Feb 172023
 

Yet another big week for new metal. I have many things I want to recommend, but not enough time today to throw them all your way. So I’ll make a start now, with a sandwich made of some big names at top and bottom and stunning Theophonos in the middle, and continue on Saturday.

CATTLE DECAPITATION (U.S.)

It’s kind of amazing that Cattle Decap have now been around long enough to release a tenth studio album, which is what will happen on May 12th when Metal Blade ushers Terrasite into a waiting world.

We have a linguistic preview of what’s coming, thanks to this statement by guitarist Josh Elmore: Continue reading »

Apr 072020
 

 

(In this new installment of a series devoted to metal drummers, Karina Noctum talked with David McGraw of Cattle Decapitation, and we join Karina in thanking David him for his time and attention.)

Cattle Decapitation is definitely one band that leads the way when it comes to extreme metal. Their blend of Death, Heavy, Grind, and Black Metal with a complex arrangement of progressive riffs and top-notch technique is something I have always admired. So I had to include David McGraw in my series as he is definitely one of the best drummers in the genre.

Due to the pandemic he is currently home and available for drumming coaching while he should be on tour. He took some time to answer my questions, something I’m pretty grateful for. What’s left for us in Europe is to hope their superb tour together with Disentomb, Internal Bleeding, and Gloom will be re-scheduled, but things look certainly gloomy grim here when it comes to shows in the foreseeable future. Continue reading »

Apr 032020
 

 

We begin another mega-roundup today to assist you in enduring your shut-in time, with a second installment planned for Saturday. Long on music and short on words, it’s arranged alphabetically by band name. We have A-F today, and F through W tomorrow, unless an X, Y, or Z band surfaces between now and then.

Lots of old friends in this Part I, and some new names, a scattering of both big names and obscure ones, as well as a mix of genres. Almost everything here surfaced in the last few days. This time I added some artwork thumbnails, but don’t get used to that. It takes time I usually don’t have when I compile these monster collections.

ALKYMIST (Denmark)

Ugly, sludgy riffing that moans and groans… methodical drum pounding… grotesque, gritty growls and terrifying howls… a meaty bass line combined with eerie ringing notes… flares of evil braying chords rising up like a death anthem and descending like a plague gouging its way into the body… and then the guitar begins to pulse and the drums begin to hammer and rock… and things get fairly demented and frightening near the end before a final bout of gouging, groaning, and pounding. Really, the whole song is evil…. Continue reading »

Jan 202020
 

 

Welcome to Part 11 of our Most Infectious Song list. If you’re just joining us, you can see the preceding installments by following this link. The themes of today’s two selections are rage and violence. Given that, it might be an overstatement to call them “catchy”, but they’re both addictive as well as cathartic.

CATTLE DECAPITATION

Things seem to have calmed down since Andy Synn‘s review of Cattle Decap‘s latest album stirred up an on-line hornet’s nest among the band’s fanatically devoted followers, or at least among those who didn’t bother to read the full review (or maybe any of it). Some people apparently overlooked such sentiments as these: Continue reading »

Nov 202019
 

 

(Andy Synn authored this review of the eagerly anticipated new album by Cattle Decapitation, which is set for release on November 29 by Metal Blade Records.)

As every amateur gambler knows, you never quit when you’re on a hot streak.

As every real gambler knows, however, hot streaks are an illusion, and it’s only the utterly naïve, or the foolhardy, who like to think that lady luck has, for some reason, taken a special interest in them.

Californian crushers Cattle Decapitation have been on their own little hot streak ever since 2009’s The Harvest Floor, with both the breakthrough/breakout release of Monolith of Inhumanity and it’s arguably even better follow-up, The Anthropocene Extinction, earning them a guaranteed place on pretty much every End of the Year list that mattered.

But what goes up must, inevitably, come down, and every bubble has to burst sometime.

So the question is, can Death Atlas continue the band’s winning ways, or is it time to cash out? Continue reading »

Sep 072019
 

 

I’m always reluctant to do what I’m doing in this post, i.e., just inserting videos and song streams without any commentary.  Trying to describe music I want to recommend, and to explain why I’m recommending it, is a continuing challenge, but I must admit it’s also fun for me (and cathartic to get my feelings about the music  off my chest). Unfortunately for me, if not for you, I don’t have time for that today. Still, I think there might be some value in the filtering/selection-process itself, and in alerting people to things they might have overlooked on their own.

Even though I’m keeping quiet, I hope you’ll feel free to share your own reactions in the Comments. And with that, here we go… Continue reading »

Dec 132018
 

 

(DGR continues a week-long effort to catch up on reviews before immersing himself in year-end LISTMANIA, with two more write-ups today. Additional installments of this collection will be added throughout what’s left of this week.)

 

Dysmorphic – An Illusive Progress

It honestly looked a little shaky for French tech-death band Dysmorphic. Some may remember way back in ye olden days of 2013 I actually reviewed the group’s first release via Unique Leader, A Notion of Causality, at this here very web site. In the five years since, the band have gone through periods of relative radio silence and some serious lineup changes, with a new drummer and guitarist, and also including the return of a vocalist who had left the band prior to that first release.

Late November would finally see the realization of all that effort, when five years after A Notion Of Causality, Dysmorphic were able to put out their sophomore followup in the form of An Illusive Progress, a more focused, vicious, and blue-and-green-hued album than their previous release and one that sees them bringing themselves very much in-line with many of their fellow tech-death compatriots with ten tracks of head-spinning tech-death…and one intro. Continue reading »

Nov 012017
 

 

As explained in Part 1 of this gigantic mid-week round-up, I’m trying to catch up on the flood of new videos and songs that were released on Halloween and the few days leading up to it (although a few of the items I’ve selected are a bit older than that).

Because there are so many things I want to throw at your eyes and ears, I alphabetized everything by band name, beginning with Apophis and ending with Watain, and divided the list into three parts. I’m posting them as fast as I can get them ready to go. And because there are so many songs and videos, I’m resorting to a tactic I’ve used occasionally in the past: Although I may dribble a few words here and there, I’m mainly presenting everything with just basic release info and no reviews. Onward to Part 2:

CATTLE DECAPITATION

Cattle Decap put up a video for “Prophets Of Loss” last week, mostly a live performance video using a bunch of tour footage from the group’s recent European run. Great song from a great album. Random comment by my comrade DGR: “It looks like their bassist has cut his glorious mane of hair…. This is most unfortunate. RIP really tall bassist guy’s hair.” Continue reading »

Feb 052016
 

NCS Best of 2015 graphic

 

(Year-end lists… you just can’t kill em’. But Andy Synn has made a habit of crowning our annual LISTMANIA series with one final offering — his selection of the last year’s top songs — and this year is no different.)

Did you REALLY think I was done with lists? Are you really that naive? Oh, how foolish are those who are most willing to be.. umm… fooled. Or something.

Yes, it’s no secret I enjoy making lists, and as such have a particular fondness for the end-of-year period here at NCS, not just because it lets me indulge my numero-erotic list-making proclivities in full (and in public, no less) but also because I sincerely enjoy reading and debating all the other lists we publish and reference and, in the process, discovering bands I’d otherwise overlooked.

The hardest list to pull together though is the list of my favourite songs of the year. Not because of any hard-fought pretence of objectivity (there’s none of that here), but because there’s simply so many options to choose from, with my initial list coming in at well over 100 entries, each drawn from albums across the length and breadth of my Great/Good/Disappointing lists of last year.

But, finally… finally… I managed to whittle it down to the ten selections you’re about to encounter.

I’m not suggesting these are the definitive “Best” songs of the year by any means, they’re just ten tracks which have burrowed their way under my skin and into my brain the deepest.

So, without further ado… Continue reading »

Dec 272015
 

Alkaloid-The Malkuth Grimoire

 

We have arrived at the fourth installment of our 2015 list of the year’s Most Infectious Extreme Metal Songs. Like the first three, this one includes three songs. All three of these are types of death metal, but certainly not the same type. It’s also kind of hard even to slap a genre label on any of them individually, other than the broad one to which I just alluded.

If you’re new to this evolving list, go HERE to see the songs we’ve already named to it and to learn what we mean by “most infectious”.

ALKALOID

The debut album of this German “super-group” drew a lot of attention from us this year, including a premiere of the song I’m now adding to this list. culminating with my comrade Andy Synn naming The Malkouth Grimoire both to his list of the year’s “Great Albums” (here) and to his list of the year’s “Critical Top 10” (here) — anointing it “the No. 1, ‘best of the best’ album of 2015” and lauding its “sheer creativity, mind-blowing instrumental prowess, ball-busting heaviness, and esoteric, progressive melodies”. Continue reading »