ranging musical excursion. But since I’ve now got to go scrub my paws with lye you won’t find my frothy words or cover art in as much abundance as usual.

MANTAR (Germany)

Let’s begin with a new song and video from one of our favorite bands. I have a long list of people (none whom I personally know) that I’d like to hang low so the rats can get ’em because they make life more miserable by their existence. I’d like to beat and scorch them with this song before they take the drop, though they won’t deserve the song’s great chorus. Continue reading »

Apr 082022


(In this new interview Comrade Aleks participated in an exchange with Jacob Nordangård, the principal creative force behind the Swedish doom band Wardenclyffe, whose new album Temple of Solomon was released this past February.)

As you may remember, Wardenclyffe Tower was an early experimental wireless transmission station designed and built by Nikola Tesla on Long Island in 1901–1902.  Such a bold endeavour! And yet it was too bold for its age.

The Swedish doom metal band Wardenclyffe doesn’t offer you something as innovative or technological as you might imagine from their name. Their doom(-death) is appealing yet absolutely traditional in some way. Though I can’t say the same about lyrics written by the band’s spiritual leader Jacob Nordangård. That’s hard to explain, and anyway we did this interview with him due the release of the band’s second album Temple of Solomon one month ago. We touched on a few contradictory themes here, and I believe everyone should do that from time to time… Continue reading »

Mar 242022


High intensity is the hallmark of all the new songs and videos I’ve collected in this round-up, even in the one song I’ve included that’s not like any of the others.


The real-world footage compiled in the video for Kanonenfieber‘s new song “Stop the War” is so powerful that it could be accompanied by a child singing a nursery rhyme and it would still be moving. But the song is every bit as powerful as the imagery. Continue reading »

Mar 212022

(Our friend Justin Collins rejoins us with the following review of GGGOLDDD‘s new album, which is due for release on April 1st via Toronto-based Artoffact Records.)

The time many of us have spent in isolation during the pandemic has, not surprisingly, had a wide range of psychological effects. I’m kind of a recluse to begin with, so I enjoyed the chance to work from home and more or less be left alone. The downside to that is that whatever emotional weight we might have been carrying around can certainly demand attention, louder than before. The distractions are fewer, allowing more space for any obsessions, regrets, and fears that might have otherwise remained drowned out by the larger world.

Milena Eva, singer of the band GGGOLDDD (formerly known as GOLD–we’re all at the mercy of Googlability at this point), found that she needed an outlet for some of those dark thoughts. She was raped at age 19, and she took the opportunity to try to process that pain in a piece commissioned for the online edition of Roadburn 2021.

I’ve been a long-time fan of this band, and the Roadburn performance–what would become the album This Shame Should Not Be Mine–was revelatory. Not only had the band achieved new artistic heights, but they’d also created a piece that had specific resonance for me. I was sexually assaulted nearly 30 years ago, and perhaps like Eva, I struggled for many years for what to do with that information. I didn’t even manage to tell anyone until 25 years after the fact. Continue reading »

Feb 262022


If we let a day go by without posting something, will anyone worry that a catastrophe has befallen us? Some technological breakdown or illness or death in the ranks of those of us who toil here at NCS? Oh, probably not. Maybe just mild disappointment would befall some regular visitors, rather than severe anxiety or anguish. Maybe others would welcome a break from the daily torrent of new sounds.

But life is disconcerting enough these days without the experience of even mild additional disappointment. And so… here are a few new songs and videos, just a few.


It’s hard not to mention the appearance of a new Meshuggah song and video even though everyone likely to visit our site already knows about it, especially because the video is so intriguing (and frightenig). The song’s stuttering and shivering grooves are relentless, and very catchy, and it succeeds in creating a spacey, futuristic atmosphere in keeping with Meshuggah‘s history of providing what seem line soundtracks to the rise of hideous machine intelligence. Continue reading »

Feb 212022


(Our friend Justin Collins  is the author of the following review of the latest album by the Oregonian band Eight Bells, which is scheduled for release on February 25th by Prophecy Productions.)

It’s been a little while since we’ve been graced with an Eight Bells release. As is probably the case with many people, I’ve lost all sense of time because of the pandemic, but it’s been 6 years since they released Landless. Granted, life sometimes gets in the way. Injuries, lineup changes, and the need to make a living get in the way of artists who make music off the beaten path, but luckily Melynda Jackson, the constant of this group, has soldiered on to create Legacy of Ruin with two new band members, Matt Solis (Cormorant) on bass and vocals, and Brian Burke (Cave Dweller) on drums. Continue reading »