Sep 122025
 

(Denver-based NCS scribe Gonzo wrote the following album-review roundup, covering four albums released in July or August and one released a week ago.)

As per usual with every summer, I’ve spent about 75% of it in places that don’t include being in front of my computer. And when I am seated here in this vaunted throne, I’m staring at work. The kind that pays the bills. Sigh.

But really, who am I to complain? After a three-year wait, this summer’s resurgence of Fire in the Mountainswas everything it ever could’ve been and more, highlighting a July that was filled with all kinds of uplifting moments. And while I was out galivanting in the woods for undetermined lengths, tons of new releases came gurgling out of the ether that I have yet to write about.

Let’s fix that. Continue reading »

Aug 072025
 

(Denver-based NCS writer Gonzo prepared the following extensive report on this year’s edition of the Fire in the Mountains festival. All photos except where noted by Jacob Juno.)

Like more than a few who will read this, the experience of the 2022 Fire in the Mountains festival left an indelible mark on me. That July weekend in the Tetons, now over three years in the rearview mirror, gave more than just a weekend of music in the wilderness to everyone in attendance. It took what easily could’ve been a risky one-off experiment and turned it into something decidedly different. Its success can be measured entirely by the community it built over those three unforgettable days.

Some of it was the incredible lineup, which included Enslaved, YOB, Wolves in the Throne Room, Wayfarer, and many others. Still more of it was the beautiful setting just outside Grand Teton National Park. But so much beyond that felt intangible, as if any human tongue lacked the words necessary to describe how it felt to be there.

I thought about all of this as I finished packing up my Subaru to the brim with camping gear two weeks ago. The wait was over. After three long years of uncertainty, the Fire in the Mountains festival would finally be making its triumphant return in a new place, rife with the potential for new beginnings.

And even though I didn’t know it at the time, the 2025 edition of this festival would not only obliterate every expectation I had for it, but it would signal the dawn of a new kind of heavy ceremony, paving the way for yet another weekend for which I’d struggle to find the words to describe.

The following recap is me trying anyway. Continue reading »

Jun 272025
 

(In the following piece, NCS writer Gonzo reviews five recent albums he caught up to in June.)

It’s been way too fucking long since I’ve been able to crank one of these out.

Without going into too much detail, life has most decisively gotten in the way of me being able to post much. It’s been long enough, and I’ve done a great job of giving myself a pretty serious case of FOMO since the last time I posted a column that wasn’t a gigantic write-up of a festival. I live for that shit, but it’s also an exhausting endeavor.

Besides, there’s simply been too many good releases in the past few months for them not to be mentioned within these pages. Here’s five of them you should check out. Continue reading »

May 302025
 

(We are most grateful to Denver-based NCS writer Gonzo for this amazingly comprehensive and vivid report on the 2025 edition of Northwest Terror Fest. Except where noted, the photos are credited to PNW photographer extraordinaire J. Donovan Malley and NWTF staff.)

This won’t be true for everyone, but for me, there are perhaps no other words in the English language that have sparked more friendships than “hey man, nice shirt.”

I remembered this as I was standing on the corner of 10th Ave & Pike St. at just before 4 p.m. on a clear Thursday afternoon in Seattle. The 2025 Northwest Terror Fest was less than an hour from officially kicking off. I was in front of Neumos and Barboza clad in my long-sleeved Blood Incantation shirt amid a small crowd of similarly clad festival diehards. As usual, I was looking for Islander – both to say hi and to grab my festival pass for the weekend – and before I could even find the man himself, I got sucked into my first conversation with a stranger about our mutual love for Blood Incantation.

This interaction set the stage perfectly for the next three days of music, friends, community, and probably more beer than one man’s liver should ever be tasked with handling. It was once again time for me to dive headfirst into Northwest Terror Fest. Continue reading »

May 192025
 

(Our Denver-based writer Gonzo went to Roadburn 2025 in April. Here’s his extensive report on the experience.)

For almost as long as I can recall, I’ve wanted to make the pilgrimage to Roadburn. The 4-day affair in Tilburg, Netherlands, has been one of the most consistently raved-about experiences in heavy music on the planet for the better part of two decades, and I’d been dead-set on getting my ass there for at least half that time.

As it turns out, 2025 would be the year I’d finally get to see if Roadburn lives up to the hype.

The short answer?

Yes. Fuck yes. And then some. Continue reading »

Apr 042025
 


Forlorn

(Our Denver-based writer Gonzo is back with another monthly roundup of reviews and recommendations. Today’s varied collection includes four albums released in March and one from February.)

Well well, here we are again with a new month, and I’m writing this exactly a week later than I wanted to. Refused are officially fucking dead – at least, to everyone who saw them Tuesday night here in Denver – and I’m still getting my voice back after that show. “CAN I SCREAM” indeed.

It’s been quite the active week for heavy music around the Rockies. By the time this gets on our site, I’ll have likely already seen Meshuggah tear another hole in the space-time continuum, and I always look forward to that. I’m glad I managed to get this column out the door, though, as I’m headed to Roadburn in a couple of weeks for a much-needed break. Leaving the country, even if temporarily, seems to be the right move for now. There’s chaos and stupidity around every corner in the US, and I can only live in violent opposition to fascism for so long.

Since I don’t have high hopes for getting an April edition of this column out into the world, it’ll give you more time to dive into these 5 albums for March. You won’t be sorry. Continue reading »

Mar 202025
 

(This coming July the Fire in the Mountains festival will take place at the Red Eagle Campground in the Blackfeet Nation in northwest Montana, with a spectacular lineup of performers and many other attractions. In the following exclusive interview, our man Gonzo talked with festival organizers Jeremy Walker and Shane McCarthy about how FITM got connected with its new location, what inspires the event, and a lot more.)

It was a clear, calm day in Denver. A cloudless sky left plenty of room for the Colorado sun to focus its fiery wrath directly onto my bare head. Sometimes putting on a hat is all but necessary when living up here. Today, I was woefully unprepared.

While walking down Broadway, one couldn’t be blamed for questioning whether spring had come a week or two early. At this elevation, Mother Nature tends to be especially fickle, and any Denverite knows you should probably dress like you’re going skiing at the beach before going outside during this time of year. It’s a decidedly weird aesthetic, but I don’t make the rules.

I was on my way to the dark depths of Trve Brewing, my usual haunt for getting a midday beer and hiding from the sun’s persistent wrath, especially in summer. I am no stranger to this place, and it’s one of my favorite dark corridors in which to lurk and drink.

Today’s visit would be different, though. I’d be meeting up with Jeremy Walker and Shane McCarthy, two of the gentlemen behind the curtain of the Fire in the Mountains festival, to talk about the event’s long-anticipated comeback, where that journey has taken them since its last appearance in 2022, and how in the hell they managed to get Old Man’s Child to play their first-ever US show as a headliner.

I was fortunate enough to have experienced this festival in ’22, when Enslaved and Wolves in the Throne Room were featured, and I can say without exaggeration that it was a life-changing weekend. It became very clear to me back then that this was more than just a music festival. This was something special.

With all that in mind, I’d been looking forward to today’s conversation with Jeremy and Shane for weeks. Continue reading »

Mar 112025
 

(SpiritWorld‘s new album Helldorado will be arriving on March 21st on Century Media Records, and we have Gonzo‘s take on it today.)

I’ve often described metal as the perfect additive to any other type of music. When done right, it can be an incredible marriage of styles. Results may vary, of course, but the ongoing explosion of subgenres within the metal realm will prove the point either way.

This fact will undoubtedly be obvious to anyone reading this. But the fun part of such experimental alchemy that so many bands have tried over the years? It creates new sonic territory yet to be explored by anyone else.

Enter Stu Folsom and his bedazzled cowboy cohorts in SpiritWorld. I was (and still am) hopelessly hooked on their 2022 album DEATHWESTERN, with its furious Slayer-inspired riffs and paint-peeling vocals. The fusing of country, folk, and dust-crusted Sergio Leone-style storytelling made the album worth its weight in gold. Three years later, the big question about new album Helldorado is whether or not it holds up to its predecessor.

Let’s find out.

Continue reading »

Mar 052025
 

(In this column our Denver-based friend Gonzo brings forward five albums of varied kinds of heaviness for your consideration, all of them released in February.)

Well, February came and went, and I’m still catching up on the absolute onslaught of heavy music that emerged from it – hence the noticeable delay in putting this column together.

Alas, shit happens. I’m still recovering from last night’s Cavalera show here in Denver, in which the eponymous brothers Max and Igor led their band through a crushingly heavy Schizophrenia set that was played at breakneck speed. Even the Chaos A.D. encore cranked up the BPM. And just before they were ready to call it a night, they hauled none other than Jello Biafra on stage for a downright cathartic cover of “Nazi Punks Fuck Off,” except “Punks” was replaced with “Trumps.”

In place of a politically charged tirade of my own, I’ll just lazily approve the above with a “fuck yes” stamp of approval and carry on.

Anyway, here’s some music you should listen to that came out last month. Continue reading »

Feb 132025
 

(Let week Relapse Records released a new album by 16 [aka -(16)-], and this week we’ve got Gonzo‘s review of the record below.)

Outside of the unholy trinity of The Melvins, Eyehategod, and Crowbar, you might be hard-pressed to name another longstanding sludge band that’s left their swampy mark on the scene quite like those three have.

If that’s the case, Southern California’s 16 would like a word. Continue reading »