Oct 262018
 

 

(In this month’s edition of THE SYNN REPORT, Andy takes on the discography of New Jersey’s Cognitive, including their newest record, which is being released today by Unique Leader.)

Recommended for fans of: Suffocation, Cryptopsy, Cattle Decapitation

Despite being commonly tagged as “Technical Death Metal” in most reviews, features, and press releases, New Jersey crushers Cognitive have always leaned much harder towards the “Death Metal” side of the equation to my humble ears.

Don’t get me wrong, over the course of seven years and three full-length albums (the most recent of which is set to be released today via Unique Leader) the band’s roster has contained some seriously technically talented individuals, all of whom have been capable of unleashing some searing sonic shred on their respective instruments.

But, ultimately, the key feature which has united all the band’s members and albums is an unwavering commitment to blistering brutality, with nary a hint of compromise or restraint along the way, which makes them perfect candidates for this month’s Synn Report. Continue reading »

Oct 122018
 

 

Let’s cut to the chase: Prepare for a brain-twisting, spine-fracturing experience. It’s not even really a chase; at some point you’re more likely to just stop running and stand there, gasping and gap-jawed, as this demon-eyed musical jack-rabbit with a rocket strapped to its back leaves you in the dust.

The band is Cognitive, their album is Matricide, Unique Leader will release it on October 26th, and “Fragmented Perception” is both the name of the song and a summing-up of where it will leave your own mentation. Continue reading »

Apr 202014
 

Here are a few new things that have been wrecking my ears over the last 24 hours.

DEATHCULT

Yesterday I posted (here) a new song by the Swiss band Bölzer, and today I begin this round-up with music from another Swiss band. This one is named Deathcult and it happens to include one of the members of Bölzer (guitarist/vocalist KzR, who also now seems to be the vocalist in Witchrist).

Deathcult released a four-song demo in 2012 that I haven’t yet heard, though it’s available on Bandcamp, and earlier this year Me Saco Un Ojo Records released a new vinyl EP entitled Pleading for Death… Choking on Life (copies are still available there and elsewhere). Continue reading »

Mar 142014
 

As we confront the brink of the weekend, what I have for you here are three new songs that are a hell of a lot of vicious fun for your earholes.

BLACK JESUS

Today CVLT Nation premiered five tracks from an album by a Melbourne, Australia band named Black Jesus. I’m not sure whether the album includes more tracks and I have no idea at the moment when or how the album will be released. But I started listening to it as soon as I saw this description: “The Black Jesus sound is a melting pot of 80’s Punk/ Hardcore & D-Beat pioneers Discharge, meets From Enslavement to Obliteration era Napalm Death and Entombed’s Left Hand Path. It is entirely unpretentious, completely exhilarating, and has a nasty ‘f* off’ attitude to match.”

I was in kind of a rush to get this round-up done, so I haven’t listened to all the tracks that are streaming, but I sure as fuck like what I’ve heard so far. Take the title track, for example. It puts a charge into the old brain stem right from the get-go with a mess of sawing riffs, scalding vocals, and delicious drum swarms. You definitely do get that Discharge / Entombed feel, but when the song passes the 2:00 mark it turns into a freight train chugfest that will give you some serious neck sprain. Damn, this is a blast. Continue reading »

May 052013
 

Cognitive’s debut EP The Horrid Swarm really crossed  me up. As I started listening to it, I thought it was going to be one thing, and it turned out to be many things. By the time it ended, my head had been spun around, like that possessed chick in The Exorcist. You know, all the way around, but somehow still attached.

The opening track, “In the Form of A Drone”, is a speedy, brutal battering about the head and shoulders, a tech-death manifesto that proclaims itself with pummeling riffs, blasting drums, and skittering guitar leads, not to mention a harsh vocalist who bellows, roars, and barks like a demon hound quite convincingly.

The song even has a bass drop, a breakdown, and some slam chords woven into the mix. And like everything else on the EP, the music channels the power of compulsive groove even when the rhythms are changing rapidly and the notes are flying like bullets.

But looking back on it, I can see that the song included hints of something more to come — a couple of brief guitar solos that writhe and spiral, and whose prog-ish melodicism contrasts with all the surrounding brutishness. Continue reading »