AN NCS PREMIERE: RAPID — “MOONLESS NIGHT”

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Jun 292026
 

(written by Islander)

A decade has passed since the Finnish metal band Rapid released their first demos, eventually leading to their 2022 debut EP Blackstar Oppression Regime. The music captured in those four songs has rightly been described on behalf of their label as an electrifying collision of “the urgency of hardcore punk, the hook-oriented propulsion of speed metal, and the spidery aura of old-wave black metal”.

Here we are, four years later, and Rapid’s debut album Enter the Realm of Fire is set for release on August 21st by Dying Victims Productions, and we’ll help you get your week off to a diabolical start with the premiere of an album track called “Moonless Night“. Continue reading »

JUNIUS – SOTERA

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Jun 292026
 

(Andy Synn catches up with a band we’ve featured a lot of over the years)

With so much music being released all the time, by both new bands and old ones, it’s all too easy to lose track of even your favourite artists.

Case in point, has it really been nine years since the most recentl album from Boston-based Post-Rock-influenced, Shoegaze-inspired Alt-Metallers Junius?

Well, apparently it has (not counting an interim Live Album from 2024), and while nine years definitely isn’t the longest gap between albums I’ve ever heard of (I’m still waiting patiently for that new Anata album) it’s definitely enough time that you might be wondering if the band have still “got it”.

So, let’s fine out, shall we?

Continue reading »

SHADES OF BLACK: ALKUHARMONIAN KANTAJA, THE WATER WITCH, BLODTÅR, BLACK DOOR

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Jun 282026
 

(written by Islander)

For this Sunday I don’t have as many selections to recommend as usual. That’s not because I haven’t come across more releases that are worth recommending but because I’m short of time as I begin writing this.

On the other hand, this collection includes two complete albums. To forewarn you, both of them are unconventional, which is to say they may pose a challenge to some listeners who are less inclined to spend their time with avant-garde and experimental concoctions. But for people inclined to get off the usual beaten paths, with a taste for getting their minds bent, both albums are remarkable.

I’ve followed those two with two singles from forthcoming albums. Compared to today’s first two selections, they’re more easily grasped, but they’re still very engrossing. Continue reading »

SEEN AND HEARD ON A SATURDAY: BEHEMOTH, RUSSIAN CIRCLES, FUMING MOUTH, SÉPULCRE, LUMINOUS VEIL, JØTNARR, THOLN, MAUNAH

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Jun 272026
 

(written by Islander)

Sometimes we lead off these roundups with shiny lures (bands whose names are well known) to attract hungry fish (you), in the hope that the fish will get hooked by something sharp hanging below in darker waters. That’s what I’ve done today, though to be clear, I was also attracted by the lures.

(Note to self: don’t use the fishing analogy again since you haven’t gone fishing in decades and the only lures you used were worms.)

The lures are themselves quite different from each other, and so are the lesser-known hooks, and altogether they provide a lot of listening (and viewing) pleasure. Be forewarned: there’s a bit of singing in the mix until you get to the end — when there’s a lot of it (and extraordinary singing it is). Continue reading »

AN NCS VIDEO PREMIERE: LITOSTH — “ECLIPSE”

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Jun 262026
 

(written by Islander)

Shades of mental and emotional darkness have been features of heavy metal in general, and extreme metal in particular, for a very long time. Sometimes it’s been represented through supernatural imagery and lyricism, sometimes by more direct experiences of real-world turmoil and desolation.

But while it’s commonplace to see descriptions of metal songs or albums as “dark”, it’s still startling (and shuddering) to read about the ethos of Litosth’s forthcoming fourth full-length, Dreaming. It is described in the press materials proffered by Personal Records as a record that “offers no comfort, no resolution, no redemption”:

“What it offers is something more disturbing and necessary: the complete architecture of collapse. Eight tracks that do not describe the fall — they are the fall…. The album descends layer by layer through what remains when everything that was imposed is stripped away: faith, morality, purpose, and the illusion of ascent. What remains is not liberation. It is only ashes, emptiness, and silence…. Dreaming is not a record about dreaming. It is about finally ceasing to do so.”

How does this Brazilian duo of multi-instrumentalist and vocalist Maicon Ristow and lyricist Wendel Siota plumb such desolate depths through their music? We have a partial answer today in our premiere of a guitar-and-bass playthrough video for the song “Eclipse“. Continue reading »

AN NCS PREMIERE: NINTH REALM — “DAMNATION’S VEIL”

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Jun 262026
 

(written by Islander)

On August 28th Transcending Obscurity Records will release Damnation’s Veil, the second full-length from Maryland-based Ninth Realm. The label rightly describes it as “a scathing form of death/thrash metal music bearing influences of hardcore and heavy metal, with a slight blackened edge”, and a narrative theme that delves further into the band’s original dark fantasy world, Tythorin.

Today we’re premiering the new album’s title song, but before we get to that we’ll encourage you to check out the first two singles from the album that have preceded the one we’re revealing today. Continue reading »

AN NCS INTERVIEW: VÉHÉMENCE

 Interviews  1 Response »
Jun 262026
 

(On June 10th the Antiq label released Assiégé pour l’Eternité, a special recasting of the influential debut album by the French medieval black metal band Véhémence. In the following very interesting interview Comrade Aleks makes a deep dive into the changes wrought through this recasting with Véhémence founder Tulzcha and vocalist Hyver.)

The French band Véhémence was started as a solo project by Tulzcha, who decided to try his talent at this endeavor on his own. His first album, Assiege (2014), was noticed, and over time, Tulzcha formed a team, which today includes Antiq Records owner Leon Ghiselin (aka Hyver), drummer Thomas Leiner, and bassist Konstantin Korolev, whom you might recognize from Passéisme.

Over three albums, the project grew so much that it was decided to completely re-record the first album, revamping the arrangements, adding lead guitar parts, live drums, violin, flute, and more. Additionally, the lyrics were updated, now even more in keeping with Véhémence’s medieval fantasy, and, of course, the cover art was also updated. The songs remain recognizable, but at the same time, it’s impossible to ignore how they’ve changed for the better.

Tonight I invite you to the realms of medieval black metal with Tulzcha and Hyver as our guides. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): ENTROPIST — “THE VISION”

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Jun 252026
 

(written by Islander)

Entropist is a Colorado progressive metal band primarily composed of people who have been friends since college days more than a decade ago. After many years of effort, they have recorded and will soon release their monumental debut album, aptly named The Vision. It is described as “a dual‑layered concept record that intertwines a fantastical narrative of demons, celestial beings, and the void with a grounded exploration of mental struggle, nihilism, and the search for meaning”.

As you can see, it’s adorned by a painting created by Shannon Bortfeldt that’s visually arresting, and it also captures the emotional and narrative weight of the story’s opening moments. It’s a fitting prelude to an extensive album that’s also colorful, repeatedly arresting, and an effective representation of the fantastical narrative that unfolds through the lyricism. We are happy to share it with you now, on the eve of its release. Continue reading »

BLACKER THAN THE BLACKEST BLACK: BLOOD MOTHER / ECHO ZERO / HALO OF TEETH

 Album Reviews  2 Responses »
Jun 252026
 

(Andy Synn presents three recently-released albums from the stranger end of the Black Metal spectrum)

When I told you I was switching my focus to Black Metal… for this week, anyway… what I didn’t tell you was what sort of Black Metal I was going to be writing about.

In fact, some of what I’m covering today probably stretches the definition of the term “Black Metal” (though the boundaries of the genre are way wider than the more limited view some people try to impose on it)… but that just makes it more interesting, in my opinion.

So let’s not waste any more time on preamble, and just get weird, shall we?

Continue reading »

FORSMÁN: “BRENNDAR RÚSTIR & FUÐRANDI FJÖRUR”

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Jun 252026
 

(Here is Daniel Barkasi’s review of a new album by the Icelandic black metal band Forsmán that will be released on June 26th via Vesperian through Metal Blade Records worldwide.)

To any black metal connoisseur not living in a cave – if you are, we get it, the aesthetic makes sense – the Icelandic scene is a treasure trove. Yes, that’s an unsurprising statement coming from this fellow, and to be frank, it’s difficult to not indulge. With that said, we’ve always got a critical eye, so there’s no geographical bias – great stuff is just that, and there’s a common thread from much of the music coming from this locale being unmistakingly inimitable.

We won’t provide a dissertation into every aspect of why this scene speaks to me – an idea for the future, perhaps – so let’s get to the subject of Forsmán. If that’s not a familiar name, that’s about to change. Their debut EP Dönsum í logans ljóma was released in 2021, and is a fine entry to show what they’re about – an expressive, immense style of black metal, with sharp melodies woven in and a crafty yet aggressive, forthright attack. As with many acts from this isle, there’s involvement in other notable projects, and it’s a fine list – Múr, Mannveira, Angrenost, Misþyrming, among others, so a high level of pedigree is present.

The real question, of course, is what they do with said tools at their disposal on their new album. Titled Brenndar rústir & fuðrandi fjörur – roughly translating via Google to “Burnt Ruins & Flowing Shores” – the answer is as layered as the compositions. Continue reading »

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