Dec 032021
 

 

“Combining the leaden misery of funeral doom, the hideous unconventional songwriting of death metal and the monomaniacal disgust of black metal, Mordom prove themselves to be preternaturally gifted at transmuting their darkest moods into monstrous moments of crushing sonic majesty.”

Those words aren’t ours, but instead were crafted by Decibel Magazine’s Dutch Pearce when he reviewed this San Diego band’s debut demo about a year ago. However, the description is too on-point for us to ignore. We repeat them now because Mordom‘s debut album Cry Of The Dying World is fast-approaching its December 10 release via Transylvanian Recordings.

Like the demo, the album blends ingredients of funeral doom and death metal, but also includes elements of sludge, crust punk, and post-rock. Unlike the demo, it includes the work of drummer Nathan Gonzalez joining in with the band’s founder (and his Cessation bandmate) Max Hoffman, who decided to drop guitars almost entirely for this album and rely heavily on pulverizing bass tones, plus his own harrowing harsh vocals. Continue reading »

Dec 032021
 

 

The tale of Tormentor Tyrant‘s inception points the way toward the kind of evil death metal they’ve laid down on their debut self-titled EP. We’re told that the band was born in late 2020, but that the seeds of the idea might be traced back even a few years earlier “to some obscure drunken nights when the trio had the innocent idea of ‘how cool would it be to just jam some early Deicide songs together?'”

From that starting point this Finnish threesome — guitarist/vocalist S. and drummer J. (who played together in such bands as Cataleptic and Solothus) plus bassist/vocalist M. (from Corpsessed, Tyranny, and Profetus) — moved on from playing cover songs to creating their own fiendish material, but still under the influences of the early demos and albums of groups like Deicide, Cannibal Corpse, and Malevolent Creation, as well as the abrupt and unhinged bands of South America and Europe of the same era.

And hell yes, what they’ve made is thoroughly evil — death metal that’s grimy, grotesque, untamed, and savagely primal in its sound. We’ve got a great example of their formidable talents in a song off their forthcoming EP that’s fittingly named “Primal Evil“. Continue reading »

Dec 032021
 

(Andy Synn presents three albums from last month which he thinks you may have overlooked)

You know what times it is… well, what time it almost is… it’s almost time for my annual week-long round-up of the year in Metal.

But, before that, there’s still time for a few more reviews of things which you may have overlooked last month (and, don’t worry, I’ll also be doing some more of my “unsung heroes” posts later this month in order to catch you up on some of those albums you may have missed earlier in the year too).

Until then, however, enjoy these three succulent morsels of Progressive Death Metal.

Continue reading »

Dec 032021
 

 

(Comrade Aleks has brought us the following interview with guitarist Dragos of the fine Romanian black metal band Genune, whom we’ve praised repeatedly here at NCS.)

Genune means “chasm” or “abyss” in Romanian. It’s a fitting name for a black metal band but this trio isn’t one of those straightforward acts who praise the joys of nihilism and hatred. Dragos (guitars), Cosmin Farcău (guitars) and Istvan (vocals, bass) are rather into this modern melancholic way of interpreting the genre which helps to stream their energy not only through common aggressive channels but also through more fragile and elegant “atmospheric” decorations.

Placed somewhere in-between Bacău and Cluj-Napoca, Genune released their second album Inert & Unerring in April 2021 and it sounds like a reflection on themes of feeling and being in this very place. It’s easier to understand Genune when you watch the band’s official videos and, of course, when reading this interview we made with Dragos. Continue reading »

Dec 022021
 


Kayo Dot

(Here are Gonzo’s album recommendations from among those released during November 2021.)

And just like that, November came and went.

While most of us are probably still unpacking the bullshit that 2020 brought, it’s hard to believe that we’re only a month away from 2022. Follow me for more proof that we’re living in a simulation.

Though November was a flash in the pan in the big scheme of things, the music that was released during those 30 days have sent my year-end list plans into a tailspin. Too much good stuff, not enough time to listen to it all.

That said, the stuff I did get around to spending time with was damn good. Four albums in particular have made the cut this month. Continue reading »

Dec 022021
 

This is the time of year when ardent fans of metal, or at least the ones who enjoy bestowing accolades via year-end lists, are thinking hard about what they’ve been listening to over the last 11+ months. As all such list-makers know, it’s a time of year when December releases tend to get overlooked, even though the release schedule does tend to slow down some as we barrel ahead toward December 31st.

We’re probably as guilty of this as anyone else, but we’re still making an effort to keep at least one of our eyes focused on the horizons ahead, and the truth is that some very good records are still set for release this month, and Husqwarnah‘s debut album Front Toward Enemy is one of them. It’s so good that devoted fans of death metal might want to check it out before putting the finishing touches on their year-end lists.

And although we’re still a day away from the album’s official release, you can check it out right now, because we’re now hosting the premiere of Front Toward Enemy in its entirety. Continue reading »

Dec 022021
 

(NCS contributor Nathan Ferreira prepared the following exhaustive retrospective concerning the work of Turkish musician Mustafa Gürcalioğlu (a current or former member of such bands as Decaying Purity, Burial Invocation, Engulfed, Diabolizer, and Hyperdontia), which includes extensive discussions with the artist.)

I’m back with another way-too-ambitious deep-dive project, inspired by my excursions into The Ruins of Beverast’s body of work earlier this year. I was hoping to get this out in time for the premieres of either or Hyperdontia, but alas, that proved to be too lofty a goal. I may have bit off more than I could chew. Either way, it’s finally ready for all your music nerd-related pleasures, just in time for you to add those two bands to your year-end lists – if they’re not on there already.

The discography of Mustafa Gürcalioğlu was one that I wanted to give in-depth coverage to for a few reasons. One, it’s incredibly consistent – I don’t think the guy’s put out a stinker yet, and even the ones you don’t think you like tend to grow on you over time. Two, it starts out good, slowly gets better, and it sounds like the best is yet to come, since the most recent albums by all four of his projects are the strongest. Three, there are enough small differences between albums and different bands that you can tell them apart, but because of the aforementioned consistency, you’re still guaranteed a solid listen while also getting something new along the way. No one has given his discography the appreciation it deserves – if you didn’t get the hint yet, pound for pound it’s one of the best in metal.

Since Mustafa is a more accessible and/or approachable character than Alexander von Meilenwald proved to be, I was able to flag him down and ask him a ton of questions, so with each venture into one of his bands, I’ve included some information straight from the creator’s mouth (keyboard?) to add extra context and colour. In addition, I’ll kick off the article with some more general questions so you can get to know the man behind the music a bit more before fully taking the plunge. Enjoy! Continue reading »

Dec 022021
 

(DGR provides both a very short and also a much longer review of the new album by the Polish band Dormant Ordeal, which will be released tomorrow [December 3rd] by Selfmadegod Records.)

Do not sleep on Dormant Ordeal‘s newest release The Grand Scheme Of Things.

There’s your review.

Seriously.

By following the site for a while you’ve been subjected to the absolute torrent of music that we’ve reviewed over the years. We do this on purpose, partially because we collectively have tastes that spread far and wide, and by maintaining the cadre of writers that we do it pretty much insures we’ll cover a tremendous amount of ground throughout the year. However, when we do sync up around a certain band we tend to bang the drum for that band hard and take them up as one of our causes.

Poland’s Dormant Ordeal are one such group and have been for a while now, at least since the release of their previous album We Had It Coming all the way back in 2016. That album’s take on relentless death metal was so filled to the brim with sharp grooves, hammering drums, and non-stop guitar assaults that it was kind of shocking it didn’t seem to make as much of an impact as it should have. We shouted out the disc constantly, even including it amongst our various end-of-year lists that year and awarding it one of our ‘most infectious song’ awards before that list inevitably managed to suffocate under it own weight.

Hell, during one of our GimmeMetal invasions we even closed out one of our programs with the two-parter of “Derangement Zone pt 1′ and ‘Derangement Zone pt 2’ from that disc.

Needless to say at this point, our history with Dormant Ordeal runs pretty deep – which is why the group’s newest album The Grand Scheme Of Things has been in damn near constant rotation since the moment it landed on our fire-charred desks. Continue reading »

Dec 012021
 

 

We have now entered the final month of 2021, and that begins the final countdown to the end of the year. In the world of metal, this month we’ll also start seeing more and more lists of the year’s best releases.

Back in 2009, when this site was just a few days old, I wrote a post about year-end lists and why people bother with them. The best reason still seems to be this: Reading someone else’s list of the albums they thought were best is a good way to discover music you missed and might like.

We don’t do an “official” NCS year-end “best albums” list. However, we publish the picks of each of our regular staff writers as well as a group of invited guests, in addition to lists that we re-post from a few print zines and “big platform” online sites.

Every year we also invite our readers to share their lists and we’re doing that again right here, right now.

If you’ve been pondering what you’ve heard this year and have made your own list of the albums, EPs, or splits released in 2021 that you think are the best of what you’ve heard, we invite you to share it with everyone in the Comments section to this post. And if you haven’t made a list yet but want to, there’s still plenty of time (read below). Continue reading »

Dec 012021
 

 

Austin-based BLK OPS haven’t been prolific. Until now, following their formation in 2014, their discography consisted of a pair of 2017 splits (with Cave Bastard and KRVSHR) and a live album released just at the start of the pandemic in 2020. But though their output has been limited, their abrasive but cathartic amalgamation of hardcore, metal, and harsh noise has made a crater-sized impact, harrowing to hear but impossible to forget. And now, at last, we have their debut album, The Heroic Dose.

From what we hear, getting the album to the point of release — which will happen via Roman Numeral Records on December 3rd — has itself been a harrowing and frustrating ordeal. But the considerable time that BLK OPS spent working and re-working the record, that time shows itself in the outcome. The Heroic Dose builds upon all the qualities that made BLK OPS‘ splits so striking, and creates an even more daunting, elaborate, and demanding edifice of sound, which you’ll get to experience in its entirety today. Continue reading »