Oct 022026
 

(written by Islander)

For the sixth time in the last five years we turn to the enigmatic U.S. black metal band Glyph, whose fourth album is being released today by Snow Wolf Records and Fiadh Productions. We gather that the project has had an uncertain future, perhaps drifting toward an end in favor of its sole creator’s other endeavors, and yet (thankfully) that time hasn’t arrived. As the album’s title says it, the pendulum swings yet….

Glyph’s convention-defying music has never been mundane, and for some listeners it might be “challenging”. At peak intensity (which is a frequent occurrence) it’s capable of creating electrifying experiences of overpowering catastrophe, an outlet for apparent pain and rage rendered in dazzling and delirious yet sometimes disorienting terms. In other less extravagant dimensions (a highly relative term in the case of Glyph) the music is capable of becoming spellbinding, but even then it tends to be emotionally harrowing.

It’s only fair that new listeners understand this when venturing into the new album, which we’re now premiering in full. It’s also worth understanding what was running through Glyph’s mind when creating these seven songs: Continue reading »

Oct 022026
 

(written by Islander)

Each of us who contributes to NCS has favorite bands (many of them!) that we try to follow over time, and we try to pay special attention to underground groups and projects who lack support from big labels or a PR apparatus, i.e., names that don’t draw as much attention in the music press. Yet despite such efforts we can still overlook releases from artists we follow, though sometimes we discover and rectify the oversight.

In the fall of 2020, which you may remember as a wretched time in the life of the world, I came across music from Conqueror Worm, the debut album of a one-person UK project called Sepulchre by the Sea. I was initially intrigued by the album in part because the project’s creator (Ash) drew his inspiration from the writing of Edgar Allen Poe, and then the music proved to be very, very good. I tried to help spread the word about it here, and then did so again the following year in the lead-up to a new Sepulchre by the Sea EP named Ratiocinations.

Yet I somehow overlooked Sepulchre by the Sea’s second album Seven Chambers, which was released in August 2024. Like the previous releases, it was inspired by Poe. Specifically, it was a concept album inspired by Masque of the Red Death and it incorporated ambient and electronic soundscapes into the band’s genre-blurring configurations of black metal, shoegaze, melodic death metal, doom, and hardcore.

Now Sepulchre by the Sea is returning with a new three-track EP titled Goldseeker, which was inspired by the Poe stories “Some Words with a Mummy”, “The Gold Bug”, and “Ligeia”, all of which reference ancient Egypt. We will not overlook this one, because today we have the privilege of premiering and enthralling video for the EP’s first single, “Goldseeker“. Continue reading »

Oct 022026
 

(Today is the day when the Washington State extreme metal band No Living Witness are releasing a new EP named Aeons of Disintegration, and to help spread the word our contributor Obsolete Mystic is hosting its full streaming premiere, preceded by an enthusiastic review.)

Today’s subject, No Living Witness, caught my attention from the first few seconds of their 2026 single “Dehydrator”. It had elements of Suffocation, Behemoth, Shade Empire, and a good bit of influence from the early work of all those PA-centered death metal bands we were all hyped for, like Rivers Of Nihil and Black Crown Initiate. It caught my attention immediately, and held it, and then I saw the criminally low numbers on their platforms and wanted to both review this EP and also give you readers a chance to hear it yourselves — and so I talked No Living Witness into exclusively streaming Aeons Of Disintegration here on the day of its release. Continue reading »

Oct 012026
 

(Andy Synn has five recently, and one not-so-recently, released recommendations to share with you all today)

People sometimes ask me how I stay on top of all the new releases every month, and the answer is… I don’t.

Case in point, here’s some of the bands I wanted to write about in September… Profeci, Dreadnought, Trenchwar, Sea Sleeper, Quicksand, Vulgar Mephitis, Iskald, Wharflurch, Tombstalker… but simply wasn’t able to.

Still, I suppose that once you’re done reading today’s bumper crop of recommendations (all of which I’m really happy to have been able to include here) I’d recommend trying to find time to give at least some of them a listen, as you never know what you might discover/uncover!

Continue reading »

Oct 012026
 

(written by Islander)

My introduction to Oakland’s Noothgrush came in 2011 via Southern Lord’s The Power of the Riff tour, a limited run of west coast dates that marked the band’s return after splitting up in 2001 (and their first show in Seattle since 1997). What I wrote about that show (here) was my best effort to explain the impact of the music:

Imagine this: You’re chained in an iron receptacle, and through vents in the bottom, hot paving tar slowly flows in. Inexorably, at a glacial pace, it covers your feet, it climbs up your legs, it reaches and passes the part of your body that does all the thinking, it covers your abdomen and your chest, your arms strain at their chains and you scream as the tar boils the flesh away until it reaches the empty cavity on top of your shoulders and pours into your ears, mouth, and nose, suffocating you in a blistering black agony. Your last sensations are the smell of your own incinerating flesh and the shrieking chants of this band’s vocalist…. Sick, sloooooow, sludgy, and ultimately irresistible.

The band Pelican, who performed later the same night, posted this on their Facebook page right about the time Noothgrush finished their set: “Good lord, Noothgrush are heavier than a knapsack full of anvils.”

Hell yes they were. Continue reading »

Oct 012026
 

(written by Islander)

We welcome the Kentucky extreme metal band Sinistrum to our menacing and morbid halls for the first time today, and it’s long past time that we did that.

They have an experienced lineup that includes members of acts including Fornicus and Kentucky death metal veterans Abominant. They made their first mark in 2022 with the three-song demo/EP Trichotomy of Death, and then followed that with their debut full-length, Infernal Dawn, released in February 2024 through Adirondack Black Mass and Morbid and Miserable Records. Now they’re preparing for the November release of their second album, the aptly named The Hammer of Conquest, via Remorseless Records.

This new album is what woke us up to Sinistrum. It’s accurately described as a musical conjunction of death metal brutality, black metal savagery, and flashes of thrashing, riff-driven aggression. It’s also the first work of a revised lineup that features lead vocalist and drummer Scott Briggs, guitarist and vocalist Timmie Ball, guitarist and vocalist Matthew Smith, and bassist Mike May.

As a pulse-pounding, soul-shuddering, and quite quickly addictive sign of what The Hammer of Conquest brings to the table, today we’re premiering an album track named “Scourge Awakened“. Continue reading »

Oct 012026
 

(Here is a new monthly roundup of album reviews by Daniel Barkasi, which includes recommendations for six albums released in September 2026.)

With the fall season having officially started, the cool air has been refreshing. With that comes the start of football season – well, no, the other kind of football for this fella. The one that’s played with your feet that aligns with the name. You can have your throwball.

The big news, besides the kicking off the club game – it’ll be an interesting tale for my beloved Liverpool, though technically undefeated – was the very long awaited news about the accusations against Manchester City and their famed 115 charges of financial doping, irregularities, fake sponsorships, and a couple other things: they were reported to have been found guilty on 114 of them. This investigation was conducted by an independent commission to ensure neutrality, and their findings may somehow be worse than anticipated. Continue reading »

Sep 302026
 

(This is Daniel Barkasi’s review of a debut album by the German occult black metal band SRPNTS, which will be released on October 2nd by Serpent Sun Records.)

Discovery is at the heart of what makes our music-craving juices flow, for this scribe anyway. There’s always the insufferable “nothing good came out since 1991” curmudgeons, but to the truly initiated, the current day is quite an exciting, and sometimes overwhelming, time to be in the thick of the near constant barrage of quality music that comes our way most weeks. While plenty of the best musical moments do come from acts that we’re already familiar with, sometimes that thrill comes from a completely fresh entity that couldn’t have been predicted.

With that in mind, enter SRPNTS. Continue reading »

Sep 302026
 

(written by Islander)

Obviously, we host a lot of premieres here — we’ve done so almost every weekday for many years. The point, of course, is to introduce people to new music they haven’t heard before that we’re inspired to support. But our tradition of premieres holds the same benefit for us — it introduces us to music we haven’t heard before, and even more than that, to bands we haven’t previously discovered.

In the case of this premiere, it has introduced us to the intriguing Hungarian black metal band jöjjön (the solo work of Zsolt Sipeki). Jöjjön has already released two albums, Faust’s Grave in 2022 and Stoic Neurotic in 2024, but those eluded our attention. And now jöjjön has readied a third album, Szelet Vet, which will be released via Bandcamp on November 6th.

This new one we have discovered in a timely fashion, thanks to the invitation to premiere a song from Szelet Vet named “Mutability“. It is an entirely captivating piece of music, and the album’s thematic conception and lyrical composition is equally eloquent and enthralling, as you’re about to discover. Continue reading »

Sep 302026
 

(written by Islander)

The Belgian progressive black metal band Nyrak has enjoyed what we can fairly call a meteoroic ascent. It did not exist until late 2021, when it was founded by Guy “Nevel” Van Nieuwenhove as a solo studio project, but in relatively short order Nyrak released their debut album Malvs in 2022, expanded into a full band and released their second album Devourer Of All in 2024, and in 2025 released both the Faceless Tyrant EP and a third album, Phoenix Mortis. Moreover, Nyrak toured the UK and Europe in support of that most recent album.

And yet Nyrak’s meteor continues soaring, apparently unhindered by gravity wells, because on November 26th of this year Void Wanderer Productions will release yet another Nyrak album, a new one named Empires of Ash. We were fortunate to host the premiere of a song from Phoenix Mortis last year, and we get the chance to do the same for Empires of Ash as we now present the new album’s opening song, “The Saturnalia Prophecy“, in cooperation with Black Metal Streams. Continue reading »