AN NCS PREMIERE: HELSLAVE — “BURNING REBIRTH”

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Apr 162026
 

(written by Islander)

This isn’t the first time we’ve premiered music from the Italian death-dealers in Helslave. We did it twice in 2021 in the run-up to their second album, From the Sulphur Depths, which we predicted (pretty accurately) would “become a huge favorite for fans of massive, marauding, deliciously gruesome old school death metal”.

And now here we are, five years later — five years of unpredictable and tumultuous change in the world at large, including a global pandemic that maliciously chose to explode right about the time when Helslave’s last album dropped. It would be surprising if Helslave itself had not undergone some change of its own, and in fact it has — a very exciting change — because the band have themselves a new vocalist in the person of Enrico H. Di Lorenzo from Hideous Divinity and Eyeconoclast.

We are also very pleased to announce that Helslave have recorded a new EP that’s projected for digital release on May 8th, and we have for you today the premiere of its first single, “Burning Rebirth“. Continue reading »

BEST OF BRITISH: CHALK HANDS / SUGAR HORSE / VOID OF LIGHT

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Apr 162026
 

(Andy Synn offers up three more prime Brtish exports for you to enjoy)

Like I’ve said before, we like to keep you guessing here at NCS, which is why after spending the start of the week covering riff-happy ragers from At The Gates and Inherit the Curse I’ve decided to dedicate the end of the week to three UK-based bands who err more towards the expressive, progressive, and/or atmospheric side of the musical spectrum.

Continue reading »

ARCHSPIRE: “TOO FAST TO DIE”

 Album Reviews  1 Response »
Apr 162026
 

(This is our DGR’s review of Archspire’s new album, which was self-released on April 10th.)

While 2026 still finds itself on shaky ground overall, the opening few months have proven to be an interesting rollercoaster of releases in the heavy metal world. While we’ve had some decent gaps available for discovery, the still-young year has produced a fair share of surprises and a steady drip-feed of known names unleashing their latest monstrosities upon the world.

The most recent wave in particular has been among the more tech-death minded of the metal scene, with a small handful landing at near the exact same time, all with the general philosophy of keeping their foot planted firmly on the accelerator. The guiding light of “all X-games big ramp, all the time” is undeniable when it comes to the viewpoint of some of these bands, and no group has proven to be chief among them more than Canada’s Archspire, who released their newest album Too Fast To Die last week – their newest venture as an independent artist without a label. Continue reading »

AN NCS PREMIERE: MYLINGAR — “ÚT”

 Album Reviews, Premieres  2 Responses »
Apr 152026
 

(written by Islander)

Recently we have been reminded by photos from the vicinity of the Moon that in many respects the Earth is a verdant, beautiful, and serene place. Closer to ground level, however, it still often remains ugly, violent, saturated with suffering, and shrouded by death. Of that we don’t need reminding, because the evidence is all around us, every day.

The music of the anonymous four-person entity known as Mylingar has always drawn its fuel from the worst that humanity has to offer and the perspective that the world is a killing machine, or so it seems when you listen to their ruinous black/death assaults. And now, nearly seven years after their last album, we’re reminded of that by a new one named Út, which will be released in cooperation with Amor Fati Productions on April 17th.

But as we’ll explain, and as you can now discover for yourselves, there’s even more going on in the album than you might expect based on Mylingar’s previous works. Continue reading »

CLAD IN SHADOWS: “MONUMENTS IN RUIN”

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Apr 152026
 

(The Texas-based melodic death metal band Clad In Shadows released their debut album in late February, DGR managed to come across it, and now he’s turned in the following appreciative review.)

You can use your band name for many things in heavy metal, such as head-turning shock value or as a mission statement. You can even make it dual-purpose, as is the case of New York’s Clad In Shadows. They took their name from an early In Flames song that was a live staple of theirs for a bit, thereby not only making their mission statement clear but also laying out their influences and providing a good basis point for anyone with bare knowledge of metal music’s subgenres as to what they might sound like without hearing a note.

Let’s play a game then, because many of you will have guessed both by the band’s name and who is writing this here writeup what exactly Clad In Shadows sound like on their first album Monuments In Ruin. You have twenty seconds to think, and then come check back in and tell us how closely you landed with the rest of this introduction.

Did you guess that this was going to be blindingly faithful melodeath worship with enthusiasm that shines so brightly it could scour your shadow into the wall? Yes? Perfect. Because that is what Clad In Shadows are doing, and although the album isn’t breaking down any boundaries, it is doing a fantastic job in adding to the overall genre’s collective archive and blueprint. Continue reading »

AN NCS INTERVIEW: RIKET

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Apr 152026
 


photos by Ekaterina Yakyamseva

(Comrade Aleks has brought us many good interviews for many years, all of them worth some attention, but some stand well forward of others, and this discussion with Johan from Rikets is one of them. Read it and you’ll see why.) 

The debut album by Swedish death metallers Riket was released to mark the band’s tenth anniversary. And it’s not just another melodic death metal band, as, foremost, all lyrics are written in the native language and it’s inspired by historical events in Sweden. And as you may imagine, the album’s title 2026 isn’t just a number. At the same time, there’s no room for the usual metal cliches like Vikings’ conquests or war in Riket’s lyrics, and every song is named after the year when this event took place. The band focuses on more specific authentic topics, which you will learn from the interview below.

Meanwhile Riket has created an organic, well-produced, and honest album in the key of sophisticated yet straightforward melodic death metal. And 2026 has every chance of being remembered by listeners for more than just the lyrics. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): AGELESS GATEWAY — “CORRUPTOR OF STARS”

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Apr 142026
 

(written by Islander)

Lovers of science fiction, and especially renderings of cosmic horror, will find a lot to love in the conception of Ageless Gateway’s debut album Corruptor of Stars. It narrates a tale of massive parasitic alien infection of our solar system, and its warping of existence on a breathtaking scale.

In portraying these terrors, this Polish project’s sole creator Apparition interweaves atmospheric black metal with death, doom, and ambient influences to create a chilling and thrilling five-song experience with a compact run-time of 32 minutes, and we’re providing listeners the chance to become immersed in it today in advance of the album’s April 17 release by Godz Ov War Productions. Continue reading »

FOETOREM: “INCONGRUOUS FORMS OF EVERGROWING ROT”

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Apr 142026
 

(Here is Daniel Barkasi’s review of the debut album by the Danish band Foetorem, which came out at the end of March through Everlasting Spew.)

Demos tend to be raw glimpses of a band in their yet-to-be fully realized form. Once in a blue moon, you come across a legitimate head-turner that’s further along in their spawning phase than it has any right to be. Such is the case for yours truly and Danish death/doomsters Foetorem. Their three-song introduction in early 2025 was robust, intricate, and absolutely nasty in the most putrid way (that’s good), whetting the appetite for what they might be capable of within an LP.

That time came not too long afterward, with the band being picked up by denizens of all things grotesque Everlasting Spew Records – a home that feels perfectly suited for the wares we’ve heard from the foursome thus far. Incongruous Forms of Evergrowing Rot is the most fitting name of that first full-length effort, and the question of whether they can fulfill their massive potential or sink into the murky swamp is the curiosity of the day.

Continue reading »

INHERIT THE CURSE – ALL WE ARE IS DUST

 Album Reviews  1 Response »
Apr 142026
 

(Andy Synn goes from a long-term favourite to a brand new one from German Metalcore marauders Inherit the Curse)

If there’s one thing we try to avoid doing here at NCS, it’s repeat ourselves.

So since yesterday was all about a legendary, long-running band and what could possibly be their final album, today I’m going to shift my focus to a much, much younger band who just put out their first full-length release.

Sun rise, sun set.

Continue reading »

AN NCS PREMIERE: THE SCALAR PROCESS — “FAR FROM THE FLESH”

 Premieres  1 Response »
Apr 132026
 

(written by Islander)

“Seductive”, “surreal”, “spellbinding” and “sublime” aren’t words usually deployed in describing the music of a band whose principle genre partition is technical death metal, even for an alliteration-addicted writer such as me. But those aspects of the song we’re about to premiere are precisely what make it stand out so memorably.

Those are also among the aspects of The Scalar Process’s new album Agnomysticism that led their label Transcending Obscurity Records to describe it as reflecting “simply staggering” progress beyond the band’s debut full-length Coagulative Matter five years ago.

To be clear, progressive tendencies and a penchant for creating mysterious and meditative moods were already evident on the band’s debut, and to be further clear, the new album still often includes instrumental performances of fast-paced, eye-popping dexterity, but the new one is far away from a non-stop thundering waterfall of notes and beats, and you need look no further than “Far From the Flesh” to find convincing proof of that. Continue reading »

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