
(Andy Synn finds love in the hyperdrive all over again with Witch Ripper)
Let me begin by telling you a little story I don’t think I’ve shared before.
I’ve been a big fan of Seattle-based Prog-Metal maestros Witch Ripper for some time now – I first wrote very positively about their first album, Homestead in 2018, and lavished even more praise on 2023’s outstanding, album of the year contender, The Flight After the Fall – but, due to the exorbitant postage costs involved in shipping anything from the US over the last few years, getting a hold of either of these albums in physical form proved to be prohibitively expensive.
Thankfully I’d become friendly with the band’s vocalist/guitarist, Curtis Parker during this time, and while I was in Seattle for Northwest Terror Fest in 2024 (tickets for this year’s edition still on sale, btw) he very kindly offered to hand-deliver copies of both record’s to me at my hotel, an offer which I duly accepted.
But here’s the thing – and the thing that Curtis himself didn’t know (but absolutely will after this) – I thought I was getting CD version of both albums, so when he walked around the corner with two LPs in hand, well… let’s just say I was very surprised, but tried not to show it, even though I had no idea how was going to get these two pieces of vinyl back to the UK without breaking them.
Thankfully I was ultimately able to transport them both home safely (and then, not long after, track down affordable copies of both albums on CD as well) and they now sit proudly on my vinyl shelf as part of my small, but much-loved, LP collection, and I’m hopefully going to add their excellent new album, Through the Hourglass, to the shelf right alongside them very soon.
Continue reading »