THERE WERE WIRES: “VESSEL”

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Jul 202026
 

(This is NCS writer Gonzo’s review of a comeback album from Boston-based There Were Wires that was released in late June by Iodine Recordings.)

When you think “heavy music,” the small slab of New England known as Martha’s Vineyard almost certainly won’t be what comes to mind first. And if it is, I want to know where the hell you’ve been hanging out lately. But never mind that.

Way back in 1999, the band There Were Wires formed in that quiet suburb, and they proceeded to play every sweaty New England club and basement venue they could crawl into. At the time, their sound was rooted in hardcore punk’s raw aggression, and they quickly found a home on Deathwish Records soon after. But after the release of their 2004 album Somnambulists, the band played what they presumed to be their final show, and the members went on to form other acts such as Doomriders, among others.

Now, over 25 years later, There Were Wires have made a return that’s just as ambitious as it is unlikely. Vessel is probably a record that nobody saw coming, but despite that, it deserves your full attention. Continue reading »

FLATLINE FEST 2026: DENVER’S NEWEST EXTREME METAL DESTINATION 

 Concert Reviews  2 Responses »
Jun 232026
 

(Denver-based NCS writer Gonzo enjoyed a glorious couple of nights at the inaugural edition of Flatline Fest on June 13-14, and delivered to us the following enthusiastic report, accompanied by photos made by Jacob Juno.)

For heavy music, the US festival circuit is quietly growing into something that defies conventional logic. Recent years have seen the unlikely resurrection of vaunted gatherings like Milwaukee Metal Fest, while longer-running affairs like Maryland Death Fest and Northwest Terror Fest proved that even a global pandemic wasn’t enough to douse their fires for good. And deep in the wilderness outside Glacier National Park, the Blackfeet Indian Reservation enshrined a new kind of heaviness with the 2025 incarnation of Fire in the Mountains.

Obviously, these events don’t just spawn out of thin air. They’re the collective result of dedicated people putting ungodly amounts of time, energy, and creativity into something they all believe in, often at the expense of their own sanity.

But in the end, these festivals are more than just a few days of bands playing songs. They’re community gatherings where occasions are celebrated, longtime friends meet up, new friends are made, and the best kind of chaotic merriment prevails.

Evidently, nobody knows this better than Denver producer Dave Otero and co-promoter Chelsea Lowe, whose first-ever Flatline Fest at Denver’s Oriental Theater last weekend turned out to be a masterclass in how to throw one hell of a fucking party.

Continue reading »

GONZO’S HEAVY ROUNDUP, MAY 2026

 Album Reviews  1 Response »
Jun 082026
 

(With the month of May now behind us, Gonzo returns to review and recommend five albums released during that month.)

Like fucking clockwork, this column was once again interrupted by last-minute additions.

On one hand, I completely realize the futility of adding albums to a list that I conjure out of nothing each month. On the other, it’s my list, goddammit, and my commitment to being needlessly meticulous with it is something you can pry from my cold, dead hands. (Much like the collection of physical media sitting in a walk-in closet that I’ve been hoarding since I was 15.)

Alas, this sentiment tracks with how most of us approach our writing at NCS. We’re nerds about this shit.

If you read below the fold, maybe you’ll understand why I nixed such new releases from Elder, All Them Witches, and to a lesser extent, Devin Townsend, for the ones included here. You could also debate whether any of those bands fit the mold of these pages, but I don’t have the energy for that. Continue reading »

PRO-PAIN: “STONE COLD ANGER”

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May 252026
 

(This is our friend Gonzo’s review of the first new album in 11 years from Pro-Pain, out now on Napalm Records.)

Eleven long years have passed since we last heard from New York’s Pro-Pain. And not unlike other groove-laden crossover heroes from the early ’90s — Helmet, Merauder, and Prong come to mind first — their influence has quietly given life to an entire movement of others who follow in their footsteps.

Since they first appeared on the map in 1992 with the seminal Foul Taste of Freedom, Pro-Pain has been a band that’s been more comfortable flying under the radar and delivering punishing riffs, anthemic choruses, and a raw, uncompromising sound. More than 30 years later, they’ve carried that energy with aplomb into Stone Cold Anger, an aptly titled record if there ever was one. Continue reading »

GONZO’S HEAVY ROUNDUP, APRIL 2026

 Album Reviews  1 Response »
May 052026
 

(April was a sorry month in many ways for many people, but it still yielded a lot of good heavy albums, and in his latest monthly roundup of reviews our friend Gonzo picks out four of them.)

These days, it feels like I’m behind on everything: Behind on new heavy music, behind on listening to it, and most certainly behind on writing about it.

I guess there’s a reason for that. Not to delve too far into a sob story, but this is mostly because my day job decided to callously and haphazardly lay me off last week. Having this happen so abruptly is one thing, but the fact that this unceremonious ending was the third layoff in a row for me is another. Screaming into the void is therapeutic, and by that measure, my yearly pilgrimage to Roadburn a few weeks ago turned out to be more necessary than ever.

So, fuck the corporate grind. My venom for capitalism knows no bounds. Being forced to repeat the Sisyphean and futile exercise of finding another job in this hellscape has only tempered said venom in something even more vitriolic. For these reasons, I’m sad to say I’ll be missing this year’s Northwest Terror Fest in the coming days. That bums me out more than anything else.

In the meantime, here’s some new music to keep your ears busy. Continue reading »

GONZO’S HEAVY ROUNDUP, MARCH 2026

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Apr 062026
 

(Gonzo makes another of his monthly appearances at NCS today, with reviews of four albums released in March 2026.)

We’re only three months and some change into 2026, and I swear on Satan’s taint that I’ve already identified at least 3 new albums fighting for contention in my annual top 20 list. Dark and uncertain times always make fertile ground for raw, ferocious music, and if we can take anything from the hellscape we’re all currently stuck in, let it be that.

Let’s take a look at four of them that helped March suck a whole lot less for me. Continue reading »

NEUROSIS — “AN UNDYING LOVE FOR A BURNING WORLD”

 Album Reviews  2 Responses »
Mar 242026
 

(This is our Gonzo’s review of the first new album from Neurosis in a decade, a surprise drop last week from the band’s Neurot Recordings.)

We live in a world where it’s exceedingly difficult to keep secrets.

When it comes to new music, fans tend to catch wind of things well in advance. That’s all by design, of course. The ubiquity of streaming platforms and social media has long since given a bullhorn to every band on the planet that wants to tease “big news coming soon,” and honestly, I think we’ve all grown a little numb to those tactics.

So, when I woke up to the news last Friday (March 20) that Neurosis had not only reunited some time ago under a veil of total clandestineness, but also added post-metal demigod Aaron Turner as a fulltime member, and dropped a new album with zero fanfare, zero advanced warning, and zero indications that the band was anything other than long-dormant, the shock factor probably could’ve been mistaken for actual Bay Area seismic activity.

Obviously, this left me with a lot of fucking ground to cover. Continue reading »

VESSELES: “HOME”

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Feb 272026
 

(We present NCS writer Gonzo’s review of the debut album released in January by the California band Vesseles.)

A friend once made an interesting point to me about metal in general:

With some exceptions, metal is basically the modern-day equivalent of counterpoint.

It’s important to note that this friend wasn’t just spewing uninformed opinions—he’s a damn good guitarist and he’s released at least one equally good death metal record in the past few years. Also, it helps that I agree with his observation.

But as much as I could bore the shit out of you all about metal and its atavistic origins, this review isn’t about that.

Instead, I’m going to tell you about why California’s Vesseles is not only keenly aware of what they owe to classical music in their ambitious debut, Home, but also how deftly they wield it. Continue reading »

GONZO’S HEAVY ROUNDUP, JANUARY 2026

 Album Reviews  2 Responses »
Feb 192026
 

(Join us in congratulating NCS writer Gonzo on his engagement! Also join us in enjoying his reviews of four recommended January releases.)

I’ve yelled about how February is a useless fucking month at least once in the past, but this year feels a little different. For me personally, anyway.

Yes, you may have noticed that this column is hilariously late compared to my usual cadence, but since I’ve last posted here, I have:

  • Gotten engaged
  • Taken a last-minute trip to New York (I had the advanced notice of 24 hours in business days)
  • Had my byline in Decibel for the first time

Suffice to say some curveballs have thrown themselves into my schedule, but it’s not unwelcome. Despite living in a rapidly declining christofascist empire, life is largely good. It’s a very weird time to be happy in your personal life, if nothing else, and that alone is worth something. I also have the privilege of making my return to Roadburn this April, and with the recent announcement of Cult of Luna playing two sets there, I’ll have a hard time thinking about much else for the next two months.

God, where was I?

Oh, right. Here are another four albums you should really drop everything you’re doing and listen to. Yes, right now. Continue reading »

LISTMANIA 2025: GONZO’S TOP 20 ALBUMS OF 2025

 LISTMANIA 2025  2 Responses »
Dec 242025
 

(As our LISTMANIA orgy continues, today we have a Top 20 list from Denver-based NCS writer Gonzo.)

Well, here we are again.

An intro to things like this seems superficial at best, so I’ll keep this brief: This is my list of my favorite albums from 2025. With no clear-cut favorite taking the #1 overall spot (like last year did with Absolute Elsewhere), 2025 was not short on variety or depth. I found myself constantly (and borderline obsessively) revisiting albums that came out in the dead of winter and early spring, and I was glad I did.

With that, it feels good to have wrapped this one up. Until next year, friends— Continue reading »

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