May 192024
 

I made a bare-bones start on the writing of this column yesterday, and then halted that in order to venture into downtown Seattle for what turned into a long night of talking, eating, and drinking with DGR and former NCS scribbler BadWolf.

I woke up very late this morning for me, head stuffed with fuzz, and feeling very tempted not to finish what I started yesterday. But since I missed doing this column last week due to Northwest Terror Fest and likely won’t do one next Sunday due to Maryland Deathfest, I forged ahead… sort of.

Instead of trying to put into words everything I have been feeling about the music I chose for today, I can only offer relatively short recommendations. The glass isn’t even half full, but at least it’s not an empty glass. Continue reading »

Feb 282022
 

Recommended for fans of: Spectral Wound, Uada, Woe

I don’t know whether it makes me a hypocrite (but, then again, aren’t we all?) but while I retain a more than healthy scepticism about any sort of so-called “supergroup” (sure, some of them are great, but most of them are just famous – and sometimes not-so-famous – musicians trading solely on their names to sell you their latest mediocre side-project) I have a lot more time for solo artists with multiple projects.

Actually, to be more accurate, I have a lot more time for those solo artists I actually like – as I am famously very picky when it comes to projects which are the product of just a single individual – which is why, upon learning that Non Est Deus was another artistic endeavour by the same person behind both Kanonenfieber and Leiþa, I knew I had to check it out.

As it turns out, not only is Non Est Deus a predictably excellent slab of sleekly savage, mercilessly melodic Black Metal – one that’s not afraid to groove, or gallop, as the situation dictates, while also being willing to throw in the occasional unexpectedly esoteric curve-ball just to keep you on your toes – it’s also actually an older and more prolific project that either of the other two, having already released both The Last Supper (2018) and There Is No God (2019), with a third album, Impious, set to be unveiled this Friday via Avantgarde Music and Noisebringer Records.

All of which, obviously, makes Non Est Deus a prime candidate for The Synn Report, so let’s cut to the chase and get to the music, shall we?

Continue reading »