KILL BY MOUTH: “NECESSARY EVIL”

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Jul 162026
 

(Wil Cifer has caught up to a debut EP by the British band Kill By Mouth, and enthusiasticaly recommends it in the following review.)

The biggest hindrance to the thrash revival has been how tied to ’80s nostalgia it is, while the bands that defined the genre got the memo and progressed. This plays into why a band like Power Trip made such an impact, because they were not trying to dial in the sound, but took the sound of modern hardcore and made great thrash albums with it. This British band, Kill By Mouth, wisely do not try to turn back time, but find their own place in the genre. They do this by blending some of the darker corners the genre had evolved into by the time the ’90s rolled around.

This EP was released back in March, so went under the radar, but is a worthy entry in today’s thrash scene and deserves more recognition. Pre-nu-metal-leaning Prong can be heard in the thunderous syncopation they kick into at this album’s powerful onset.The vocals are howled in a baritone bark to accent the commanding grooves they deal in. They also keep things at a deliberate headbanging tempo rather than getting lost in breakneck punk frenzies. This can be heard in the chug of “228“. They use admirable restraint and never give into the urge for speed that might forsake the purpose of the songs. This makes for catchier songs, though you can still hear the influence of both S.O.D and Sepultura here, but without the devotion that solely pays homage to an era. Continue reading »

TERROR: “STILL SUFFER”

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Apr 292026
 

(Here’s Wil Cifer’s review of the latest album, released last week via Flatspot Records, by the L.A. hardcore band Terror.)

Yeah, I know this is a metal blog, but Terror crosses over enough to give hardcore-leaning headbangers what they are looking for. The focused intention this album (Still Suffer) hits you with is something that would be amiss to not recognize. Ten albums into their career, the band’s origins date back to the band Buried Alive from the ’90s. The caustic elements in motion here are well-balanced for all the thrash metal embraced by the guitar riffage; there are more than enough gang vocals, and the attitude of the lead vocals makes it clear these guys are hardcore.

This band is perhaps even more harcore than most of the bands claiming that title in 2026. Taking you back to the ’90s, when that scene had a vital energy that made you feel like you were a part of something bigger than music. The title track sets the tone with a more groove-driven riff. When you hear it from the safety of your home, you still know this would be a brutal pit. The songs are concise one-two punches, rarely feeling the need to venture over three minutes. Continue reading »

PORTRAYAL OF GUILT: “…BEGINNING OF THE END”

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Apr 212026
 

(Here we present Wil Cifer’s review of a new album by Texas-based Portrayal of Guilt, which will be released on April 24th by Run For Cover.)

If you had to ask me what band would be the future of heavy music, I would say Portrayal of Guilt. They are not hampered by being tied to any sub-genre. They are forward-thinking, rather than being bolted to the nostalgia of an era, no aspirations to recreate ’90s Tampa or Bergen. Their album We Are Always Alone stands as a masterpiece that this band’s work is measured against. After releasing that album, they pushed themselves to sonic extremes, and …Beginning of the End finds them pushing themselves into a more experimental direction, while making music that might resonate the most with larger, more mainstream metal audiences without compromising who they are. Continue reading »

NO/MÁS: “NO PEACE”

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Mar 062026
 

(Below is Wil Cifer’s review of No Peace, a new album by D.C.-based No/Más that’s set for release on March 13th by Redefining Darkness. The cover art was created by Brian Sheehan.)

There could never be a more fitting soundtrack for the world today than this album. NO/MÁS are angry as fuck. They are not here to spread good news. They are bringing their apocalyptic message to you with a perfect guitar sound for it, that is a balance of brutality which is refined enough to keep the riffs in focus, rather than just being a raw outburst.

At times, grooves slide into the riff. They write songs with an ear for detail, and maximize the two-minute runtime of these songs, cramming more punch in under three minutes than some bands can pack into an entire album. A Slayer influence certainly looms over this album. They throw in guitar harmonies into “Blood Soaked Soil” to break up the feral explosion and breakdowns. Continue reading »

CONVERGE: “LOVE IS NOT ENOUGH”

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Feb 162026
 

(Last Friday Converge released their new album Love Is Not Enough, and below you’ll find Wil Cifer’s thoughts about it.)

It is always an exercise in objectivity when you are reviewing one of your favorite bands. For me, they are under more scrutiny as they set my expectations high, leaving me with certain boxes to check off as I am listening. The larger their catalog, the more expectations their legacy has built.

I am not surprised that the hyper-aggression of Boston hardcore legends Converge has endured, now 11 albums into their career. Their new album does find it being refined and often being more of an Entombed-like stomp. There are some thoughts on the idea that seem to be stuck on the chaos of what they do, but in truth, compared to albums like When Forever Comes Crashing, it is a much more streamlined effort that is more accessible to a larger metal audience. Continue reading »

WORM: “NECROPALACE”

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Feb 022026
 

(Here’s Wil Cifer’s first NCS review of the new year, and he has chosen to focus on the new album by the Floridian necromantic black doom band Worm, which is set for release on February 13th by Century Media.)

Be the change you want to see in the world. I want to hear more of doom’s despair injected into black metal, so I am going to write about blackened doom. In particular, the band Worm.

Two songs into the new album Necropalace and it’s clear that they have grown as songwriters. Refining what they do with a larger-than-life dynamic range to the dramatic swells of guitars, it pretty much sounds the way the album cover looks, music for vampires ruling a cosmic portal in Dungeons and Dragons. Continue reading »

LISTMANIA 2025: A TOP 20 LIST FROM WIL CIFER

 LISTMANIA 2025  1 Response »
Dec 172025
 

(We present NCS writer Wil Cifer’s list of the Top 20 metal albums of 2025.)

Still waiting on the world to end, this slow-burning apocalypse is more like the awkward silent pauses in a David Lynch movie. And much like this unease, 2025 felt like an odd year in music to me, but in the fifth year of every decade, there is a shift, so that transition is being felt for sure. Not as death metal dominant as last year’s list, and more balanced genre-wise, really only one entry rides the line on what is metal, but it’s sonically heavy enough to belong here.

With my neuro-spicy brain, these kinds of lists can be a bit of an obsessive sticking point for me that can lead down a rabbit hole of procrastination until I feel it’s perfect. Though the funny thing is, perfect does not exist, so I chose between obsession and acceptance, and accepted the fact I would just go with the albums I listened to the most, since at the end of the day, if you only give an album a couple of spins it really matters little what the Anthony Fantano’s of the world think about it if it does not resonate with you and hook you in. Continue reading »

AUTHOR & PUNISHER: “NOCTURNAL BIRDING”

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Sep 302025
 

(Here’s Wil Cifer’s review of Nocturnal Birding, the new album from Author & Punisher that will be out this Friday, October 3rd, via Relapse Records.)

Regular readers already expect this review from me, since I have championed this project since its earliest days. I’ll admit I’m proud of Tristan Shone’s evolution of his sonic torture machines, and now that evolution includes this being the first album to feature guitarist Doug Sabolick joining as a bandmate, which contributes to the more rock feel to things.

Bird-themed, though the first track “Meadowlark” finds Shone’s voice bare of the effects that normally color it. Midway into the song, things kick in with a more organic version of the heaviness we expect from this project. There is a more overt industrial crunch to the amazing stomp of “Mute Swan.” His vocals are more thought-out, rather than just a layer over the throbbing grind of his machines. Megan from Couch Slut lends her voice to the ruckus erupting, with more detailed layers of melody luring you in during this. It might be the best industrial song you hear this year. Continue reading »

EVOKEN: “MENDACIUM”

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Sep 242025
 

(We present Wil Cifer‘s evocative review (couldn’t help that) of Evoken‘s new album Mendacium, which will see release on October 17th via Profound Lore.)

It’s been 7 years since Evoken released the masterfulHypnagogia. It was an album that found the band changing what they felt the funeral doom genre could be, with some riffs that were in equal parts epic and melodic. They are taking another creative shift, though this time it lies in the spacious mix and stark composition choices they are making that give an even darker and more dismal sound here.

It’s not big, the way the cavernous echoes are captured by bands on the more deathly end of the doom spectrum embrace. Instead, the guitar haunts liminal spaces. There are none of the lush layers of sound you expect, but a creepy, sparse emptiness that sonically conveys a loneliness not heard in their previous work. The album is still characterized by great guitar work, it is just handled differently. Continue reading »

INTERNAL BLEEDING: “SETTLE ALL SCORES”

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Sep 222025
 

(Wil Cifer penned the following very enthusiastic review of the first Internal Bleeding album in 7 years. It will be released by Maggot Stomp on October 17th.)

Whenever I hear the term “deathcore” being used to describe a band, it normally turns out to sound more like something left over from the Myspace years, rather than the blend of hardcore and death metal that a band like Internal Bleeding kicks up on their new album Settle All Scores.

These guys have been around since the ’90s and have always been ahead of their time. Now, perhaps the kids call this sort of thing “Slam,” but the reality is it’s just hardcore-influenced death metal. Not sure what it is about places like Long Island and Buffalo, New York, but it makes people angry, considering how Cannibal Corpse formed in Buffalo three years before these guys. When it comes to being hyper-aggressive, the two bands are cut from a similar cloth, though Internal Bleeding does not invoke splatter horror vibes, but a gritty street-wise feel. Continue reading »

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