(Andy Synn wrote this trio of reviews, covering just-releqsed albums by bands from his home country.)
This edition of “The Best of British” – my long-running column where I take a look at some of the best-kept secrets and flawed-but-fascinating gems coming out of the UK underground – is a particularly timely one… or, at least it was meant to be, since it was originally intended to be published on Friday last week, the same day that all three of these bands released their new albums.
Sadly the twin pressures of my day job (which remains reliably, sometimes excessively, busy) and some important band business (which I’ll hopefully be able to talk more about soon) meant that I didn’t manage to get the column fully finished until far too late in the day, at which point our beloved leader convinced me that we’d be better off waiting until Monday (i.e., today) instead.
So, here we are, better late than never, with three new albums straight from the bountiful bosom of the British music scene. Continue reading »