Jul 292026
 

(written by Islander)

This is the tenth year of existence for Orbstruct, the blackened death metal band founded in Kharkiv, Ukraine, and later driven by war to a new home in Poland. During that decade Orbstruct has released three albums, the most recent of which (Ostracism) dropped last year.

To mark this year’s milestone anniversary, Orbstruct performed a live show this past May at the Hype Park Club in Kraków, a show that featured nine songs selected by the band from across their three albums, creating a convergence of their past and present.

Orbstruct’s performance was captured in a recording that will be digitally released under the title A Decade of Transcendence on July 30. It was also captured on film — and today we present that video of this commemorative show. Continue reading »

Jul 292026
 

(written by Islander)

Today we help spread the news that in August Sentient Ruin Laboratories will release the debut album of Rahaty — the one-man death metal side-project of Belarusian black metal act and musician Pa Vesh En — and we’re also premiering the album’s first advance track, “Scorched Beneath the Solar Seal“.

Sentient Ruin’s proprietor always presents vividly evocative descriptions of the label’s music, and has done so again in the case of Rahaty’s first release:

Here proclaimed with its debut album Bestial Lustmord is an unholy conquest within death metal’s most pestilent drift. Putrid atmospheres drenched in sickness. Downpours of death-reeking riffs collapsing into mangled, deformed aberrations. A tectonic rhythm section rupturing into seismic deflagrations, and a bestial vocal regurgitation retching obscenities through the disemboweled carcass of oblivion.

Other descriptions of the record provided by the label include such adjectives as “deranged”, “enigmatic”, “violent”, and “gruesome”. Of course, we have a few descriptors of our own to offer in preparation for your submission to the song we’re about to present. Continue reading »

Jul 282026
 

(written by Islander)

I only had one song premiere to prepare for today and nothing else for us to share with you besides the review from Andy that opened our day. So I impetuously decided to pull together this roundup of new music.

The first two choices attracted my attention because their overlapping lineups include people who I think it’s fair to say are luminaries among discerning metal listeners, those of us who search for more than “the same old, same old”. These artists’ creative interests and impulses also often lead them in unexpected directions, so there was an important intrigue factor in making the choices.

The third choice was much more impulsive. I just decided to listen to the music of the last band to e-mail us yesterday, a band with no reputation I knew of, and only two demo songs to their name. I’m so glad I yielded to that impulse, and I hope you will be too. Continue reading »

Jul 282026
 

(written by Islander)

As we sometimes do, we’re going to jump right into the Critical Defiance song we’re about to premiere and then come back and fill you in on the details.

The name of the song is “Rivers of Blood“, and it’s the title track to this Chilean band’s fourth album, which is forthcoming from Dying Victims Productions on September 25th. Continue reading »

Jul 282026
 

(Andy Synn wants you to stop what you’re doing and play this one as loud, and as often, as you can)

We’ve been accused of being “pretentious” here at NCS a few times… which is actually pretty funny if you really know any of us.

True, we do have a lot of love for weird, proggy music, and we certainly have a lot of fun playing around with language and using some of those “big” words certain people find so frightening, but you know what we also love?

Big riffs, big hooks, and bands that just put out banger after banger after banger.

Which is why I’ve been jamming the new album from Missouri Metalcore menaces Vulgarity over and over again recently.

Continue reading »

Jul 272026
 

(written by Islander)

Plaguewielder, those gritty bearers of black sludge from the Ohio rust belt, have recorded a new single that will eventually appear on their next album, Year Of The Plague, and we’re bringing it to you today with a suitably scary video.

The name of the song is “To the Call of My Master“, and it’s the second single Plaguewielder have released this year, following “Son of The Serpent, Son of The Whore” (premiered here). The band also released the first single from the new album last year, “Blood of the Astral Gate” (premiered here).

Lyrically, “To the Call of My Master” expresses the glorification of a vampire by the vampire’s familiar, and the familiar’s vows of obedience. Musically, the song is as fiendish as the lyrical subject matter, and as highly infectious as a vampiric plague. Continue reading »

Jul 272026
 

(written by Islander)

Occasionally some of us play a mind game in which we imagine how people who know almost nothing about metal would interpret words and phrases we throw around about the music on a daily basis. Like, how would they interpret “tech death”? The possible or hoped-for demise of Silicon Valley? AI reaching its Skynet moment and promptly deciding to wipe out humanity? Some slang term for the precise definition of when a person has expired, even if they might still be breathing?

And yet there are also occasions when the “tech death” label may not really mean what even we think it means, or at least when it falls short in some way. Which brings us to the Montréal band Volubilis.

It’s convenient to label them a “tech death” band, and that label might be better than any other single genre descriptor if you had to choose just one, but it also falls short. Among other things, it tells you nothing about the rather spectacular nature of the tale encompassed by the band’s recently released debut album Theasterion. Continue reading »

Jul 272026
 

(Andy Synn returns to the darkness with a revitalised Altarage and their new album, out Friday)

There’s an excellent question that Sir Michael Caine once asked, and answered… “why do we fall? So we can learn to pick ourselves up.”

And, make no mistake about it, there’s certainly a pretty decent (and vocal) number of Altarage fans who will be happy – well, not exactly happy – to tell you all about how much the band fell off after their opening salvo of three killer albums (NihlEndinghent, and The Approaching Roar) in a row.

Don’t get me wrong, I have some sympathy with this view – as much as I loved the band’s initial trilogy of terror, I was willing to go on record with how disappointed (and disjointed) I felt 2021’s Succumb to be (a position I still stand by), and while I appreciated 2022’s Sol Corrupto a little more than most it definitely still fell short of the band’s usual high standards – but I’m also the sort of person who believes that it’s important for bands to take chances, and that a few experimental misses can sometimes lead to even bigger hits down the line.

Which may well be what we have here, as while 2023’s Worst Case Scenario was clearly informed by the lessons learned from the Succumb/Sol Corrupto sessions, it’s only with the upcoming release of Cogwheel that Altarage seem to have really managed to pick themselves back up again and become the same terrifying force they used to be.

Batman begin.

Continue reading »

Jul 262026
 

(written by Islander)

I had enough time between yesterday and this morning to make this week’s SHADES OF BLACK collection a large one. It includes a trio of EPs, a pair of singles, and one full-length album, all of which got their claws on me in very different ways.

I suppose I could have sub-titled this collection “Best of British”, because three of the bands are from that green and pleasant land (that place of clouded hills and Satanic mills, to complete Blake’s famous references). However, my friend Andy claimed that phrase for his own reviews long ago, and anyway the following collection also includes bands from Czechia, Texas, and Iran. Hope you enjoy everything here. Continue reading »

Jul 252026
 

(written by Islander)

As you know if you’ve stopped by here in previous Saturdays, I sometimes start with a shiny lure, a new song or video from a well-known band, and then drag people down into much deeper waters, kind of the reverse of conventional fishing (fishing from below).

Today I do have a shiny lure, but decided to put it at the end for reasons I’ll eventually explain. Before then I’ve bounced around among savage, strange, and scintillating creatures spotted in the lower depths. Continue reading »