Jul 212026
 

(Andy Synn has been a fan of this band for a long, long time… but is he a fan of their new album?)

There’s a commonly quoted, but often misinterpreted, maxim which states that as you grow older there comes a time when you must “put away childish things.”

What it actually means is that the process of becoming an adult means growing beyond selfishness and short-sighted, self-serving impulsivity to consider the people and the world around you… but it’s often taken as a claim that one should give up the things you enjoy, your passions, your hobbies, your interests, in order to display some sort of boring, performative “maturity”.

It’s a sentiment that afflicts a lot of bands too, especially when they suddenly decide to throw in an unnecessary ballad or some generically pretentious prog-parts as a signal to their audience that they’ve finally “grown up”.

Luckily for all of us, however, as much as Canadian genre-splicing jesters Protest the Hero have grown and developed over the years I’m happy to report that they still possess that same shamelessly nerdy, Theatre-Kid Pop-Punk meets Dream Theatre-loving, DnD-playing, Power-Prog energy now as they did way back before they could even grow some proper beards.

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Jul 202026
 

(Andy Synn has more words to share about long-time NCS favourites Sallow Moth)

It should be no suprise to learn that we love music here at NCS.

After all, none of us makes any money from this site, or takes any kick-backs – even if bands will sometimes, very kindly, offer to send us music or merch as thanks for a review – meaning we do this purely for the love of it.

And as part of that we also love to support bands who love making music for the sheer joy of it, with little to no regard for current trends or commercial concerns.

Which is one reason – but not, I must stress, the only reason – why we’ve been so supportive of the works of Sallow Moth over the years.

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Jul 202026
 

(This is NCS writer Gonzo’s review of a comeback album from Boston-based There Were Wires that was released in late June by Iodine Recordings.)

When you think “heavy music,” the small slab of New England known as Martha’s Vineyard almost certainly won’t be what comes to mind first. And if it is, I want to know where the hell you’ve been hanging out lately. But never mind that.

Way back in 1999, the band There Were Wires formed in that quiet suburb, and they proceeded to play every sweaty New England club and basement venue they could crawl into. At the time, their sound was rooted in hardcore punk’s raw aggression, and they quickly found a home on Deathwish Records soon after. But after the release of their 2004 album Somnambulists, the band played what they presumed to be their final show, and the members went on to form other acts such as Doomriders, among others.

Now, over 25 years later, There Were Wires have made a return that’s just as ambitious as it is unlikely. Vessel is probably a record that nobody saw coming, but despite that, it deserves your full attention. Continue reading »

Jul 192026
 

(written by Islander)

I had to hurry to finish yesterday’s roundup due to excessive partying the night before and excessive sleeping through the next morning. Not having learned anything, I repeated myself last night and this morning, and am paying for it by having to truncate this Sunday roundup.

I mean, it wasn’t wild partying. There was no rowdiness, no fights. No one went to jail. It was just me and my wife and a bunch of other gray-hairs enjoying each other’s company over a grilled salmon dinner and maybe a few more drinks than was strictly advisable.

In figuring out what to include today, and what to leave behind for now, I decided to give you a charred-black roller-coaster ride. It’s only three songs and an EP, but none of them sound anything alike. I also decided to root this collection deep in the underground — these aren’t “big name” bands, but their music makes big impressions, at least on me and I hope on you too. Continue reading »

Jul 162026
 

(written by Islander)

The Italian metal band Eternal Mourn is a new name, but their lineup is a group of experienced musicians whose resumes include participation in Black Oath, The Rite, Extirpation, Funest, Araphel, and Demonomancy. In this new formation (as their name suggests) they’ve paid homage to the great death-doom traditions of the ’90s as expressed through the music of Paradise Lost, Katatonia, Anathema, and Cemetary.

Of course, many other bands have drawn upon those august influences over the past decades, with widely varying degrees of emotional power and memorability. Eternal Mourn’s debut EP Winds of Sorrow stands out from the pack. These first three songs don’t sound like a debut release. They are so well-crafted and so expertly executed that they sound like the work of people who’ve been delving into this kind of music for a long time, and the results are unmistakably desolate but still head-hooking, spine-shaking, and even mystically beautiful. They are also immediately memorable.

Those are among the reasons we quite enthusiastically agreed to premiere the EP today in advance of its July 21 release by Terror From Hell Records. More reasons follow…. Continue reading »

Jul 162026
 

(Wil Cifer has caught up to a debut EP by the British band Kill By Mouth, and enthusiasticaly recommends it in the following review.)

The biggest hindrance to the thrash revival has been how tied to ’80s nostalgia it is, while the bands that defined the genre got the memo and progressed. This plays into why a band like Power Trip made such an impact, because they were not trying to dial in the sound, but took the sound of modern hardcore and made great thrash albums with it. This British band, Kill By Mouth, wisely do not try to turn back time, but find their own place in the genre. They do this by blending some of the darker corners the genre had evolved into by the time the ’90s rolled around.

This EP was released back in March, so went under the radar, but is a worthy entry in today’s thrash scene and deserves more recognition. Pre-nu-metal-leaning Prong can be heard in the thunderous syncopation they kick into at this album’s powerful onset.The vocals are howled in a baritone bark to accent the commanding grooves they deal in. They also keep things at a deliberate headbanging tempo rather than getting lost in breakneck punk frenzies. This can be heard in the chug of “228“. They use admirable restraint and never give into the urge for speed that might forsake the purpose of the songs. This makes for catchier songs, though you can still hear the influence of both S.O.D and Sepultura here, but without the devotion that solely pays homage to an era. Continue reading »

Jul 162026
 

(DGR is playing the game of review catch-up. Is today’s four-album installment the first inning of nine, or the first half of two? We shall see.)

I say this every time I’ve done it in its twice-yearly fashion, but smaller review collections like this are not ones that I feel good about doing. It doesn’t feel fair to the bands not paying the imagined debt I have with them, that I’ve done something so criminal as enjoy their music and yet not find the time within myself to dedicate toward the usual essay-long dissection and exploration of their newest release.

Yet, it is festival season now in Europe which means that metal’s biological clock is seeing fit to give birth to a ton of new releases. You may have noticed during the last month or so there has been a steady drip of reviews coming from my corner of the world, but truth be told, all of those were done just prior to our unwitting heavy metal May that we’ve created. The assumption being that they would run once a day so the site would always have something to post while we were out and about witnessing music or drinking ourselves into apocalyptic stupor.

You’ll note, that’s not how it happened, and instead the collective of releases that I had fished up from the world’s murky musical depths ran well into June. That doesn’t mean the exploration and listening stopped, either. Just as many were caught up in the nets or came out while we were on that aforementioned vacation, and we now find ourselves at the doorstep of a collection of music spanning months that needs to be caught up on.

You, dedicated reader of the site that you are, know next what is coming. It has traveled by many names: review roundup, things you may have missed, clearing the slate, material befitting the ethereal, music by swedes for long-haired plebes, a million other names that all translate to one basic idea – we need to catch up on stuff so we can maintain some semblance of being current yet refuse to leave these albums sitting in the dust. Continue reading »

Jul 142026
 

(Andy Synn is a busy man right now, but still found time to recommend three killer EPs today)

Despite the fact that our work here at NCS may give the impression that we’re a professional, well-oiled machine (right?), the truth is that we don’t necessarily plan out everything we do here in advance.

That’s not to say there’s no plan at all – Islander in particular tries to stay on top of upcoming and new releases for his various round-up columns, and we’re all indebted to DGR for putting in the extra effort to produce a plethora of reviews in advance of our blog-break in May – but we do like to leave a little wiggle room in our schedule so we can be spontaneous and adapt to changing circumstances.

Case in point, today’s article includes three EPs (devastating down-tempo Deathcore from Canada, ugly, uncompromising Death-Grind from Indonesia, and vicious Blackened Hardcore from the good ol’ US of A) that I only recently discovered, and decided – pretty much at the last minute – that I wanted to write about.

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Jul 132026
 

(Andy Synn asks for whom the bell tolls… and it turns out it’s for him)

There are lots of different ways we could begin a review of the new Fuming Mouth (which comes out Friday).

We could, of course, talk about frontman Mark Whelan’s diagnosis with, and subsequent recovery from, Acute Myeloid Leukemia and how this has – unsurprisingly – influenced the band’s musical and lyrical approach.

We could also just as easily talk about how divisive the band’s second album, Last Day of Sun was, due to its more Punk/Hardcore influenced approach – though I still think that tracks like “Out of Time”, “The Silence Beyond Life”, and “I’ll Find You” are absolute bangers – and occasional (if not always successful) dash of moody melodic crooning.

But instead I’d like to start off by mentioning the one and only disappointing aspect of the record… which is the underwhelming cover art (which, to be fair, I’m sure must have some deeper significance to the group, but which really doesn’t live up to the high bar set by the eye-catching artwork of Lewandowski and Todorovic that adorned their first two albums, respectively).

Thankfully, however, this is one occasion where you definitely can’t judge the proverbial book by its literal cover.

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Jul 122026
 

(written by Islander)

As you can see, I have a lot of new music to recommend today. I hope the volume won’t deter you from investigating each entry. I will say that I’ve arranged the selections in a way that my cause your head to whirl around as you move through them. At least I hope that will happen!

Because there’s so much to discuss, I’ll dispense with further introductory comments and get right to it. Continue reading »