Feb 162025
 

(written by Islander)

I hope you’re having a good day. I hope the following music will make it better.

I used roulette-wheel and craps analogies yesterday, and it’s even more fitting today. Without exception, I had never heard the music of any of these bands before, so picking them was a spin of the wheel and a roll of the dice. I did also land on some songs that didn’t bring much payback; those aren’t here, only the winners. Continue reading »

Feb 152025
 


Dormant Ordeal – Photo Credit: Piotr Dzik

(written by Islander)

Another week has gone by and I’ve had another session with the roulette wheel of new releases, watching the bouncing ball land in one pocket after another as I mentally spun. It’s a fair analogy, since there are 37 or 38 pockets on a wheel and that’s in the ballpark of new releases from the past week I thought might be worth checking out. Also fair, because of the general randomness of my choices of what to listen to.

But the process is also a little like casino craps, getting an instinct about a shooter and betting on particular outcomes. And so I mentally bet on some of the bands from last week I thought were likely to be winners – and some were and some weren’t.

To be clear, I’ve never played roulette or craps in my life, only watched without much understanding. I’m not much of a gambler with my own money; I care much more about losing than the chance of winning; I prefer to keep what I have; there are other ways of being entertained when the odds aren’t always stacked against you — like listening to the following songs: Continue reading »

Feb 142025
 

(written by Islander)

It was a daring decision for the Turkish band Shrine of Denial and their label, Transcending Obscurity Records, to emblazon the band’s new album I, Moloch with the above artwork by Juanjo Castellano. A daring decision, because artwork that frighteningly magnificent represents a challenge: Can the music really match it?

Well, we’re in the process of finding the answer to that question, an answer that has unfolded through two songs revealed from the album so far, and a third one we’re about to present today in advance of the album’s March 7 release date. Continue reading »

Feb 142025
 

(written by Islander)

Let’s start with a “FFO” reference for Devil’s Gateway that you should find interesting, though maybe perplexing: Sacrilege, Axegrinder, Amebix, Prophecy of Doom, early Paradise Lost and My Dying Bride, Godflesh, Deviated Instinct, Bolt Thrower.

In my case, all those names ring like golden chimes. But thinking about how all those influences would blend together leaves a big question mark, especially because I was not familiar with Devil’s Gateway before we were asked to host the premiere of a song (with lyric video) that will soon be placed before you. Continue reading »

Feb 142025
 

(Andy Synn keeps his review streak going with a another killer Death Metal album that just came out)

Death Metal, as we all know, is a global phenomenon these days.

And, if that wasn’t already obvious, our travels this week have taken us first to Scandinavia then to South America and now to Southern Europe where we’re about to discover what delights the debut album from Italian hellions Continuum of Xul (featuring both current and former members of Ad Nauseum, Defacement, and Antropofagus) has to offer.

Continue reading »

Feb 132025
 

(written by Islander)

Last fall the Montreal outfit Chüzo released an EP named M.T.M.D (Maximum Threshold, Minimum Decay). It was intended to introduce the world to their new lineup (still intact today), which features an internationally sourced group of Taiwanese/Brazilian transplant Mischa M on vocals, first-generation Chilean Canadian and mastermind Cristian S. on guitars and vocals, Carlos G from Venezuela on drums, and Alex S from Russia on bass.

The EP also served a second and even more important purpose — to introduce the world to the nature of their new music, a blender of grindcore, Swedish death metal, thrash, and hardcore punk that they named “Aggro Metal.”

To help spread the word about Chüzo in their new incarnation and the M.T.M.D EP, what we have for you today is the premiere of a video for the record’s third and final song, “Bruised and Broken,” which is a good description of how the song and video will leave you. Continue reading »

Feb 132025
 

(written by Islander)

Cleveland-based Dark Empire Records was originally founded by Dwid Hellion of Integrity in the early 1990s. It released music from such bands such as Confront, Apartment 213, and Integrity, as well as the 1994 compilation Dark Empire Strikes Back, which featured acts like Ringworm, Face Value, Pale Creation, and The Guns.

The label ceased operation in the mid-’90s but has revived, and its newest release will be a self-titled album by the French band Glorior Belli, headed our way in March.

The tale of Glorior Belli has been an interesting one. Their musical evolution began with the debut album Ô Laudate Dominvs in 2005, and then Manifesting the Raging Beast in 2007. By the time of their fifth album, Gators Rumble, Chaos Unfurls, they had made a name for themselves as purveyors of black metal infused with swampy Southern rock and blues (and their sole recording member Infestvvs had long before that re-named himself “Billy Bayou” in line with that evolution). Since black metal has loaned itself to hybridization probably more than any other extreme metal genre, others would have eventually done this (and probably not as well), but as far as we know, Glorior Belli was one of the first. Continue reading »

Feb 132025
 

(Let week Relapse Records released a new album by 16 [aka -(16)-], and this week we’ve got Gonzo‘s review of the record below.)

Outside of the unholy trinity of The Melvins, Eyehategod, and Crowbar, you might be hard-pressed to name another longstanding sludge band that’s left their swampy mark on the scene quite like those three have.

If that’s the case, Southern California’s 16 would like a word. Continue reading »

Feb 122025
 

(written by Islander)

Carcolh is the name of a mythical beast from French folklore, a large snail-like serpent that oozed slime and grasped with hairy tentacles. Carcolh is also the name of a powerhouse French doom metal band from Bordeaux/Herbignac. They have two albums to their credit so far, and are about to have a third one released on February 14th by Sleeping Church Records. Its name is Twilight of the Mortals.

Thankfully, the band and the label didn’t put too much weight on the name of our site — because Carcolh‘s Sebastien Fanton sings the words (in a voice that is truly spine-tingling) — and so we have been invited, and have happily agreed, to premiere the entire album today.

The new album is an honorable devotional to the old gods of traditional doom metal, but with a steadfast orientation toward musical narratives that earn the adjective “epic.” As we discuss in greater detail below, they have created dynamic music that is earth-quaking in its heaviness, pulse-pounding in its surges, and melodically sinister and stricken, glorious and gutting. We venture to predict that it won’t be soon forgotten. Continue reading »

Feb 122025
 


photo by Betsy Whiteman

(In this interview with writer Jordan Whiteman, Comrade Aleks delved deeply into the story behind Whiteman‘s recently published book about the history of dungeon synth, and the passion required to make the book a reality. Like the book, the discussion is essential reading for any fan of the subgenre, and for anyone interested in exploring it for the first time.)

Released in December 2024 by Cult Never Dies, the book The Unlikely Story of Dungeon Synth became a good extension of the publishing house’s black-metal-oriented catalogue. It’s not something you would expect probably, but this subgenre, as a development of majestic synth-driven soundscapes accompanying a lot of black metal albums, has its history, its ethos, and influence too.

This well-written and well-illustrated book brightened up this January, so I decided to take a look behind the curtain and discover more of Dungeon Synth and its origin with the book’s author, Jordan Whiteman. Continue reading »