Apr 052021
 

 

(In this interview Comrade Aleks posed questions to Artem Serdyuk, harsh vocalist and guitarist of the Belarusian band Woe Unto Me, whose new EP, Spiral-Shaped Hopewreck, was released on March 12th by BadMoodMan Music, a division of Solitude Productions.)

Woe Unto Me remains a most creative Belarusian doom band still, despite the social catastrophe which has happened in their country. The band was formed in 2008, and as their debut album A Step into the Waters of Forgetfulness (2014) was without doubt sheer funeral doom of epic scale, the second full-length Among The Lightened Skies The Voidness Flashed (2017) tended toward more complex, multi-layered structures and even avant-garde sound.

Their new EP Spiral-Shaped Hopewreck takes us further in a desperate sonic journey of doom, woe, and lethargy, but how far? The band’s founder and ideologist Artem Serdyuk (harsh vocals, guitars) is here tonight to answer this and other questions. Continue reading »

Mar 302021
 

 

(In this new interview Comrade Aleks spoke with Quentin Aberne, guitarist of the French doom band Carcolh, whose second album The Life and Works of Death was released last month by Sleeping Church Records.)

There are few bands with whom we have had close relationships through years despite their status and activity. It’s kind of an exception to the rule indeed. It was 2013 when we did an interview with the Bordeaux-based traditional doom band Marble Chariot for Doom Metal Front magazine, and we’ve kept in touch ’til now even though the band was reincarnated by most of its lineup as Carcolh.

Named after a grotesque mythical mix of tentacled dragon and snail, Carcolh provides pure old and good traditional doom. And as their debut album Rising Sons Of Saturn (2018) tended to be a promising start, the new full-length work The Life And Works Of Death is a full-scale doom invasion, a balm for the mortal wounds of replete doom-eaters.

We had a nice talk with Carcolh’s guitarist Quentin Aberne, and I invite you now to learn more of Carcolh and their ways.

Continue reading »

Mar 252021
 

 

(In this interview Comrade Aleks spoke with Chainarong Meeprasert — bassist, vocalist, and co-founder of the Thai death/doom band Shambles — about the band’s past, present, and future.)

As a tireless doom metal researcher I was surprised when I found that Shambles had been hidden from my radars.

This Bangkok-based gore-thirsty outfit was founded in Thailand back in 1997. The guys tried to express their addiction to Satanism and Darkness through brutal death and black metal, but in the end they chose a path of heavily death-influenced doom metal with huge influences of Incantation and like bands.

After a series of demos and splits Shambles recorded the Realm of Darkness Shrine full-length in 2016. They didn’t stop, and new releases like the Primitive Death Trance EP (2017) and a split with Japanese AnatomiaAbyssal Doom Oriental (2020), followed.

Recently we talked about Shambles’ past, present, and future with one of the band’s founders, Chainarong Meeprasert (bass, vocals). Continue reading »

Mar 192021
 

 

(We present Comrade Aleks‘ interview of two members of the superb death-doom unit Rotting Kingdom from Lexington, Kentucky, whose debut album was released one year ago by Godz Ov War Productions.)

A year ago Godz ov War Productions released a debut full-length album A Deep Shade Of Sorrow by the Kentucky-based band Rotting Kingdom. The album got quite a lot of positive feedback, and it seems to have been the obvious reaction to clear and artistic old school doom-death (with a noticeable emphasis on the second). First-class growling, a truly grim sound with lots of weight and melody, and tangible macabre passion mark this material, making the album a remarkable journey into the absolute ruin of Rotting Kingdom.

Brandon Glancy (drums) and Chuck McIntyre (bass) guide us to the Kingdom’s heart. Continue reading »

Feb 262021
 

 

(We present Comrade Aleks‘ interview of Yves Allaire, the man behind the Quebec black metal band Nordicwinter, whose newest album Sorrow will be released by Hypnotic Dirge on March 26th.)

I’m the wrong person if you need to know something new about black metal, but from time to time some blackened promos hit my mailbox. This time it was Nordicwinter, a Canadian one-man band started by Yves Allaire about 15 years ago. I found its relatively new album Desolation among a few fresh releases from Hypnotic Dirge and was attracted by Nordicwinter’s bleak and atmospheric sound. Also Yves tends towards mid-paced themes with some cold, almost epic melodic lines, and I dig such depressive themes that avoid the faster side of black metal.

The winter is almost done, so let’s keep it here a bit longer with some Canadian black metal. Continue reading »

Feb 242021
 

 

(This time Comrade Aleks interviews one of the members of the unorthodox Peruvian metal band Kranium, whose roots go back to the early ’90s and whose new album Uma Tullu (which you can stream below) was released on December 1st, 2020.)

Kranium is a legend of the Peruvian underground. The band was formed in 1985 as Murder but since 1986 it’s been known as Kranium. Their early material tended towards savage a thrash/death meta, but years passed, some members left and others joined the band, and their first full-length Testimonios finally was released in 1999. The story behind its making is long and far from easy, as Kranium drew the attention of the Swedish label Plasmatica Records  who promised to fund their recording sessions but had a hard time, and lack of money prolonged recordings for almost three years.

This material appears to be a mix between traditional doom metal with a bit of a raw edge, lyrics in Spanish, and arrangements of traditional Peruvian instruments. I’m surprised that this album is a kind of “lost gem”, forgive me this cliché, and I hope Kranium’s new and authentic-as-always album Uma Tullu (released in December 2020) will reach more listeners all over the world.

The band’s lineup has changed, yet its core remains the same: Eloy Arturo (guitars, songwriting) is one of the founding members, and Mito Espíritu (guitars, wind instruments, charango) has been in the band since 1991 (there was a break for a few years, but it doesn’t make a difference). Dennis Yamazato (drums) has played in Kranium since 2005, and Ian Chang (bass) since 2010. Our current guest Christian Meléndez (vocals, keyboards) is a relatively new member — his experience in Kranium is “just” ten years. But he’s quiet a talkative collocutor, and I’m glad we had this interview. Continue reading »

Feb 162021
 

 

(We present Comrade Aleks‘ extensive and extremely interesting interview of Oliver Verron (founder of Temple of Baal) about the French traditional doom band Conviction that he also founded, whose self-titled debut album was released by Argonauta Records in January of this year.)

Once upon a time men from bands like Temple of Baal, Ataraxie, Mourning Dawn and Corrosive Elements gathered together and… it all ended with a traditional doom metal album!

A long story short, but the French Conviction was founded by one of Temple of Baal’s founders, Oliver Verron, back in 2013 and it took some time before he found proper companions who shared his taste for good old doom. What’s Conviction about? How did they avoid all of their extreme metal backgrounds in this band? And what’s the story with the French doom scene?

You’ll find answers to these questions and more in the interview with Oliver. I’ve enjoyed reading this, and I hope you’ll like it too. Continue reading »

Feb 122021
 

 

(With pleasure, we present Comrade Aleks’ extensive interview with Fedor Kovalevsky of the Tunisian extreme metal bands Vielikan and Omination, whose critically acclaimed new album NGR was just recently released by Hypnotic Dirge Records.)

This Tunisian funeral doom-death project offers high quality material. Created in around 2016 by Fedor Kovalevsky (who has Ukrainian roots), Omination consistently developed ’til it became the size of a trio consisting of Fedor at the helm and his bandmates from progressive death outfit VielikanZied Kochbati and Nassim Toumi. With a full lineup and the support of Hypnotic Dirge Records, Fedor presents Omination’s second full-length NGR (New Golgotha Repvbliq), which has been out since the 5th of February.

The last times are upon us! So be forewarned! And don’t forget to take a listen to NGR. Continue reading »

Feb 102021
 

 

(In this new interview Comrade Aleks spoke with Sami Rautio and Jürgen Fröhling, former collaborators in My Shameful and current collaborators again in Oakmord, whose debut record will be released on February 15th.)

Sami Rautio (Finland) and Jürgen Fröhling (Germany) collaborated successfully for years running the bleak and painful doom/death project My Shameful. My Shameful was no more since 2015, so Jürgen was able to focus on his doom/sludge band Absent/Minded, and Sami… it seems Sami was occupied with his solo project Kadotettu. However, both of them reunited in order to channel a mix of creativity and negativity through a new collaboration – Oakmord.

As Sami confesses, it is on a different range of emotions, and as musicians they have naturally changed over the years, “grown if that term fits here…” I agree with that, and you can make sure yourself while reading this interview — quite a good interview. Continue reading »

Feb 082021
 

 

(Comrade Aleks has brought us the following interview with the members of the New York band Sertraline, who are at work on a debut album and whose three EPs to date were released last month in a compilation package by Hypnotic Dirge Records.)

I’ve got Sertraline’s new release The Streetlight Was All We Needed from Canadian label Hypnotic Dirge, among a few other releases. This post-black metal band from Buffalo has been active since 2015, and there are three EPs in their discography. The Streetlight Was All We Needed is a sum of those three small recordings – Shade (2017), From Both Our Hands (2019), and These Mills Are Oceans (2019).

Shelly Muehlbauer (guitars), Tom Muehlbauer (vocals), Jason Roman (bass), Jay Zgoda (guitars), Ken Culton (drums), and David Lopian (guitars) are together for all these years, and this interview is a unique situation, as all the band’s members answered together. Continue reading »