Jul 062026
 

(written by Islander)

Hostility to the Christian church has been a hallmark of black metal going back to its earliest roots. Even today, some people don’t consider black metal “true” unless it is based on a devout Luciferian foundation. Of course, the music of many black metal bands has nothing to do with such themes, and others use satanic lyricism and imagery more as costumery than expressions of personal belief, while some are more broadly anti-theistic than merely anti-Christian.

The black metal band Kafir (the solo project of any anonymous musician) is explicitly anti-theistic and specifically anti-Islamic. Kafir has identified its location as Saudi Arabia. If that were true, the lyrical stance would make some sense.

For the progenitors of black metal who lived in countries where the Christian church had stamped out pagan traditions and dominated communal belief, it was natural to express their disbelief and anti-theistic rage at that religion. On the other hand, if Kafir lived in a country dominated and repressed by Islam, then that would be a natural target of Kafir’s own disbelief, rebelliousness, and rage.

But Kafir has made comments in an interview which explain that the identification of Saudi Arabia was done to satisfy a Bandcamp location requirement, and was inspired by Kafir’s musical themes, rather than a literal truth. And so the specific hostility to Islam may have other explanations. Continue reading »

Jul 062026
 

(Andy Synn shares his thoughts on one of his most anticipated albums of the year)

What’s the difference between Metal and Hardcore?

Some people, of course, see the two as entirely separate things… and refuse to have anything to do with the other one… but the truth is that Metal, Hardcore, Punk, Grind, etc, have always existed as part of a greater continuum – not a linear spectrum, by any means, but a complex, interwoven web of inputs and influences, constructions and perceptions – that doesn’t necessarily divide the genres into neatly defined little niches.

Take Alabama’s No Cure, for example, who are most definitely a Hardcore band – they even describe themselves as “the world’s most evil straight-edge band” – but who aren’t afraid of acknowledging that, in their own way, bands like Sepultura, Machine Head, and Dying Fetus have had almost as much impact and influence on their sound as the likes of Earth Crisis, Hatebreed, and The Acacia Strain.

So it’s more than fitting that their new album, set for release this Friday, has a little bit of all those bands in it, while still being defiantly its own thing.

Continue reading »

Jul 062026
 

(We welcome back Daniel Barkasi with another collection of reviews and recommendations of albums released in the month just ended, this time June 2026.)

The summer solstice came on June 21, and it’s been a wild ride so far in 2026. New house in a new state, new baby horse (Ezri is doing awesome). What’s also new – for me, anyway – is not being cooked alive by the temperature at this point in the year. It has been a comforting 70 – 75°F (around 2124°C) for a lot of the time here in the WV mountains. Then there’s Florida, where the real feel temperature has been as high as a sweat-farming 110°F (a hair over 43°C).

I used a past tense in describing the amazing weather we were having, but alas, a taste of Florida has arrived, with those same boiling conditions. Talk about perspiration soup. I miss some things about the home of the infamous Florida man, but not that.  With that, it’s been a regular refreshing of cold water for all of the outdoor animals, as well as shearing the sheep – which was quite the ordeal, but absolutely necessary to prepare.

At the beginning of June, we also got to attend an event a little different from music, but with a connection for many who enjoy this sort of music – a horror convention. Continue reading »

Jul 052026
 

(written by Islander)

As you can see, despite yesterday being the Fourth of July, I carved out enough time to find music worth recommending today. I had made some of today’s selections before yesterday but completed the grouping while people were getting ready to make a lot of loud noises last night — or so I thought, because I made one last-minute addition this morning.

As usual, there’s considerable variance among the following songs, because I really do believe (as a long-dead poet said) that variety is the spice of life, and because black metal these days offers tremendous variety. Having said that, the first five selections and the final one all prominently feature keyboards in important roles, though they don’t sound alike either. There are some genuine head-twisters down below as well. Continue reading »

Jul 042026
 

(written by Islander)

I have mixed feelings about the Fourth of July, probably a result of living through wars in Vietnam, Iraq, and Afghanistan in which U.S. government officials wrapped themselves in the flag, exalted themselves with military fly-overs, and belched “patriotic” rhetoric while lying to citizens and sending their children overseas to be maimed and die, and using the flag and that same distorted rhetoric in many other contexts to cudgel their political opponents and try to silence dissent.

The feelings are even more mixed on this 250th anniversary of the Declaration of Independence, as we see the legacy stained by a megalomaniacal old man with the moral compass of a snake who has attempted to co-opt the anniversary and turn it into a celebration of himself. He rages, foments rage, and has prepared for the arrival of this milestone anniversary with a daily dose of hatred, division, and dementia. He maliciously erodes our democracy instead of protecting it, “seeing it as a hindrance to his lust for untrammeled power and cash grabs” [as one writer put it today].

On the other hand, I still revere the revolutionary ideals set forth in the Declaration, respect the best parts of the country’s history in which people sought to make them a reality, and hope for better days ahead. I also enjoy fireworks and parades and eating and drinking to excess with family and friends. If you have such plans today, I hope you have an abundance of fun (and I hope you wake up tomorrow with all 10 fingers still intact).

But I know you didn’t come here to read about my mixed feelings concerning the Fourth. As you’ll easily guess, I don’t have mixed feelings about the new songs and videos I’ve collected for today’s roundup, but recommend them whole-heartedly. (Heyo! How’s that for a transition?) Continue reading »

Jul 032026
 

(written by Islander)

Somehow, in our 16+ years of existence, today is the first time we’ve featured the music of the Italian band Carcharodon. It’s especially mystifying because the band’s discography includes four albums and a slew of shorter releases, and because the band’s genre-crossing music hits dead-center in some of our favored wheelhouses. In the case of the Carcharodon hellions, however, late is definitely better than never.

The occasion for us getting on board the Carcharodon road-hogs is the forthcoming September 26 release of their fifth album by Satanath Records. The name of the new album is Never On Your Side, and the song from that album which we’re bringing you today is “The Balls’ Law“. Continue reading »

Jul 032026
 

(written by Islander)

Like many other ardent fans of melodic death metal, we were first drawn to Fimbul Winter last fall by the musical pedigrees of their lineup: The band was formed by Amon Amarth co-founders Anders Biazzi and Niko Kaukinen, along with longtime Amon Amarth drummer Fredrik Andersson, and they were joined by venomous vocalist Clint Williams (Munitions, Nemesium). And then Fimbul Winter’s music pulled us all the way in – first with a single called “Mounds of Stones” and then with a debut EP named What Once Was.

Our reviewer here called Fimbul Winter a “battle horde”, creating music on that EP that was “sharp and aggressive”, “pulling from a massive well of fiery and head-on aggressive guitar riffs”, making battle anthems but also loading them with earworms, and “injecting life into the sometimes staid waters of melodeath”. And we put that first single on our list of last year’s Most Infectious Extreme Metal Songs — though really any of the EP’s songs could have warranted that award.

Fortunately, that EP wasn’t a one-and-done effort. This past May Fimbul Winter released another terrific single (“Crowned In Ash“), and today they’re releasing a compelling new one called “When The Sun Comes Out At Night” — with Johan Lindstrand from The Crown joining them as a guest vocalist. We are most happy to share it with you today through our premiere of a lyric video for the song. Continue reading »

Jul 032026
 

(Kyle Doerksen is a very good photographer of varied scenes and subjects, as you can see here. He also has a taste for metal, and that led him to The Regent Theater in Los Angeles last weekend to witness performances by Monolord, Acid King, and Mizmor. We are greateful that he sent us the following report on the show and his accompanying photos.)

I arrived way too early, as I had never taken photos at The Regent and wanted to get the lay of the land. The room is an old theater from 1914 that operated as a high-end film house, a grind house, and then the logical conclusion: an adult movie theater. The theater eventually shuttered in 2000 and reappeared in 2014 in its current form.

A corridor leads you to two sets of double doors that open into the main room, with a bar to the left and right. A flight of steps down to the sloped floor makes for great sightlines but an awkward pit. There is also a fairly sizable upstairs that hosts another bar, a VIP area, and some sort of makeshift bleacher seating.

After a quick loop, I settled in up front and patiently waited for the show to start. Continue reading »

Jul 022026
 

(written by Islander)

The Australian band Complexant have been making a name for themselves in their home country since 2022 through tours in which they’ve shared the stage with such bands as Cryptopsy, Fleshgod Apocalypse, Defeated Sanity, Unearth, and Disentomb, and they’ve extended their music across international waters with a string of singles and a 2023 EP (A Rite of Passage). Complexant should draw a lot more attention both at home and abroad when Bleeding Art Collective release their debut album Apex later this month.

As the band’s music has evolved into what’s represented on Apex, they have drawn influence from bands such as Behemoth, Suffocation, Emperor, and Nile, focusing on an intersection of death and black metal that’s rightly described as “a sound defined by weight, darkness and unrelenting intensity”.

We have a very strong example of these qualities today in our premiere of a video for a song off Apex called “Afterlife“. Continue reading »

Jul 022026
 

(Andy Synn wants you to check out these four albums you may have missed in June)

There’s an unfortunate “catch-22” involved in these “things you may have missed” columns… because while they’re important as away of catching you all up on, well, things you may have missed (the clue is in the title) they also take up time and energy that might otherwise be expended on upcoming albums instead.

Of course, while we do love getting advance promos here at NCS (hint, hint) a lot of what we do (well, a lot of what DGR and I do) is finding newly and/or recently released stuff and trying to signal boost it once it’s already out in the world, and right now there’s only a handful of albums in my extensive “to do” list that haven’t actually been released yet (though I’ve got one lined up for Monday that will definitely please any fans of ultra-heavy Metallic Hardcore among you).

So maybe I shouldn’t sweat it so much… maybe we’re always going to be playing catch-up and the thing to focus on is that getting the music into the right ears is more important than getting it out there in advance.

And in that spirit, here’s four from June (with another four to follow next week) that you might not have heard yet, all of whom focus on the darkest side of the metallic spectrum in one way or another.

Continue reading »