Apr 192020
 

 

You may have noticed that I didn’t post anything yesterday, a rare missed Saturday opportunity. I participated in three virtual happy hours on Friday afternoon and evening and somehow didn’t understand that I wasn’t required to drink straight through all of them. Saturday taught me that lesson, brutally.

I’ll try to make up for lost time today with two installments of this usual Sunday column.

IMPIETY

Versus All Gods is the ninth full-length by this famous Singapore band, and the first one since 2012’s Revenge & Conquer. In those seven years two new guitarists joined the line-up, and something happened to the song-writing as well — something that seemed to convey rejuvenation, a return to the thermonuclear energies that fueled earlier releases, coupled with the mastery that comes with experience, sort of like a barbarian horde that has learned through decades of successful conquest how to decimate even more powerfully and brutally. Continue reading »

Jun 082019
 

 

I managed to get Part 2 of this Saturday round-up finished in time to actually post it on Saturday, leaving the field wide open tomorrow for a SHADES OF BLACK column, which also might be a two-parter, and a Sunday premiere. The five songs I chose for Part 1 were consistently high-energy, full-throttle attacks, but the songs I’ve selected for this second installment are much more variable. There is also (gasp!) a healthy helping of clean or almost-clean singing to be found here, but I think you’ll find that it earns the exceptions to our Rule.

HEILUNG

I thought for sure I had written about Heilung before today, but can find no evidence of it. I know that I meant to, because I have been fascinated by their past music. But if this is the first occasion, it’s a worthy one, because their new song “Traust” is simply fantastic. Continue reading »