Nov 072025
 

(In this feature our friend Vizzah Harri shares his thoughts about two singles this year released by the Tennessee collective Vaelravyn.)

Wikipedia lists nearly 150 sun gods throughout human history, roughly 17%, or 26 of them, are Filipino in origin. Interesting fact number one, The Philippines have around 1000 deities listed on the page for Filipino mythological figures. Way more water gods than lords of light, wonder why? Must be wet there or something, perhaps they don’t even have a word for drought? They do, it’s ‘tagtuyot’. Absent father jokes aside, I lost count at around 981 seeing, as I refuse to use LLM’s, and Wikipedia lists both mortals and immortals in their mythological figures of The Philippines article, and quite a few of the gods like Diwati aka D’wata and Kabunyan aka Kabunian crossbred across islands and waterways putting Zeus to shame, so the actual number of gods is hard to count.

Fact number two, if your name is Alan, I have only known two in my life and they both left impressions on me of being pure souls that took life by the horns and lived it to the full, but if your first or last name is Alan, you might want to go read that Wikipedia article up there cos you might get some weird looks if you ever decide to visit the wonderful country of The Philippines. Of the two gods with that name I spotted, one was a shapeshifting corpse thief and the other one a cannibal; someone needed to do the honest work of scouring the internet to make a weirdly adjacent point after all.

I’ve been in Vietnam too long, and one complaint I’ve often heard from students when they bemoan one of their most hated subjects, literature, is that the authors always had this wild-goose-chase tactic in their storylines, going all around the forest to come back to the tree of import. Guess it rubbed off on me. Continue reading »

Nov 052025
 

(Andy Synn has three more EPs for you to check out today)

It might be controversial to say so, but I don’t think that 2025 has been quite as strong as 2024.

That’s not to say there haven’t been some truly excellent albums released this year (there’s only about a month or so until my regular annual round-up, where you’ll get to see the evidence for that statement) but I feel like there’s been fewer soaring highs, and a few more unexpected disappointments, compared to last year (don’t quote me on this though, as I still need to run a final analysis).

The exception here, of course, is in the realm of the short-but-sweet release (aka, the EP), as I’m constantly finding new bite-sized morsels of brilliance to sink my teeth into (for a while, anyway), with all three of today’s records being prime examples of what you can find if you just keep your ear to the ground.

Continue reading »

Nov 052025
 

(Vizzah Harri is both back home and back at NCS after a hiatus and has brought with him a group of reviews, with the following typically fascinating one focused on the 2025 album by I don’t do drugs, I am drugs from the UK.)

Delaying things can cause them to grow in size from a molehill into an impassable reach. That sheer face presenting its final summit you can’t even process for the valleys, outright tears and fissures in the earth leading up to it, woods less penetrable than a despot’s drive toward self-preservation, and stacked with ghoulish specters of the darkest deepest reaches of self-nebulized phantasmagoria of your brain that need more than a score of filthy twenties to roll to beat. Internalizing these beasties and challenges as this big thing you’ve got to surpass to attain a summit that does not exist in anyone else’s mind. And that is the scariest part.

Time is only the enemy if one so chooses to enter in melee against it. Harrowers of darkened benthic silts. Grubbing and raking, digging deep with numb appendages in them already murky waters of untruth, to meet that sweetest slice and gash, that prick and tear, that hack and rip, of the bloodletting surety of the acidulous blades and pincers of veritas. Fleeting elation as that sinking in and setting of sedimental disdain for the passage of sands still nascently swishing in the alluvial flow of streams and seas of air. Continue reading »

Nov 042025
 

(NCS contributor Vizzah Harri, domiciled in Vietnam since his first appearance here, has now returned home to South Africa. But the change of scene hasn’t affected his unmistakable and inimitable writing style, as you’ll see from his review of the first album by Smiqra, which is a different guise for the person behind Ὁπλίτης [Hoplites].)

I’ll be honest, I’ve been sitting on this review for a long time and it came to the point where I realized it might never happen. It perhaps stems from a feeling of inadequacy. I don’t think anyone will be able to write about this album with an honesty and attention to detail without missing something. The unpronounceable Rɡyaɡ̇dźé! might not make it to the top of many AOTY lists this year, apart from the underground, for music that takes a few leaps outside the bounds of what our usual comprehension of what a ‘type’ of music should sound like can be seen as simply an oddity, flash in the pan.

If an album starts on musical hijinks as an inside joke, breaking the 4th wall so to speak, for heading to Bandcamp the track loaded into the player ready to fire is number 9, Major Revision!; it’s a nice way of informing us that what we’re dealing with is a meme of the highest order. Continue reading »

Nov 042025
 

(We present Daniel Barkasi’s review of a new album by Pittsburgh-based Selfgod that was released by Veles Records on October 31st.)

Selfgod’s Serge Streltsov (ex-Necrophagia, ex-Automb) has been busy since the release of debut album Born of Death back in February of 2022, with multiple tours under their belt (one that included a stop at our current location of Tampa at the famous Brass Mug), and timing-wise, the band’s next step felt imminent. There were some rumblings, but nothing concrete, until now. Sure enough, the second full-length Left Hand Pagan was announced in mid-October for a quickly approaching Halloween release, this time by way of his own newly formed label, Veles Records

To the uninitiated, Selfgod conjures a technical, riff-driven sort of death metal that dabbles in the occasional black metal aesthetic. Think Hate, God Dethroned, Azarath – that sort of approach, coupled with a Pagan thematic presence, which is emphasized further by the new record’s title. As an aside, we explored Streltsov’s personal beliefs and close connection with his home country of Ukraine in an interview we did here at NCS a few years ago, and they’re front and center with this release, which sadly was marked by a personal tragedy for Streltsov during the lead-up (more on that later). Continue reading »

Nov 032025
 

(written by Islander)

I’m part of a chat group with some long-distance friends who also write about metal (outside the cohort here at NCS). Some of them had listened to Sacramento-based Oromet’s new album The Sinking Isle before I had. One of them acclaimed it as the best funeral doom album of the year, and others agreed.

I thought that was a bold claim, given that this fall had already brought forth a new album by the old gods Evoken and will soon see a tremendous half of a split by Convocation. But while I couldn’t completely avoid some skepticism (not the band) about the assertion, I was certainly left eager to find out for myself what kindled such enthusiasm.

Not that I wasn’t already pretty taken with Oromet, based on their self-titled debut album from 2023 and their phenomenal cover of Alice Deejay’s “Better Off Alone” released just this past July (which I had some things to say about here). But still, standing toe-to-toe with those other bands mentioned above (and other fine groups not mentioned) would be no mean feat. Continue reading »

Nov 032025
 

(October 2025 is done and dusted, Gonzo has survived another month, and so he surfaces here to present reviews of four recommended albums released in the year’s 10th month.)

At the risk of sounding cliched, it’s always a depressing reality when Halloween comes to an end. It’s even worse when daylight savings time kicks in on the same weekend, reminding us that the Big Dark is already upon us, signaling the months of snow and rain and subzero temperatures that lurk around the corner.

Choose your coping mechanism as you wish, but whatever they are, I recommend you add these four new releases to distract you from the horrors. Continue reading »

Nov 032025
 

(Andy Synn highlights six gems from October you may have overlooked)

I’m going to say something controversial here, but… if you see someone talking a big game about how they “listened to 500 albums this month” they’re probably lying.

Ok, maybe not lying (though some are probably doing it just for clout and clicks) but definitely stretching the truth a little, because there’s a big difference in my book between hearing an album and actually listening to it.

Don’t get me wrong, I really do wish I had time to listen to that many albums each month, and I’m sure there are other writers/reviewers out there who legitimately rack up bigger numbers than I do, but chances are that anyone making a hyperbolic claim like that isn’t giving the albums in question the time and attention they deserve… especially if they’re a writer/reviewer who is supposed to actually be offering some insight into the albums/artists in question (something which takes more than just a couple of cursory spins to do).

So while I can’t, at the moment, give a full-throated and whole-hearted recommendation to everything I heard last month – the ones I’ve chosen to feature here are the ones I feel most qualified to comment on, but there’s still many more I need to spend time with and process properly – I would encourage you, once you’re done with this article, to go check out the latest releases from Galge, Scorching Tomb, and Torture Machine (if you’re of a Death Metal-y persuasion), Haeresis, Scalding, and Sunken if you’re more into Black Metal, and Mriodom and Stonebirds if you’re looking for something on the groovy, Stoner-y side of things.

Before then, however, here’s some albums I definitely can recommend to you.

Continue reading »

Nov 022025
 

(written by Islander)

Like yesterday, today I had enough time to include a lot of new music and to spill a great volume of words about almost all of it.

For reasons I’ll explain, I’m beginning with a new album that’s well outside the usual parameters of this column, but then launching straight into a sequence of black metal songs (in varying shades of course) that are fantastically thrilling, and sometimes unexpectedly sublime. Continue reading »

Nov 012025
 


artwork by the legend Frank Frazetta

(written by Islander)

I hope those of you who celebrated Halloween got through it with all your fingers intact. Oh wait, that’s a different holiday. But the wish still holds, even if the risks of losing digits might not have been as great. It all depends on where you put them and what you hold and whether some masked goon is firing rubber bullets at your raised fists.

I got through Halloween with all my digits intact, and the three I use for typing have been busily pecking away at this Saturday collection. It comes later than usual because I got a late start and was really confounded in deciding what to pick.

I was pretty thorough in saving links and files this week, which meant there were a fuckload of them staring at me this morning, and I had only sampled a small number of them during the week. I would say that more than half of them were of the black metal persuasion, so I shoved off a lot of those candidates (but not all of them) for tomorrow, which is also therefore guaranteed to be confounding. And there’s a bit of a curveball at the end, of course.

On we go…. Continue reading »