Sep 302020
 

 

(For the September 2020 edition of THE SYNN REPORT, Andy Synn focuses on the discography of Minnesota-based Feral Light, including a review of their 2020 album Life Vapor.)

Recommended for fans of: Tombs, Cobalt, Wolvhammer

So while these guys weren’t my original choice for this month’s Synn Report, the truth is I’ve been itching for a chance to write more about them for a while now, particularly since we didn’t manage to publish a review of the band’s third album, Life Vapor, (although we did host a premiere for it) when it was released back in May, so I’m more than happy that things worked out this way.

Hailing from the grim, snowbound wastes of… Minneapolis, Minnesota… Feral Light (who comprise the dynamic duo of Andrew Reesen on drums and Andy Schoengrund on guitars/vocals) deal in a gritty, gruesomely groovesome brand of Black ‘n’ Roll which has, over the years, also developed an increasingly savage-yet-sombre (not to mention ever-so-slightly proggy) edge to it.

And with three full-length albums now under their belt, I felt it was high time that more of our readers got to know (and love) them as well as I do. Continue reading »

Aug 312020
 

 

(For the August 2020 edition of The Synn Report, Andy Synn has decided to compile reviews of all the releases by the tremendously talented Finnish band Havukruunu, including their newest album released earlier this month by Naturmacht Productions.)

Recommended for fans of: Moonsorrow, Immortal, Vintersorg

Black Metal, as we all know, comes in many different forms.

Punky and primal, proggy and polished, feral and fierce, mighty and majestic… and all shades and shapes in between.

And for this month’s Synn Report it’s the latter style I’ve chosen to focus on, with this deep dive into the discography of formidable Finnish foursome Havukruunu.

Three albums into their career (the most recent of which was released earlier this month) the band have, effectively, become masters of a scintillating brand of Black Metal which fuses the epic extravagance of their countrymen in Moonsorrow with the swaggering, riff-centric approach of Immortal and the fearless melodic mettle of Bathory… although, as accurate (maybe even a little too obvious) as those references are, I’d say that Havukruunu have more than made this sound their own at this point.

So fill your cups, sharpen your blades, and ready yourselves to ride the blazing Northern skies as we take a journey through the band’s bountiful back catalogue. Continue reading »

Jul 312020
 

 

(We’ve reached the end of July, and for this month’s edition of THE SYNN REPORT Andy Synn has prepared reviews of all the albums released by the Swedish band Descend, including their latest full-length released on June 26th by Aftermath Music.)

Recommended for fans of: Opeth, Ihsahn, Disillusion

Stockholm stunners Descend have been quietly making a name for themselves in the more progressive circles of the Death Metal underground for a while now, developing a well-deserved reputation as a reliable source of intricate instrumental arrangements and rock-solid riffs that deliver all the primal punch you desire while also engaging your higher brain functions with every dynamic twist and turn.

But, for whatever reason, the Swedish quintet have never really broken through into the wider Metal consciousness in the same way that a number of their peers and predecessors have managed to.

All that might just be about to change however, as their recently released third album, The Deviant, is both a major step up for the band and a potential contender for multiple “Album of the Year” accolades.

Before we get to that, however, I invite you all to come with me on a deep dive into the group’s discography, where you’ll find that there’s also a lot to love in the band’s back-catalogue too. Continue reading »

Jul 012020
 

 

(Andy Synn has chosen to devote his SYNN REPORT for the month of June to the discography of the French band Exocrine, whose new album Maelstrom was released by Unique Leader on June 26th.)

Recommended for fans of: The Faceless, Gorod, Beneath the Massacre

The purpose of The Synn Report is, obviously, to give our readers an overview of the background and back-catalogue of whatever band I select each month.

One of the great things about this approach, of course, is that it allows all of us (myself included) to see just how the band in question has evolved over the course of their career.

In the case of French four-piece Exocrine the band’s evolution has led them to grow from some relatively humble beginnings into something far more titanic, and if 2018’s blazing Molten Giant didn’t convince you of the group’s tech-tastic lethality then perhaps their recently released fourth record, Maelstrom, will?

Before then, of course, there’s three other albums to sink your teeth into… Continue reading »

May 302020
 

 

(In this May 2020 edition of THE SYNN REPORT Andy Synn combines reviews and streams of all the albums (and one EP) released to date by the California band Xibalba, including their latest album released just yesterday by Southern Lord.)

Recommended for fans of: Misery Index, Earth Crisis, Morbid Angel

Depending on who you ask, Death Metal and Hardcore are either mortal enemies or eternal blood brothers, divided or bound by a mutual love of pure heaviness and pulverising aggression.

Californian crushers Xibalba clearly see the two styles as different sides of the same coin, and have been paying their dues for over a decade now, producing, to date, four impressively intense albums of churning riffs, chunky breakdowns, and belligerent bellowing vocals.

But, for whatever reason, the band just haven’t had that major “break out” moment yet, which is pretty shocking when you consider how much crossover potential there is in their sound. After all, they’re pretty much the only band I could ever recommend equally and without reservations to fans of Earth Crisis or Entombed, Disembodied or Dismember, Misery Index or Machine Head or Morbid Angel.

Hopefully, however, the recent release of their fourth album, Años en infierno, should give their profile a major boost, meaning now is the time to jump onboard the hype train before you get left behind! Continue reading »

Apr 302020
 

 

(For the April 2020 edition of The Synn Report, Andy Synn has combined reviews and streams of all the releases by the California band Destroyed In Seconds, including their newest album Divide and Devour, which was released last Friday.)

Recommended for fans of: Wolfbrigade, Disfear, Trap Them

Though the story of California Crust-Punk/Thrashcore crossover crew Destroyed In Seconds goes all the way back to 2008, my own relationship with the band is only a few years old, as I’d never heard of them before one of my buddies dragged me aling to see them at the 2018 edition of Maryland Deathfest.

I’m not sure exactly what it was about the band’s performance – maybe it was their obnoxiously high energy levels despite their early afternoon slot, maybe it was their general “give no fucks, take no prisoners” attitude, or maybe it was the fun way they ripped the piss out of one of our companions for wearing a black cowboy hat in the pit – but, whatever it was, I was instantly hooked.

Hopefully, if you’re not already familiar with the band (whose third album was just released last week), you’ll be just as hooked by the end of this column, especially if you’re a fan of the sort of down ‘n’ dirty, d-beat driven sound which derives its inspirations from bands like D.R.I. and Dropdead, Exodus and Entombed, Nausea and Napalm Death. Continue reading »

Mar 312020
 

 

(For the March 2020 edition of The Synn Report, Andy Synn has combined reviews and streams of all the releases by the Australian black metal band Wardaemonic, including their newest album Acts of Repentance, which was released by Transcending Obscurity Records on March 20th.)

Recommended for fans of: Immortal, Mayhem, 1349

From its humble beginnings in the streets and suburbs of Norway, Black Metal has stretched its eldritch tendrils far and wide, resulting in new cults and covens springing up all over the world.

There is, perhaps, no better example of how the genre has metastasised and infected practically every corner of the globe than Wardaemonic, who, despite hailing from the Western coast of Australia – about as far, both in distance and climate, from the Norwegian fjords as it’s possible to get – have spent the last fifteen years establishing their own place in the ever-growing legacy of Black Metal.

The group’s fourth (and possibly finest) album, Acts of Repentance, was released just over a week ago, so now seemed like the perfect time to bring their work to a wider audience. Continue reading »

Feb 282020
 

 

(In this SYNN REPORT for the month of February 2020, Andy Synn assembles reviews of all the records released to date by the Swedish band Yuri Gagarin, including their new album, released in late January.)

Recommended for fans of: Oranssi Pazuzu, Dark Buddha Rising, Sleep

One of the many joyful elements of writing each edition of The Synn Report – beyond the simple pleasure of being able to introduce you all to new artists and albums every month – is the way in which it encourages me to switch up my listening habits on a regular basis.

Case in point, after going from Tech to Grind to Death to Black to Prog to ‘core over the last six months now it’s time to switch things up once again with Space-Rock cosmonauts Yuri Gagarin.

Despite hailing from the metallic mecca of Gothenburg, Sweden, the five-piece are probably one of the least “Metal” artists we’ve ever featured as part of The Synn Report.

However that doesn’t mean they don’t bring their own particular style of heaviness to the table, adding a delicious dose of distortion to every juicy, psychedelic jam and fuzzed-up instrumental freak out. Continue reading »

Jan 292020
 

 

(In this SYNN REPORT for January 2020, Andy reviews the combined discography of the Russian band Minuala.)

Recommended for fans of: Martyrdöd, King Apathy, Downfall of Gaia

Despite not being much of a social butterfly, one thing I appreciate about the Metal scene is the sense of community it can foster between different people from different places and different backgrounds.

Sure, I might be a little cynical about it now and then (often with good reason), but I only have to glance at my own little “community” (which really isn’t all that “little” at all these days) to see all the ties which bind me to the people within it – from my band-mates and my old friendship circle back home, to my brothers at NCS (and our extended family), the various comrades and compatriots from other sites/zines who’ve become part of our crew, and the multitude of musicians I’ve come to know over the years.

The group featured in this month’s edition of The Synn Report was recommended to me by one of my oldest and dearest friends, who himself received it from one of his coworkers (who happens to be the ex-bassist from Fall of Efrafa). So you know who to thank if you find yourself with a new favourite band.

The band in question are Minuala, from Russia, and their music is a fantastic blend of dark, subtly blackened Hardcore, riff-driven metallic muscle, and riveting Crust/Post-Metal touches, that should appeal to fans of bands like Martyrdöd, King Apathy, Dödsrit, Downfall of Gaia, and, yes, Fall of Efrafa. Continue reading »

Dec 312019
 

 

(Here we are, at the end of December and the end of 2019, and just under the wire Andy Synn has turned in his SYNN REPORT for the month, choosing to review all the albums by the Colorado band Dreadnought, including their latest album Emergence, which was released in September by Profound Lore.)

Recommended for fans of: Madder Mortem, Ludicra, (latter-day) Opeth

Having dedicated the last several editions of The Synn Report to the nastier, gnarlier end of the musical spectrum, I felt it would be fun to end the year in something a little bit proggier.

Actually, make that a LOT proggier, as the multi-instrumental marvels of Dreadnought (whose repertoire accentuates the traditional form of bass, guitar, drums, and vocals, with added embellishments from flute, piano, mandolin, and saxophone, to name but  a few) arguably err more towards Folk, Prog, and Jazz – particularly on their earlier albums – than they do Metal.

That’s not to say that the Colorado quartet don’t have their more metallic moments, as they’re entirely capable of deploying a writhing, blackened riff or snarling shot of vocal venom whenever the need calls for it, but these harsher, heavier elements are just one small part of a rich creative tapestry which favours patient, proggy melody and indulgent artistry over instantaneous impact. Continue reading »