OBSCURITIES — VOLUME IX: ENDLESS SUMMER

 Album Reviews  1 Response »
Oct 012024
 

(A festival, a move between towns, and a hurricane have slowed but not stalled Daniel Barkasi‘s preparation of monthly album reviews, and today he rejoins us with a selection of eight recommended albums that saw the light of day in August.)

This is the summer that doesn’t end. Yes, it goes on and on, my friend. Yeah, I’m making my own version of the song from Lamb Chop. If you don’t know the one, I weep for your childhood, but also give a nod to your sanity. The song doesn’t end, after all. Here in the swamp that is Florida, Summer doesn’t really end a whole lot. Maybe that’s why I listen to The Midnight so much – their album Endless Summer is where the title of this column is coming from, after all. We’re not here to speak about synthwave – though that’s a subject that this guy could go on about in perpetuity. Continue reading »

OBSCURITIES – VOLUME VIII: SUMMER BLUES & BLACK METAL

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Aug 132024
 

(Below you’ll find Daniel Barkasi‘s reviews of 8 albums released in July that he enthusiastically recommends to you.)

As summer continues its dreadful humidity-laden romp, I’m reminded of a bit from Robin Williams’ (RIP legend) Live on Broadway standup special where he talked about climate change. More specifically, “It’s beyond Global Warming at this point – it is cooking!” Just over 22 years ago, and he got it like only Robin could. Seriously, watch that entire special if you want to writhe in pain from laughter. Some of the references may be dated to some younger than dirt, but man it’s a good time from one of the funniest people to ever live.

Going from my “If I go outside, I’ll be peeling sweat-ridden clothes off like a layer of Saran Wrap” Florida life, a subject that’s been bugging the crap out of me is generative AI. More specifically, it’s application of generating album artwork – and we use the term artwork in this case very loosely. It’s not artwork at all, but a prompt-drive monstrosity that almost always looks like cheap junk. Continue reading »

OBSCURITIES – VOLUME VII: WE’RE HALFWAY THERE

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Jul 192024
 

(With the month of June now behind us, Daniel Barkasi returns to NCS with a collection of eight albums released in that month which have drawn his favor.)

No, we’re not about to break out into the chorus of “Livin’ on a Prayer.” Though to be completely transparent, I do enjoy the cheesiness of Bon Jovi. But we’re not talking about New Jersey hair rockers today, beyond this brief mention.

June has been a strange month that we mostly would like to forget. We endured a family tragedy that still has me rattled – things are settling, but loss hurts deeply and tends to linger. Always keep love at the forefront of everything you do, because nobody knows what awaits tomorrow. Words to live by from this rando. I know, I know – we’re about to go over a bunch of extreme metal and we’re talkin’ ‘bout love. Sorry, Van Halen – who also rules. Continue reading »

OBSCURITIES – VOLUME VI: DEATHFEST AND OTHER MADNESS

 Album Reviews  2 Responses »
Jun 182024
 

(After a slight delay following the expiration of May, Dan Barkasi rejoins us with reviews and streams of eight selected albums released during that month.)

To begin, a brief recap of Maryland Deathfest. If you attended, we can only hope it was as close to cathartic for you as it was for yours truly.

Having attended a ton of MDF’s in the past – I’ve lost count – this was unequivocally one of my favorite editions. The variety and top-tier quality of the musical performances was profound. Sinmara, Spectral Wound, Fossilization, Altars, Spectral Voice, and Imperialist were all acts witnessed for the first time, and each left a permanent impression. Heavy hitters such as Dismember, Ahab, Agalloch, Sodom, and Primordial each brought an undeniable presence to each of their shows that were wholly different, yet left the same elated feeling.

The biggest highlight, however, is this festival representing a gathering of lifelong friends that haven’t been seen in much too long of a time period, as well as making new friends, all of which we hope to see again very soon. Continue reading »

SHOW REVIEW: CHAOS AND CARNAGE – MAY 6, 2024 – THE ORPHEUM, TAMPA, FL

 Concert Reviews  2 Responses »
May 222024
 

(Daniel Barkasi provided us the following extensive report on the Tampa stop of the ongoing Chaos & Carnage Tour. All photos by: Brittany Barkasi @Turn off the Thunder)

The tour package dubbed Chaos & Carnage admittedly hasn’t always been a can’t miss for this scribe. Early adoptions didn’t completely appeal to my tastes, though there always have been a band or two that were very much in my wheelhouse. Variety is the spice of life, after all. Some have been outright dismissive of this tour package due to deathcore being a “dirty word,” but I’d argue that it’s way more logical to take each act on their own merits and go from there versus casting a wide net of negativity due to a label. You do you, though!

This year’s edition boasts the most varied and intriguing lineup to date. The mighty Cattle Decapitation are an all-timer, and were announced to be co-headlining with Carnifex. Support comes from Humanity’s Last Breath, Rivers of Nihil, The Zenith Passage, Vitriol, and Face Yourself. That’s a lot of bands that will get the blood pumping, and more importantly for yours truly, a diverse smattering of sound variances which could offer something for even the most discerning. Continue reading »

OBSCURITIES – VOLUME V: BLACK METAL IN BLOOM

 Album Reviews  1 Response »
May 142024
 

(We present another one of Dan Barkasi‘s monthly collections of reviews and recommended music, taking stock of 8 records that saw release in April 2024.)

April is in the rear view, but my allergies sure aren’t. Ah, yes, the time of year in Florida when the “winter” time of perfect temperatures has transitioned to sweltering heat and pollen so thick that it will layer upon vehicles left outside. It’d sure be nice to breathe out of my nose again. Don’t get me started about the fucking lovebugs. Nothing like a ton of awesome new tunes to rattle oneself back into the groove.

Maryland Deathfest is also coming up very fast, and while we have tickets for all of the days this year, it’s questionable if we’ll be able to make it. Hopefully the stars align and it happens – just look at that loaded lineup. Bands like Dismember, Fossilization, Altars, Sodom, Crypt Sermon, Ahab, Esoteric, Spectral Voice, Spirit Possession, Imperialist, Severe Torture… well, you get the idea. Here’s to hoping we see a few of you fine folks there! If you can attend, do yourself a favor and make it happen. One of the best fests on this side of the globe.

While I’m sure that the (hopefully) three of you left came to hear me drone on about my problems like our pal George, let us get to the music. It was the most difficult month thus far to narrow my choices down to eight, with a few that were especially painful to cut. But, it’s my column, so the hell with it – Draugnim’s Verum Malum and Fierce Diety’s A Terrible Fate both represent dramatically different genres and characteristics, but each is executed with extreme proficiency, which should earn at least a spin. Now, onto the rest of this month’s selections. Continue reading »

AN NCS INTERVIEW: VORGA

 Interviews  1 Response »
May 032024
 

(Today we present an excellent interview conducted by Daniel Barkasi with guitarist and composer Atlas from the German black metal band Vorga, whose new album is out now on Transcending Obscurity Records.)

The cosmic side of black metal is a fascinating one, boasting a wide range of approaches and sounds – from the horrifying and disturbing to the eclectic and bombastic. Emerging purveyors from deep, dark reaches of space, Vorga has metastasized an energy-laden, yet cuttingly furious approach. If a soundtrack to being sucked violently into a black hole has any appeal, their latest Beyond the Palest Star should be on your list.

Said new full-length is an advancement on the acclaimed Striving Toward Oblivion, which was a sonic boom of pacey, vivacious black metal that was always traveling at Warp speed. Beyond the Palest Star achieves a balanced output; plenty of speed to burn, while also allowing a wider array of influences to take hold, forming a deeper and more complex offering.

We managed to track down guitarist Atlas to speak in-depth about the new record, a film-quality video the band released, the sci-fi and the black metal scene, as well as the impacts of AI and streaming on the artist and the world at large. Prepare to traverse into the void with us. After all – “In space, no one can hear you scream.” Yeah, we went there. Continue reading »

AN NCS INTERVIEW: HIDEOUS DIVINITY

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Apr 292024
 

(Daniel Barkasi has brought us a fantastic interview with Enrico Schettino from the Italian death metal powerhouse Hideous Divinity, whose newest album, reviewed at NCS here, is out now on Century Media Records.)

Some have been calling recent times a sort of death metal renaissance. It’s true that an enormous amount of quality releases from bands old and new have been laying waste to our eager ears in the last few trips around the calendar. Hell, the sheer volume of new bands churning out innovative metal of the deathly variety alone has been inspiring. Death metal’s future is indeed strong. Ever leading the charge of the upper echelon is Rome’s Hideous Divinity.

Ever since their first foray Obeisance Rising in 2012, the band hasn’t slowed down a whole lot, dropping four albums that have continuously set high standards for both themselves and their peers. On to album number five, we have Unextinct, which stands out as their most ambitious, from a band who haven’t quite sat still record to record. It’s a massive album that goes straight for the throat, all while displaying multiple layers of intricate craftsmanship that adds significantly to the whole.

We got the opportunity to have a chat with lead vocalist Enrico Schettino on a myriad of subjects. From the obvious regarding all aspects of Unextinct, the absolutely wild “Against the Sovereignty of Mankind” throat cam video, what’s next (including a hint of an upcoming tour), and an odd question to attempt a practical joke on their incredibly cool manager Tito. We hope you enjoy – and pick up the damn album! Continue reading »

OBSCURITIES – VOLUME IV: BEWARE THE IDES OF MARCH

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Apr 082024
 

(We present another one of Dan Barkasi‘s monthly collections of reviews and recommended music, taking stock of 8 records that saw release in March.)

The year is moving quickly, isn’t it? March brings us the reminder of Julius Caesar’s big mistake, the conclusion of the UEFA Champions League round of 16 (Heja BVB), and some of the final episodes of the timeless Curb Your Enthusiasm. Whilst I agree with most of Larry David’s neurotic observations, we have to especially take his side on the cheese debate. Also, text chains are the worst. But, we could go on all day. Kevin P and Madder Mortem know the score.

We’re a quarter of the way through already, and the volume of releases is on a steady upward trajectory. That leaves a metric ton of music to take in – not that we’re complaining, mind you – in order to dig out a smattering of quality stuff that may be hiding between some of the more obvious heavy hitters. The month also brought its share of puzzling releases – Coffin Storm is the sonic equivalent of melatonin – but thankfully, there was more quality than not from the bigger acts on down. Continue reading »

GOST: “PROPHECY”

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Mar 082024
 

(Yesterday we presented Daniel Barkasi‘s interview of Texas-based Gost, and today we deliver his review of Gost‘s new album Prophecy on the day of its release by Metal Blade Records.)

The connection between metal and electronic music is an alluring one; both have existed side-by-side for decades. There’s always been some similarities in the aesthetic and structure of specific forms of each. One of the latest phenomena is the synthwave genre, and more specifically for this review, it’s where a sub-genre known as darksynth emerged. A caustic and menacing method of synth music, many have been gripped by its extremely heavy sounds and dark themes.

One of the most heralded innovators of that style is Gost, who has carved a large following through the last 11 years, never producing the same album twice. Early works centered around more Satanic subjects and vigorous sounds, while more recent albums such as Rights of Love and Reverence portray more on the personal side with gothic/industrial conventions. New album Prophecy is a merging of both subjects and nearly all sonic inclinations of Gost’s career, resulting in a familiar-yet-fresh album that continues to position the project further into its own air. Continue reading »

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