AN NCS ALBUM PREMIERE (AND A REVIEW): TRAGOS — “BELLICUM”

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Mar 122026
 

(written by Islander)

We’re about to lead you off our usual well-beaten paths, or rather the French band Tragos will do that through their debut album Bellicum that will be released by Fetzner Death Records on March 13th.

Gazing at the album’s cover art will give you a hint about the music within, which is an exhilarating alchemy of savage and slaughtering death metal and classical elegance influenced by baroque composers such as Matteo Carcassi, Fernando Sor, Scarlatti, and Bach.

If you’re unfamiliar with Tragos, you might now be imagining heavy doses of keyboards or synthesized violins or cellos, or perhaps the kind of over-the-top bombast that some classically inclined death metal bands put forward, but you’ll learn that’s not what Tragos are up to. You might also be wondering how well their unusual fusion of beastliness and elegance will work, and you’ll get your answer (it works exceedingly well) through our complete premiere of Bellicum today. Continue reading »

WORM SHEPHERD: “DAWN OF THE ICONOCLAST”

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Mar 122026
 

(We present DGR’s review of a new EP by Massachusetts-based Worm Shepherd which was released last month by Unique Leader Records.)

Sometimes a band will find themselves unwittingly serving a purpose beyond the basic enjoyment of music/listener exchange. Worm Shepherd are one such group, as their sort of alternating status between fully activated live act, in-home studio project, nebulous existence altogether has served a somewhat unintentional beacon on the wider evolutionary path of the deathcore genre as a whole.

Built out of constituent parts of various other deathcore groups based along the East Coast and couched in the current day bombast and spectacle of the symphonic and blackened absorbtion, Worm Shepherd have become a sort of guide to the genre as a wider whole – you could explode the band out into seperate guide stones and each one would walk you into a different path of recognizable artists. As these many influences converge, so too does Worm Shepherd reassemble itself.

It is not whether the band itself exists in some instances but the larger picture they paint, and in the case of Worm Shepherd they’ve been excellent as that sort of aforementioned snapshot of where the deathcore genre may be as a whole – especially in its current moment of trying new things again, as the influenced by the influenced by the influenced by the influenced by crowd find themselves facing diminishing returns.

Worm Shepherd’s new EP Dawn Of The Iconoclast is representative of some of this, as the group’s formula was built out of a distilled-down through psychotic chemistry approach to symphonic deathcore, yet slowed down to such a point that it seemed less like we were doing big roaring breakdowns for the sake of declaring just how immensely heavy something feels but because they were a group verging on stumbling into funeral doom territory and just couldn’t figure out how to make the macho hoody aesthetic work with it just yet. Continue reading »

NECROPOLISSEBEHT: “TAURUNOVEM – TH’ASTRAKTYAN SERFDOME”

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Mar 122026
 

(Norway-based NCS contributor Chile has an amazing new find he wants to recommend today, even if spelling or pronouncing it poses a challenge.)

We have already spoken many times about all the good sides and the benefits of metal music as a whole. In fact, there is so much metal going around that we will never run out of it, as opposed to water, clean air, or soil to grow our food, just to name a few. In effect, you’ll be hungry, thirsty, and full of pollutants, but at least you’ll have some great music to accompany you.

Anyway, this abundance makes life that much easier for all of us, listeners and reviewers alike, and especially those of us lucky enough to be both. Just close your eyes and at a stone’s throw in any direction, there is a great band waiting to be found.

In comes Necropolissebeht. The strangely named international crew (ok, it’s Germany and Canada), with just one previously released EP from 2022 under their belts, comes back to drain your world of hope and any traces of light in the form of their just-released debut album, similarly strangely named Taurunovem – Th’Astraktyan Serfdome. Continue reading »

AN NCS PREMIERE: LAGO — “FODDER”

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Mar 112026
 

(written by Islander)

How long has it been? How long has it been since you first heard the Arizona band Lago, or last heard them? In my case the first exposure was 13 years ago when I heard (and was floored by) their two-song demo Tyranny. Ever since then, I’ve followed their releases closely and managed to catch two shows they played in Seattle, one in a small club almost 11 years ago and another at Northwest Terror Fest in 2018, both of them killer performances.

As for the last time I heard them, well, 2018 was also the last time they released an album — Sea of Duress (favorably reviewed here by our Andy Synn). A lot of time passed, but things looked up when Lago released a new single in 2024, “Millenia of Scourge“, which I thought represented a strong step forward from what they’d done before. It was also a promising sign that Lago’s creative cauldron had started to boil again.

And sure enough, Lago have a new album headed our way this year. Titled Vigil, it’s set for release on May 8th by one of our favorite labels, Everlasting Spew Records. As E.S.R. previews, the music is “a dense and suffocating descent into lacerating and surgically cold darkness,” channeling “the weight of dissonant and modern Death Metal while carving deeper into their own bleak and atmospheric sound.”

We also have a statement about the album from Lago themselves: Continue reading »

MONOSPHERE – AMNESIA

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Mar 112026
 

(Andy Synn goes all in on the unforgettable new album from Monosphere, out Friday)

If yesterday was all about turning OFF your brain and cranking UP the volume (and the violence) – check out my review of the new album from Acranius for more info on that – then today is all about getting those synapses firing on all cylinders again with the latest slab of cerebral-yet-crushing Prog Metal from Monosphere.

Continue reading »

AN NCS PREMIERE: ATLANTIC RIDGE — “OUR FAITH IS OUR STRENGTH”

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Mar 112026
 

(written by Islander)

Atlantic Ridge is the brainchild of Italian artist Giuseppe Emanuele Frisone, who will be known to our site’s visitors (and many others) as the person behind such heavy musical projects as Thecodontion and Clactonian. We’re told that the ideas for Atlantic Ridge came to him as long ago as 2019, and then took shape through years of work, with the help of the band’s second member instrumentalist Jacopo Gianmaria Pepe (from the progressive rock/death metal outfit Bedsore).

At last, Atlantic Ridge will have their self-titled debut album co-released in April by Void Wanderer Productions and Dusktone. The labels describe the music as “blending elements of atmospheric black metal and funeral doom metal passages”, evoking “alternatively rich atmospheres and desolate soundscapes”, and recalling “the immersive spirit of bands like Wolves in the Throne Room or Altar of Plagues, combined with the majestic heaviness of early Ahab.”

The album’s conceptual framework is also intriguing. Each of the six songs as we received them includes a parenthetical subtitle which points to a far-flung and mysterious locale on the Earth’s surface, which is consistent with the labels’ further description of the album as one that “represents both a physical and spiritual journey: a descent into the unknown, chasing the idea of reaching to the world’s farthest edges.”

What we’re bringing you today is the premiere of the first song to be revealed from Atlantic Ridge, “Our Faith Is Our Strength (Tristan Da Cunha)“. Continue reading »

AN NCS INTERVIEW: DIESPNEA

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Mar 112026
 

(Prepare for a fascinating interview by our Comrade Aleks of one or more members of the Italian duo Diespnea, focusing on their also-fascinating album of avant-garde black metal that was released last month.)

Anonymous avant-garde black metal entity Diespnea, based in Southern Italy, is here with their new full-length album Radici (Roots). Released by code666/Aural Music on the 13th of February, this work is based on traditional black metal concepts mixed with universal “southern” atmosphere. These specific features appear in many forms, starting from a distinctive tribal chant and atmosphere of Amazonian beliefs and finishing with the authentic atmosphere of trance-inducing Mescaline rituals.

This anthropological black metal is grim, mysterious, and psychedelic to some degree, and Diespnea seems to found their unique identity. But let’s let Diespnea speak for themselves — here’s an interview with the band’s member(s). Continue reading »

AN NCS VIDEO PREMIERE: ZERRE — “ROTTING ON A GOLDEN THRONE”

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Mar 102026
 

(written by Islander)

I always relish the opportunity to brandish the often bizarre and blood-curdling artwork of Paolo Girardi at the top of our site, and as you can see, we’ve seized the opportunity to do that again today.

This ghastly painting also happens to be a literal representation of the title of the album that it adorns — Rotting on a Golden Throne. That album is the fourth full-length from the German high-octane neck-wreckers Zerre, which is now set for release by Dying Victims Productions on March 27th.

What we have for you today is an official video for the new album’s explosive title song. But before we get to it, here’s the label’s preview of what the new album brings us: Continue reading »

AN NCS PREMIERE: SINCE THE DEATH — “HE KEEPS FORGETTING”

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Mar 102026
 

(written by Islander)

We are now about to present a song that’s furious and frightening, a beastly manifestation whose formidable sonic and emotional powers are compulsive at a visceral level.

This song, “He Keeps Forgetting“, is the first to be revealed from a new album named Entangled by the Swedish band Since The Death, which existed as the solo project of multi-instrumentalist and songwriter Oscar Rask since beginning in 2016 (joined by various guest musicians on different releases) but has now expanded in a way that will bring Since The Death on stage for the first time this year.

Entangled also marks the band’s first record on the Norwegian label Nordic Mission Records, which has set Entangled for release on April 24th. As the label describes, “Musically, Since The Death operate at a fierce intersection of death metal, thrash, and black metal, fusing aggression with precision and atmosphere while maintaining a careful balance between cohesion and contrast.” Continue reading »

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