SHADES OF BLACK: GROZA, SPECTRAL WOUND, INCESSANT, CONCRETE WINDS, OPPRESS., VANQUISHMENT, XHELAT, GREAT LAKES DUNGEON SIEGE

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Jun 302024
 


Groza

As I mentioned yesterday I’m flying to Iceland tomorrow to be present at Ascension Fest. I need to figure out what to pack, decisions like whether I should bring one change of underwear and socks for the week or 7. I’ve noticed from past Ascensions that people there don’t smell as bad as at U.S. festivals, so maybe more than one change, eh?

I’ve also got a couple of premieres to write for posting tomorrow before I leave, and some clothes to wash, and I might should spend some time with my spouse, to increase the iffy odds she’ll still be here when I get back.

So, even though it’s been two weeks since the last time I did this Sunday column and therefore I have an especially mountainous pile of new music to choose from, this will have to be short — at least in terms of my own words. Continue reading »

SHADES OF BLACK: OCCULTA VERITAS, TODESSTOSS, MOUTH OF CEDAR, HORNED ALMIGHTY, SÓLSTAFIR, HEXEN HOUSE

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Jun 162024
 

To follow up on yesterday’s personal report: The food cooked deep underground turned out extremely well. Our fire continued to roar. The beer and wine didn’t run out. The forecast thunderstorms and hail didn’t arrive, though ominous clouds constantly raced across blue skies, and in the late afternoon they paused long enough to provide a brief drenching.

That did put a literal damper on our outdoor picnic, followed by scenes of people warming their backsides next to the fire bowl, with hilarious sights of steam coming off the butt-side of wet jeans. Not long after, people started going their separate ways just before sunset.

So, what might have been another late night for me turned into a relatively early collapse into bed. Yet I listened to no music yesterday other than vibrant songs from Mexico and Guatemala pumping from a boom box, with lots of marimba, accordion, and tuba in the mix. Today is also Father’s Day.

With all that, today’s collection of metal like yesterday’s isn’t as extensive as I’d like, but still worth your time (I hope you’ll agree). I’ve launched it with a trio of mind-benders, Continue reading »

SHADES OF BLACK: KVAEN, VIEDŹMINY PAKUTY, LIMBES, MRAKOMOR, NEBETEMN, UPON THE ALTAR

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Jun 092024
 

After an extended period of relative quiet my fucking day job has reared its ugly head and is howling at me again. So, this column is my way of howling back, albeit much more briefly than I would like because that beast still has one of my ankles shackled, though that’s better than both ankles and both wrists.

KVAEN (Sweden)

Last week Kvaen released the second song and video to pave the way toward their third album The Formless Fires. I believe my compatriot Sir Andrew Synn (the knighting was not well-publicized because he declined to bend a knee) is likely to review the album, so I’ll just focus on this newest song, “The Ancient Gods“. Continue reading »

SHADES OF BLACK: HORNED ALMIGHTY, SEAR BLISS, KRALLICE, HOULE, KRÅBØL, HEILUNG

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Jun 022024
 

After a bit of a festival-induced hiatus in these Sunday columns, I’ve returned, and have had time to pull together a pretty good-sized selection of new blackened sounds today.

I’m leading off with three veteran bands who have managed to withstand the ravaging gales of time, and then I’ll move into newer collectives. I’m not sure there’s any organizing principle in what I chose, other than my own strong positive reactions to each choice. They include advance tracks from five forthcoming albums, some of them accompanied by videos, and one recently released full-length.

HORNED ALMIGHTY (Denmark)

The mighty Horned Almighty are returning to strike fear into the hearts of men, women, beasts, and probably plant life. Their new album, the seventh in a 20+ year career, is Contagion Zero. The first frights from it come in the form of a daunting and extremely dire song named “Ascension of Fever and Plague“. Continue reading »

SHADES OF BLACK: AQUILUS, OPPRESS., AKVAN, NON EST DEUS

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May 192024
 

I made a bare-bones start on the writing of this column yesterday, and then halted that in order to venture into downtown Seattle for what turned into a long night of talking, eating, and drinking with DGR and former NCS scribbler BadWolf.

I woke up very late this morning for me, head stuffed with fuzz, and feeling very tempted not to finish what I started yesterday. But since I missed doing this column last week due to Northwest Terror Fest and likely won’t do one next Sunday due to Maryland Deathfest, I forged ahead… sort of.

Instead of trying to put into words everything I have been feeling about the music I chose for today, I can only offer relatively short recommendations. The glass isn’t even half full, but at least it’s not an empty glass. Continue reading »

SHADES OF BLACK: DØDSFERD, DARKEND, LIMINAL SHROUD

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May 052024
 

I don’t have as many different things to share with you in this week’s edition of SHADES OF BLACK as I usually do, mainly because I’ve devoted most of my time to expressing detailed thoughts about a forthcoming record which I’ve found to be one of the most gripping black metal albums I’ve encountered so far this year.

After that, I’ve included a couple of recent singles that I also hope you’ll enjoy, both of which are fore-runners to eagerly anticipated albums that I haven’t yet heard in full.

DØDSFERD (Greece)

We’ll begin with the first two songs you can now hear from Wrath, the forthcoming 12th album by Dødsferd. The album’s title shares the name of the band’s founder and also describes the emotional energy that fuels much of the music. Continue reading »

SHADES OF BLACK: INCONCESSUS LUX LUCIS, LIFVSLEDA, BLACNK, LILLA VENEDA, GLACIAL MASS, CRYPTIC CHORUS

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Apr 282024
 

Once again I had enough free time this weekend to make today’s collection from the black spheres a large one. I picked two recently released albums, preceded by one new video and songs from three more full-lengths that are on the way.

As you’ll discover, there’s considerable variation in the music today, but there is a through-line as I perceive it, a pervasive eeriness, a feeling that we’ve left this world and are communing with dangerous, daunting, and deceptive entities in the chilling and incendiary realms they call home.

INCONCESSUS LUX LUCIS (UK)

A painfully long seven years have staggered by since the last album from Inconcessus Lux Lucis, so long that the news of a new album was startling, but a very welcome development for sure.

The new album, Temples Colliding In Fire, is one of three set for release on June 7th that I, Voidhanger Records announced in one fell swoop last week (I wrote about another one, the debut of Thanatotherion, yesterday). And along with the announcement, I, Voidhanger published the album’s title track. Continue reading »

SHADES OF BLACK: VETER DAEMONAZ, SEPTUAGINT, NADSVEST, JOURS PÂLES, HEKSEBLAD

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Apr 212024
 

I got a late start on the day and my NCS time is rapidly running out, so I’ll skip the usual long-winded introduction and just quickly summarize what I’ve picked to recommend below:

This collection includes startling new songs from forthcoming records by four bands whose past releases I’ve enjoyed, and one recently released album from an equally startlng newcomer to these ears.

VETER DAEMONAZ (Russia)

To begin, I have a song from a new EP by the Saint Petersburg black metal band Veter Daemonaz, whose previous music I’ve commented about repeatedly in the posts collected here. The song is “На Север (первое видение)” (which means in English, according to Google Translate, “To the North (first vision)”). Continue reading »

SHADES OF BLACK: HERESIARCH, MAREA, RITES OF REGRESS, MOISSON LIVIDE

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Apr 142024
 

Well, though I feared that partying last night might make today a wasteland for me, an incipient cold kept me away from the party. The only silver lining from missing that birthday party is that I had a clear enough head to pull together this column, which includes reviews and streams of two new albums and two new songs from full-lengths that are on the way — the theme of which is that “Variety is the spice of life!”

HERESIARCH (New Zealand)

Heresiarch‘s new album puts me in mind of a stunning mountain that seizes attention from far away, looming by itself like a daunting edifice above mundane surroundings, like a Rainier or a Fuji or a Kilimanjaro. Only as you get closer do the details begin to stand out too.

Edifice is indeed the new album’s name, and we’re drawn to it initially from far away, the distance being the seven years that separate us in time from their first album, Death Ordinance, which still looms in the memory. Unlike the mountains named above, however, this one is erupting, and through its vulcanism is re-configuring as the explosions occur, the earth shakes, and the lava flows. In that way, new details take shape in the harsh crags, to leave new memories. Continue reading »

SHADES OF BLACK: ACOD, ANTIFLESH, ASPERNAMENTUM, DAUÞUZ, DRAUGNIM, EX CINERE, HÄSSLIG, MACHUKHA, NAXEN

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Apr 072024
 

Last week I came across a verse from American poet and novelist Charles Bukowski that begins this way: “our public hell creates a / private hell and / there is no hell / except on / earth.”

Hell is a realm that exists in human imagination and belief too — a place in parallel to earthly existence or what comes after life. That is one way it exists on earth, even if it has no other existence, in addition to the public and private hells Bukowski wrote about — the hells that human beings make for others and for themselves.

I’m thinking about all these hells today, the realms of demons and the realms of human depravity and anguish, because I happened upon a sequence of new black metal songs and videos that I can only think of as hellish in one or more of those ways. Those songs fill up a lot of today’s collection.

But I only quoted part of Bukowski‘s verse. After positing that there is no hell except on earth he wrote: Continue reading »

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