Jun 162025
 

(written by Islander)

In February of this year Hypnotic Dirge Records released a new album named Antipole by the Canadian death/doom metal band Norilsk. Originally a duo consisting of Nic Miquelon and Nick Richer, the band had expanded by then to include guitarists Tom Hansen and Matt MacIvor, who joined in 2016 and 2017 respectively. But Antipole was the first album to be recorded by all four members, after extensive rehearsals and work among them on the arrangements.

The results of this collaboration, as captured on Antipole, really represent a significant step forward for the band (every band says that about each new release, but in this case it’s really true). The music isn’t conventional death/doom by any means, but encompasses intriguing and surprising stylistic interplays and contrasts.

Moreover, the music’s changing shades of light and dark, of beauty and tragedy, of granitic weight and ethereal evanescence, reflect its thematic interests (sometimes rooted in literature) in expressing duality. As an example of this, today we have a compelling lyric video for a very compelling song off Antipode called “La Fonte“. Continue reading »

Jun 162025
 

(Andy Synn is here to feed your insatiable hunger for more Cryptopsy whose new album is out Friday)

It’s generally understood, by our regular readers at least, that we tend to favour covering smaller, up-and-coming, or less well-exposed bands whenever and wherever we can, largely because – at our level, at least – those are the bands who will benefit the most from our coverage.

That doesn’t mean we won’t cover bigger bands or more notorious names when the opportunity presents itself to do so… it’s just that, after a band reaches a certain level of popularity (or notoriety) it’s easy for our voice to just get lost in the storm of acclaim (or criticism) that tends to follow most releases of a certain magnitude.

Case in point – do Cryptopsy really need us to review their new album? Well, they’re currently on the cover of Decibel which suggests that a) no, they really don’t, and b) the movers and shakers in the industry might finally be coming around to the fact that the band are (still) kind of a big deal.

But just because a band doesn’t need our help doesn’t mean we don’t want to write about them, and to be quite honest I’ve been itching to put my thoughts about An Insatiable Violence down on paper (or, at least, on the internet) for you all to read for quite some time.

Continue reading »

Jun 152025
 

(written by Islander)

Sad to say, this Sunday’s column is much shorter than usual. I got a late start on it, but the bigger explanation is that early tomorrow I’m flying to my former stomping grounds in Texas to be at a Tuesday memorial service for a close friend and vital mentor, with an even earlier flight back to Seattle the next day. That means I need to get a head-start today on premieres I had agreed to host over the next three days before my old friend’s passing following a long illness. Continue reading »

Jun 142025
 

(written by Islander)

Yesterday we premiered a video for a song called “Welcome to Hell“. That title sums up the events that have dominated domestic and international news over the last few days. What fresh hell will today bring? It may be hard to foresee all the details this morning, but it’s already easy to smell the sulphur on the wind.

I picked new music and videos from 8 international bands to get our day started and help get us through it. I feel pretty confident this will all be better than tomorrow’s headlines. If you’re in the U.S. and out on the streets today, stay strong and try to stay safe. Hell, I hope you can stay safe wherever you are. Continue reading »

Jun 132025
 

(written by Islander)

The Polish band MROME have been making music since the mid-’90s, first under the name Kingdom. As MROME, they’ve released four albums so far, most of which we’ve paid attention to (as you can see here), and now we’re very happy to report that a fifth one is on the way.

The newest one, Boneyard Twist, includes 9 tracks recorded live in the studio, and the band have described it to us as “a kind of return to our dark roots from the early ’90s, inspired deeply by the first wave black metal.” Lyrically, they tell us the songs deal “with grave residents, disabilities of body and mind, necromancy and …monks exploding!”

As a sign of what the new album brings, today we premiere a lyric video for a song named “Aristocrat” — or at least we have tried to premiere it! Continue reading »

Jun 132025
 

(written by Islander)

When the Ukrainian black metal band Lava Invocator released their debut album Mörk in March 2017 Russia had already illegally “annexed” Crimea, and pro-Russian “separatists” had declared “independence” in the eastern region of Donbas, leading to persistent fighting that had killed thousands. But at that time Russia’s full-scale invasion of Ukraine was still five years away. Now, of course it is a brutal reality.

It was in the midst of that brutal reality that Lava Invocator wrote and recorded their second album, released in April 2023, and gave it a name inspired by what was happening around them and in the world at large: Signs Of Apocalypse.

The war grinds on. There have been significant combat casualties on the Ukrainian side, and the thug in charge of Russia also continues to rain death in routine terror attacks on Ukrainian civilians. But according to this report yesterday in The Washington Post, since January 2024 Russian forces have seized less than 1 percent of Ukrainian territory and “Russian fatalities in Ukraine now exceed the total number of Soviet and Russian soldiers killed in every war since World War II combined.” The report estimates that by this summer Russia will likely pass 1 million total military casualties.

It is in this context that today we premiere a lyric video for a song off Lava Invocator‘s last album, their greeting to invaders called “Welcome to Hell“. Continue reading »

Jun 122025
 

(Andy Synn returns to nature with the new album from Returning, out 20 June)

Ah, “numinous”… referring to something that arouses or engenders a spiritual or religious experience… what a perfect name for the new album from Returning.

If you’re not familiar with the band, the duo’s previous album (2023’s Severance) introduced us to their moody, mesmeric blend of earthen Black Metal and ethereal ambience, resulting in a haunting, often hypnotic, sound situated somewhere between the visceral vibrancy of Wolves In The Throne Room and the shadowy shimmer of Treha Sektori, with a dash of the mournful melancholy of early Agalloch on the side.

And while I’m not suggesting that the duo have found god – if anything, the divinity they’re seeking to commune with is that of nature itself – there’s certainly a sense of religious awe, if not ecstasy, to their new album.

Continue reading »

Jun 122025
 

(written by Islander)

High-energy metal can make people pump their fists and bounce their bodies off each other. We see that, we do that. And although hell-raising music doesn’t really cause blood to boil or heads to spin (or Hell to be raised), sometimes that’s also a good way to describe the impact of a fist-pumping album like Grog‘s Sphere of Atrocities.

We’ve commented before about how unusual it is for this Portuguese band of brutal death/grinders, who’ve been plying their deadly craft since 1991, to hold together with the same lineup for the past 20 years despite the usual upheavals in personal life and the world at large, not to mention the constant upheavals in the realms of heavy music.

It’s even more unusual that after such a long career they’re still pushing themselves musically, still sharpening their execution and still finding new ways of getting the blood of listeners rushing and their heads wildly spinning. You’ll realize this for yourselves when you dive into our premiere stream of their explosive new album today, in advance of its June 13 co-release by Helldprod Records and Murder Records. Continue reading »

Jun 122025
 

(Today we present Comrade Aleks‘ interview of Graf von Beelzebub from the long-running German black metal band Mystic Circle. They have been on a creative hot streak, with a just-released album named Kriegsgötter MMXXV following up 2023’s Erzdämon, and yet another album headed for release this coming Halloween. So, lot’s to talk about.)

Well, it’s a kind of an awkward situation, because the interview with one of the oldest German black metal bands Mystic Circle was initiated due to their new release Kriegsgötter MMXXV, which was scheduled on June 6th by Rock of Angels. Indeed it is a kind of compilation, and the band’s followers find there a lot of well-known covers and other stuff, and the band updated this material and you’ll read about it in the interview below.

But during the interview it was discovered that Graf von Beelzebub (vocals, guitars, bass, keyboards) and A. Blackwar (drums, guitars, keyboards) had prepared new album, Hexenbrand 1486. And we’ve dug out a few facts about it as well. Continue reading »

Jun 112025
 

(written by Islander)

It’s unhealthy to live on red meat and potatoes alone, or so the health experts tell us, and even in the case of the bloody red and fungally infested music that’s often our daily fare around here, it’s sometimes wise to diversify our diet. And so today we present Digital Negative.

That name will already be known to some of our more musically diversified patrons, perhaps especially because the resume of one of its two members (Richard Johnson) includes work with Drugs Of Faith, Agoraphobic Nosebleed, and Enemy Soil. The other member, Daniel Euphrat, has been involved in Person918x, Timmy Sells His Soul, and Bodied. Together they’ve released two EPs and now a third one named Intersect is on the way.

Digital Negative is one of those silver linings on the pandemic cloud. Pre-pandemic, Johnson and Euphrat had begun the process of forming a metal band together, but the covid lockdown threw obstacles in their way and unexpectedly led to a change in musical course, and thus the birth of Digital Negative.

Where their musical explorations have now led them in the case of Intersect is further down a path of indulging electronic and industrial influences while continuing to focus on socio-political and dystopian themes. As you’ll discover from the video premiere for “The Blanks” that we’re hosting today, the new EP’s name is apt. Continue reading »