(This is the third and final subpart of a fourth installment in DGR’s effort to catch up on reviews of 2019 releases he wants to recommend, with this 3-part fourth post devoted to melodic death metal. Today the subject is the third full-length by the Swedish band To Dust, which was released in March of this year.)
The presence here of To Dust comes courtesy of the random-band button at Metal-Archives, which has provided me with quite a few gems and discoveries over the years. I’ve gained a habit of just slamming on that button while on lunch break at work, with the endless flood of metal bands providing multiple cocked eyebrows in the form of ‘that looks interesting’ to ‘holy shit, are you kidding me? that qualifies here?’. To Dust were very much the former — even though their profile photo on that site is hilariously out of date.
For some reason the title of their latest album, False God Of Death, caught my eye, and the simply stated cover art somewhat sealed the deal, though I’d be bullshitting you if I denied that their being a melodeath band didn’t help give the group a boost. As stated before, although tech-death has become a comfort food, melodeath has become my bread-and-butter genre to enjoy.
False God Of Death was released all the way back at the tail end of March and bears a lot of the hallmarks of the melodeath genre: grand keyboard swells, hefty two-step-driven guitar work, and a snarling vocalist hovering in the mid-high range whose vocal delivery is as percussive as their drummer is.