Aug 312026
 

(written by Islander)

Today we help pave the way for the return of the Australian black metal band Nontinuum after an extended absence, and so a bit of background may be useful.

They were originally founded in 2010 as a bedroom recording project rooted in atmospheric and depressive black metal, and their debut demo Dwelling In Oceans was released shortly afterward through Misanthropic Art Productions.

Two years later they made their live debut as a full band at Devil’s Arcana Festival and released their first full-length album, The Stars You Gathered, The Stars I Destroyed — and then Nontinuum seemed to disappeared.

More than a decade later, the original line-up reunited for a performance at Essence Festival in 2025 and are now working on the follow-up to The Stars You Gathered, The Stars I Destroyed.

The first sign of their new work is the song we’re premiering today in advance of its September 3 digital release — “As I Leave This Body“. Continue reading »

Aug 312026
 

Recommended for fans of: Sadist, Cynic, Obscura

Sometimes it’s a real struggle to decide what band to focus on for the next edition of “The Synn Report”… and sometimes, like this one, it’s an easy choice.

One thing that made it pretty easy was that so far this year we’ve had editions focussing on scorching Screamo (Ostraca), brooding Doom (Todomal), pounding Post-Metal (Erdve), riff-tastic Death/Crust (Black Breath), and a host of other genres to boot, but not really much that touches on the “thrashy” side of things… so this felt like a prime opportunity to tick that particular box.

Of course, the fact that Czechia’s Mindwork are such excellent purveyors of prodigiously proggy thrashery – one whose heaviest moments ably blur the lines between Thrash and Death Metal, while their willingness to indulge their proggiest proclivities often push their sound into more free-form, jazz-fusion inspired places – also made it a pretty simple decision, especially since their new album (their first since 2012) is such a killer comeback.

Continue reading »

Aug 312026
 

(We begin a new week at NCS with Daniel Barkasi’s review of a new album by the UK black metal band Fen, recently released by Prophecy Productions.)

The UK black metal scene is one of vibrance and diversity in approach. Of the long-standing members of that geographical scene, Fen stands alongside Saor and Winterfylleth as the most eclectic of the bunch, with today’s subject being a prolific example of never making the same album twice, choosing to continuously take risks over familiar stylistic comfort.

Since releasing their astounding and ever-relevant debut The Malediction Fields back in 2009 to throw the black metal hordes on their proverbial heads, it’s been a harrowing journey since, with a wide array of sonic shifts and creative swerves. That album will always be a special one for yours truly, and having witnessed it played in full at Fortress Festival remains a core memory.

Masterworks such as the seminal Dustwalker and the bitingly dynamic The Dead Light are also foundational works in the history of atmospheric black metal, pushing boundaries while bludgeoning with an endless cavalcade of riffs. 

Others didn’t land quite as close to those established heights, though all have their place in Fen‘s story. With the benefit of hindsight, each at minimum contain massive standout moments; Carrion Skies took the impossible task of quickly following Dustwalker and is altogether a great record, but not quite reaching the legendary status of its predecessor, where the experimental, proggy Winter has over time been a release that we’ve grown to appreciate more and more. Continue reading »

Aug 302026
 

(written by Islander)

As I did yesterday morning, I began today by again bleakly staring at my enormous list of links for new music. I could hear the list chortling at me. “You fool,” it muttered in between cackles, “you won’t even scratch the surface.” The truth of that mockery made it no less degrading. (Let’s put aside any concerns about hearing voices from a typed list.)

On days like this I often resort to time-savers, one of which is to prioritize recommendations from people I trust, a kind of life-line to a beleaguered soul.

(The Associated Press reports that on this day in 1916 explorer Ernest Shackelton successfully returned to Elephant Island in Antarctica to rescue 22 of his stranded crew members, who had survived on the barren island for four and a half months after the sinking of their ship, the Endurance. I feel this is not a coincidence.)

The recommendations proved to be worthy. Beyond those I resorted to impulse, and fortune smiled upon my scattershot urges. Here are the resulting choices I made for today; if you think of yourself as a trve cvlt listener, be forewarned that many of them challenge black metal orthodoxy in varying (and very interesting) ways: Continue reading »

Aug 292026
 

(written by Islander)

This happened to be a week when I paid a lot of attention to the emergence of new songs and videos. In my case, what that means is saving links and making lists instead of actually listening and watching. I don’t know why I do this. It doesn’t make a lot of sense, given that the result is just a gigantic string of band names and links staring me in the face on Saturday mornings like this one. I guess it’s further evidence that I have a bit of OCD in my makeup, though “a bit of OCD” probably isn’t a term that clinicians use; I’m wary of finding out what their actual diagnosis might be.

Anyway, the list stared at me and I stared back. A few notable names caught my eye, along with a notable piece of artwork, and so I checked those out. They were all winners, and that greatly speeded my task. I also added one of the few songs on the list that I actually listened to last week; I knew even then that it had to be here.

But I started the morning with music from the two Colombian bands you’ll find below, two bands I didn’t know about until receiving a recommendation for them a few days ago. And then the last thing I heard before finishing the selection is also the last song and video in this grouping — yet another notable name.

The word of the day, by the way, is “pandemonium”. Continue reading »

Aug 282026
 

(written by Islander)

We have some history with the Kentucky band Tombstalker, starting with an article back in 2012 about metal in Kentucky (here), following that the next year (here) with a review of their self-titled EP, then including some commentary in 2015 about their fine and ferocious debut album Black Crusades, and then gleefully helping spread the word here in 2017 about a new Tombstalker EP named Chaotic Devotion.

Today we renew our support of Tombstalker’s music with the premiere of a song from their forthcoming second album, the aptly titled Chaos Monolith, which will be released in various formats on September 25th by Awakening Records, Adirondack Black Mass Records, and Bat Magick Records. The song you’re about to hear is “Iron Within Iron Without“. Continue reading »

Aug 282026
 

(written by Islander)

On September 5th KingSide Records will release a new EP by the Danish metallic hardcore band Hard Lessons. It’s a six-track attack named Influx of Betrayal. One song from the EP (“Insufferable“) has already launched, and today Hard Lessons are releasing a second one, and we’re premiering a video for it just now.

The name of this new song, which features a guest appearance by No Grave, is “Gangrene“. In some ways it’s a sonic manifestation of infection, but it’s also a raging remedy for the rot. Continue reading »

Aug 272026
 

(written by Islander)

When you name your metal band Skumstrike you’re not trying to hide the ball. You’re sending a very clear signal that the music will make no pretenses to artistic refinement, thought-provoking intellect, or avant-garde experimentation. Instead, it brandishes the idea of leaping from the gutter, unclean to the bone, and attacking with no holds barred. But what kind of musical attack do they launch?

This Montreal trio gave us a ferocious idea of their attack with a 2022 debut album named Deadly Intrusions (well-named, that one), and now they’re reinforcing those deadly impressions with a second album titled Flawless Intrigue from Hell, which will be released by their new label Dying Victims Productions on September 25th.

As vividly described in the PR materials, the new music “combines a lethal dose of speed metal with the gunpowder roar of thrash and death metal,” “cross-contaminating the wild fury of Japan’s Sabbat with the abandon of early Slayer and Bathory“.

Those aren’t empty words, as you’ll discover for yourselves through our premiere of the album’s second single, “Mastery of Sin“. Continue reading »

Aug 272026
 

(written by Islander)

In early 2020 we hosted the premiere of a thought-provoking debut EP by the Berlin-based band Pyre of Descent. Later that same year they released another EP (Love’s Sombre Death), and now they have a debut album named Albedo that’s headed for release by two labels and the band this coming September.

The new album is described by one of those labels as “a mature form of occult/dark rock with some post-punk and gothic sensibilities, somewhere at the intersection of Fields of the Nephilim, The Devil’s Blood, and Aluk Todolo.” Based on that description alone, you can guess that it’s a fork in the road leading away from many of our usual beaten paths here, though not entirely divergent (as you will see).

One song from the album has been revealed already, and today we premiere a second one, “Love’s Sombre Death (Canto II)“. Continue reading »

Aug 262026
 

(Andy Synn condemns you all to suffer with the new album from Private Prisons)

You know us here at NCS (and if you don’t, why not?)… when it comes to writing about new music we’ll almost always favour writing about lesser-known bands over bigger and more notorious names.

It’s become almost a perverse sort of compulsion at this point, letting other sites (for the most part, anyway) handle the “big hitters” while we focus on the weirdos, freaks, and underdogs (not always in that order).

And today’s review is a prime example of this, because nothing says “underground” than the visceral, venom-spewing blackened sludgery of Private Prisons.

Continue reading »