(On November 16th Candlelight/Spinefarm will release the new (11th) album by the Japanese band Sigh, an album about madness and the blurring line between sanity and insanity, with 90% of the lyrics in Japanese and cover art by Eliran Kantor. What follows are Wil Cifer‘s thoughts about it.)
The term progressive metal can bring to mind some cringe-worthy images, among them Berklee dropouts making long sprawling songs with obtuse riffs written with one thing in mind — “How will this sound if I solo over it?“ What sets Sigh apart from such bands, aside from their black metal past, is that their sound actually progresses. It is not stagnant wanking. You know only to expect organized chaos when you go into one of their albums. So I should have not been surprised by the opening track of Heir To Despair (“Aletheia”) sounding like a space-age take on Jethro Tull as a metal band; it makes perfect sense.