AN NCS ALBUM PREMIERE (AND A REVIEW): OLAMOT — “PATH OF DIVINITY”

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Apr 262024
 

We’re about to premiere a complete debut album of modern death metal from the Italian band Olamot, one that’s brutish and bludgeoning but also a whirligig for the head and fuel for nightmares.

We’ll explain in more detail what we mean by that, but let’s begin by quoting some of the background information furnished in the press materials offered on behalf of the Lethal Scissor label, which will release the album on April 29th:

OLAMOT started in 2021 from the minds of Daniele Boccali (FICTIO SOLEMNIS) and Edoardo Casini (XENOFACTION, DESOURCE), eager to create a musical concept which develops a story lyrically and conceptually ideated by Edoardo Casini. Continue reading »

THE VISION BLEAK: “WEIRD TALES”

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Apr 262024
 

(Two weeks ago Prophecy Productions released a new album-length song from the German horror metal poets The Vision Bleak, their first new music in 8 years, and below you’ll find DGR‘s attempt to make a review of it.)

The halls of NoCleanSinging are no stranger to groups with a large amount of time passing between releases. Upon awakening from a deep slumber, the halls of this site are many times the first thing that the slowly-awakening-back-to-consciousness groups see. We’ve premiered bands that’ve had decade-plus times of inactivity to their names while members ventured elsewhere, explored with other bands, or even enjoyed the more mundane side of things by maintaining a stable day job.

The resurrected’s first few hesitant steps can be flat-footed and precariously balanced but it has happened enough that it’s a familiar sound by the NoCleanSinging doorstep. That’s why we’re familiar with how a project like The Vision Bleak could’ve entered a near-eight-year hibernation following the release of a pretty goddamned good album in the form of 2016’s The Unknown and how after all this time the project could return to us with something equally as crazy sounding, a forty-one minute single song known as Weird Tales. Continue reading »

INFESTUS – ENTZWEIUNG

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Apr 252024
 

(Andy Synn dives into the darkness of the new album from Infestus, out now)

I like Black Metal. I’m pretty sure everyone around here knows that by now. But what kind of Black Metal I want to hear varies with my mood.

Sometimes I want it raw and nasty. Other times I want it dripping with orchestral excess. Heck, there’s even times when I want it so proggy and unorthodox that it barely even sounds like Black Metal at all.

But right here, right now, I want it dark, I want it moody, and I want it so sharp that you’re in danger of losing a finger every time you push “play”.

So it’s a good thing a new Infestus album dropped last week.

Continue reading »

IMPERATUS: “AT THE MERCY OF THE WIND”

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Apr 242024
 

(Our Hanoi-based contributor Vizzah Harri wrote the following extensive and extremely enthusiastic review of the debut album from the Vietnamese black metal band Imperatus, which was released last month. This will be followed in the near future by a two-part interview.)

Imperatus means Order or Command (‘imperiously’ comes from the Latin word imperare, which means “to command.” Other words from this same root include empire, emperor, imperial, and imperative.) In order to kick off this faux-imperious review of a band that I believe will command your attention to the max, one might be allowed to err on the side of believing that this could be the jumpstart to a new empirical anomaly not to be fucked with. Emperor’s debut has always been slated as one of the top first albums ever released and they are mentioned for a reason (aural affinity). Just like Imperatus giving recognition to a sound reminiscent of their childhood, it is this listener’s conviction that the riffs found in this here disc be epically imperial. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): WINGLESS — “ASCENSION”

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Apr 232024
 

Wingless is a great name for a band who’ve chained themselves with the heavy links of doom and death. It seems to encapsulate the core reality that human beings struggle to soar, land-bound and crawling toward a bitter end beneath the distant gaze of winged creatures that have always seemed more free.

And yet the new album from this Krakow-based band, their fifth full-length since forming in 2012, is named Ascension. The title raises questions: ascending toward what? and when? and how?

The music suggests answers, though they are likely to vary with each listener’s interpretation of the experience. What’s not likely to vary is the inevitability of becoming submerged in the music, and to rise with it. You’ll have that chance today, as we premiere a full stream of Ascension in advance of its release on April 26th by Selfmadegod Records. Continue reading »

THY SHINING CURSE: “THEURGIA”

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Apr 232024
 

(Here we have DGR‘s review of the debut album by the Greek symphonic death metal band Thy Shining Curse, released by ViciSolum Records in mid-February.)

Thy Shining Curse is a project that snuck up on us – the result of many a Bandcamp tumble and record label page scour, mostly to see what projects are doing what these days. Even though their debut album Theurgia has been out for a few months by this point – have to keep the perpetually tardy streak alive – the aura of intentional mystery surrounding the album was enough to grab interest. Mostly curiosity for both what it is as well as who was involved in assembling the machine in the first place.

The group are intentionally keeping things a bit vague, as Thy Shining Curse is a solo project belonging to musician Leonidas Diamantopoulos, while the album credits – courtesy of the label – add vocalist Cezar Moreira and guitarist Gabe Pietrzak as co-conspirators in making the creature that is Theurgia breathe. But to walk that back a little, as just about everyone these days is enjoying their time with the masks-and-robes aesthetic, just what the hell are Thy Shining Curse and Theurgia and why does it seem they are walking among us now? Continue reading »

TERMINAL NATION – ECHOES OF THE DEVIL’S DEN

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Apr 232024
 

(Andy Synn enters the devil’s den that is the new album from Terminal Nation, out next week)

As someone whose first serious foray into “alternative” music involved getting seriously into Hardcore, I’ve been loving a lot of the new wave of Death Metal/Hardcore crossover acts.

Sure, there’s a few bands out there who’ve definitely taken the trend as an opportunity to play down to the worst aspects of the two genres (and the less said about them the better, in my opinion, as they’ve already gotten enough hype for their lazy, lowest-common-denominator bullshit) but the likes of Tribal Gaze, Xibalba  Slowbleed, and Fuming Mouth have all made a big impression on me over the last few years.

And then, of course, there’s Terminal Nation, whose previous album (and subsequent split EP with Kruelty) I was a big fan of, and who are now set to make even more waves with Echoes of the Devil’s Den.

Continue reading »

AN NCS VIDEO AND ALBUM PREMIERE (AND A REVIEW): DEPLORABLE — “SHATTERED LAMENT UNMOORED”

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Apr 222024
 

In this article we’re presenting two premieres — a full stream of Shattered Lament Unmoored, the debut album by the Costa Rican band Deplorable, which will be released today by the Dutch label Breathe Plastic, and a video for one of the album’s six songs. Perhaps the best one-word description for both of them is… HARROWING. But of course we’ll try to flesh that out with more words.

It might be best to begin with the video and the song it presents, “Apparition In The Ether“, even though that song appears second in the album’s track list, because it provides such a soul-shattering introduction to the black chasm of dread and despair that the album opens up beneath us as listeners. Continue reading »

DVNE – VOIDKIND

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Apr 222024
 

(Andy Synn has nothing but praise for progressive Post-Metal messiahs Dvne on their new album)

Much like the legend of the Lisan ‘al gaib, Dvne‘s success seems like a self-fulfilling prophecy at this point.

After all, both their debut full-length (which remains, to this day, one of my all-time favourite albums) and its bigger, bolder – and, dare I say, almost Villeneuv-ian – sequel demonstrated that the band were one of the brightest stars in the UK Metal scene, and now it’s time for their third album to seal the proverbial deal.

Interestingly enough – and I say this as someone who has read almost every single Dune book written (not just the Frank Herbert originals, but also the sequels, prequels, and spin-offs written by his son and others) – Dvne‘s career maps surprisingly well onto that of Herbert himself.

If you consider Asheran to be the band’s equivalent of their original namesake – a wild burst of creativity and ambition which seems to positively leap off the page/out of the speakers – then Etemen Ænka was clearly their version of Dune Messiah, a drastic expansion of the scope and scale of the original story, which was capable of soaring so high only because its predecessor had laid down such phenomenal ground-work.

Which would make Voidkind their very own Children of Dune, right?

Continue reading »

SHADES OF BLACK: VETER DAEMONAZ, SEPTUAGINT, NADSVEST, JOURS PÂLES, HEKSEBLAD

 Album Reviews, SHADES OF BLACK  No Responses »
Apr 212024
 

I got a late start on the day and my NCS time is rapidly running out, so I’ll skip the usual long-winded introduction and just quickly summarize what I’ve picked to recommend below:

This collection includes startling new songs from forthcoming records by four bands whose past releases I’ve enjoyed, and one recently released album from an equally startlng newcomer to these ears.

VETER DAEMONAZ (Russia)

To begin, I have a song from a new EP by the Saint Petersburg black metal band Veter Daemonaz, whose previous music I’ve commented about repeatedly in the posts collected here. The song is “На Север (первое видение)” (which means in English, according to Google Translate, “To the North (first vision)”). Continue reading »

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