Dec 042024
 

(written by Islander)

What madness is this?!?

No doubt with grinning faces, Summoning Saturn Voids describe their lineup as an “intergalactic covenant” that features “clones and doppelgangers stolen from earthly bands like Aborym, Darkend, Drakkar, The Headless Ghost, and Daemoniac (plus a quite well renowned gentleman from Norway).”

Possibly still with grinning faces, but possibly not, they describe their musical mission this way:

“The Summoning Saturn Voids project was born from a desire to create a musical time machine.

“Bringing a black metal singer into the future, immersed in sidereal and cosmic sounds and then catapulting him into the 70’s, jamming with Tony Iommi and Geezer Butler…. The potion thus evoked is at the same time spirited and punishing, grim and melancholic, reeking of 70’s era Black Sabbath, Pink Floyd, Tangerine Dream and… well, you will surely find out.” Continue reading »

Dec 042024
 

(written by Islander)

In April of this year the Cleveland post-black metal band Axioma traveled to Lorain, Ohio, on the shores of Lake Erie, to witness a solar eclipse. But they didn’t just witness it, they simultaneously provided their own soundtrack for it.

Building up to the eclipse and continuing through it, they performed an extensive instrumental piece on the lakeshore that they’d written for the occasion, aptly named “Live Totality“, and some friends filmed it, creating a video that includes gorgeous overhead scenes of the band’s setting and the lake.

On December 6th, through their label Stained Glass Torments, Axioma will release that song on a vinyl and digital EP that shares the song’s name. The EP includes three more subsequently recorded tracks, and we have all the songs for you to stream today. Continue reading »

Dec 032024
 

(written by Islander)

No matter how “niche” they may be, every genre of extreme metal includes variations on the themes that give them their names. That’s why, as time has passed, most of them have been categorically sub-divided, with an ever-increasing use of hyphenated naming conventions.

Few genres are more “niche” than funeral doom. No doubt, it has intensely devoted fans, but, with very rare exceptions, it has never been “popular” and probably never will be. In the imagination of most listeners, the music is too slow, too superficially simple, too appallingly bleak, and usually with track lengths that are too long for anything remotely approaching mass consumption.

Yet even in such a niche genre variations abound, though its popular reach is so limited that people haven’t reached very far for hyphenated or slashed sub-conventions. That doesn’t mean we can’t try, and for the sheer hell of it we will try to find one that suits Diagenesis, the latest album by the mysterious Belgian entity Until Death Overtakes Me which we’re premiering today in advance of its December 6 release by Aesthetic Death. Continue reading »

Dec 032024
 

(Denver-based NCS writer Gonzo weighs in below with reviews of three albums released in November 2024 that he heartily recommends.)

We’re rapidly approaching everyone’s favorite time around here (or most stressful, depending on who you ask) and that time, of course, is Listmania, where our dignified group of NCS scribes, contributors, friends, and an assortment of others all sound off on their favorite releases of 2024.

Before all that unfolds, though, I wanted to squeeze in one last monthly roundup of new music. Why? Because everyone should have something to read on the toilet if they need to avoid asshole family members during the holidays.

You’re welcome. Continue reading »

Dec 022024
 

(Andy Synn highlights three of the more unusual albums from November)

This time next week we’ll have begun my annual round-up of “The Year in Review(s)” – which means right now I’m elbow-deep in the running document (which I’ve kept mostly up to date over the last twelve-ish months) of every single record I’ve heard during 2024.

There’s no guarantee, of course, that they’ll all end up being featured next week – the “short-list” currently stands at just under 400 albums, although I’m sure that number will come down a bit as I decide that I just don’t have a strong enough opinion about certain releases to include them in good conscience (it’s not about the quantity, after all, it’s about being able to present you, our readers, with some representation of each album’s quality) – but there’s still a lot of work to be done, and not much time left in which to do it.

That being said… I do plan on sneaking in a few more reviews before “List Week” officially commences, including this triptych of unorthodox delights from last month which you may well have missed!

Continue reading »

Dec 012024
 

As you can see, this week’s SOB is very short. I had a late night out with my spouse and friends and a really long hibernation afterward. Also, not long from now, I’ll be heading out again to watch the broadcast of an inconsistent Seattle football team trying to beat a pretty bad New York football team. They’re playing in the East so it’s an early start here in the West.

The upshot is, I don’t have much time to write about music this morning. I thought about not trying to do anything with this column, but man, for 15 years and counting I’ve really hated to leave a void on any day at NCS.

With time short and too many things to choose from, I made the arguably bizarre decision to focus on the three black (or “blackened”) metal bands who e-mailed us most recently about their music – none of whom I knew anything about before listening. Purely by coincidence, all their names begin with “A“. Purely by coincidence, they all turned out to be good, in very different ways. Continue reading »

Nov 302024
 

I have to remind myself that less than half of our visitors had a Thanksgiving Day holiday last Thursday. I checked, and only the U.S. and Brazil celebrated the holiday that day. Here in the U.S. it launched a 4-day holiday, because most people who are relieved from working on Thanksgiving get Friday off too, so it’s a time when lots of people check out of their routines.

It’s not an entirely lazy holiday for a lot of people because the Thanksgiving Day tradition usually involves getting together with family and friends and cooking, and the day after is the ridiculous shopping splurge of Black Friday. But for me, the holiday does make me feel lazy.

I didn’t completely check out of all my routines. We still had lots of NCS posts on Thanksgiving and Black Friday, because I’ve never believed in honoring holidays at our site, and for our writers outside the U.S. those were just two more nothing-special days.

But I admit I did succumb to long bouts of laziness and therefore didn’t listen to much new music the last couple of days. I thought seriously about taking today off from NCS, but as you can see, the old compulsion wouldn’t surrender. Continue reading »

Nov 282024
 

(written by Islander)

Today is Thanksgiving Day in the U.S., where our site is headquartered. Among other things to be thankful for, those of us who live here are grateful that we don’t inhabit a country torn by war. The people who live in Ukraine aren’t so fortunate, and they’re on our minds today as we present the premiere stream of a new album by the Ukrainian death metal band Dying Grotesque.

This band was first created in the suburbs of Kyiv, Ukraine in 2018 as a one-man project by Vadym ‘Silvan’ Tsymbaliuk. With the addition of new members in 2020, the project became a band, they released their debut album Sunflower Tide, and they began performing live at a number of gigs and festivals throughout Ukraine.

The name of their new album is Celestial, and it will be released tomorrow by Archivist Records. Its themes are described as follows:

The story behind Celestial depicts the violent absurdity and the grim futility of human existence, which appears to be completely insignificant comparing to the endless darkness of cosmic void and all the undiscovered mysteries it conceals.

Continue reading »

Nov 282024
 

(Andy Synn hopes you’ve saved some space in your year-end lists for A Defiant Cure)

As we approach the end of the year I should probably think about preparing for my annual “List Week”, wherein I take over the site with five days of posts rounding up the “Disappointing”, “Good”, and “Great” albums of the year (the ones I’ve heard enough to be able to form an opinion on, anyway) culminating in my “Critical” and “Personal” top tens.

But with everything that’s been going on recently I haven’t had the time or the energy to really get stuck in yet (which might be a problem, considering I plan on kicking things off on the 09th).

That being said, not having things set in stone yet means there’s still room for a few surprises to make an impact (and I plan on reviewing new, and upcoming, albums, right up until the start of “List Week”)… and one of those surprises which has the potential to massively shake up my “Personal Top Ten” is the recently-released second album from French firebrands Alta Rossa.

Continue reading »

Nov 282024
 

(Daniel Barkasi returns to NCS with another monthly roundup of reviews and recommendations, this time focusing on eight albums released in October 2024.)

I don’t want to harp on this for too long, as NCS is an outlet that many use as an escape from the perils and frustrations of day-to-day life. We choose to reside within the realm of positivity, embracing the music that we collectively love. However, as someone who steadfastly believes in honesty, truth, facts, science, and logic – the US just by a razor-thin majority decided to embrace disinformation, fallacy, wild conspiracy theories, and authoritarian populism.

It’s sad, and it will harm people. People that we love and care about. If we want to get practical, it’s going to hit the pocketbooks of US citizens hard. Healthcare – while already a cruel joke – could get a whole lot worse. As a type 1 diabetic who is dependent on artificial insulin to exist, it’s scary. A lot of folks are scared, and rightfully so. Fundamental rights have been already taken away, and there’s plenty of risk for more.

Aren’t we tired of living in interesting times? Personally, bring on the quiet, boring, and mundane. Just not in our music. Continue reading »