May 112020
 

 

(Continuing with her ongoing series of interviews with metal drummers, this time Karina Noctum spoke with Trym Torson, who of course is the drummer for Emperor, and formerly for Enslaved and Zyklon, among other groups.)

 

Enslaved played Frost in its entirety in Bergen in 2018. It was a pretty special show with artificial snow and all that, really good. I don’t recall seeing you there. Why weren’t you a part of it?

Ivar told me to stay the fuck away and not ruin the evening! No, I’m just joking, I was never invited, so I never went… Continue reading »

Apr 162020
 

 

(In this new installment of Karina Noctum‘s interview series devoted to metal drummers she talked with Janne Jaloma, the drummer of Night Crowned (whose 2020 debut album is out now on the Noble Demon label), Dark Funeral, and Despite.)

In the summer of 2019 I went to a festival called Gamrocken in the middle of nowhere in Sweden. That festival is sadly no more. The 2019 version had an awesome line-up and some unknown bands to me. Out of those bands the one that I liked the most was Night Crowned. I eagerly waited months for their new album Impius Viam to come out, because it’s not like there are lots of bands at that technical level appearing all the time, and the fact they are from Gothenburg was a huge plus, because that scene is just awesome.

I love it when the Swedes play extreme Death Metal. You have acts like The Forsaken, Dimension Zero, Spawn of Possession, Soreption, Hypocrisy, to name a few. So I was really happy to have found Night Crowned to add to that list, and besides, their style is blackened — something that I truly appreciate.

So I had to interview their drummer, Janne Jaloma, who plays in Dark Funeral as well. His drumming is fast, neat, and he doesn’t withhold anything on his latest album. Continue reading »

Apr 072020
 

 

(In this new installment of a series devoted to metal drummers, Karina Noctum talked with David McGraw of Cattle Decapitation, and we join Karina in thanking David him for his time and attention.)

Cattle Decapitation is definitely one band that leads the way when it comes to extreme metal. Their blend of Death, Heavy, Grind, and Black Metal with a complex arrangement of progressive riffs and top-notch technique is something I have always admired. So I had to include David McGraw in my series as he is definitely one of the best drummers in the genre.

Due to the pandemic he is currently home and available for drumming coaching while he should be on tour. He took some time to answer my questions, something I’m pretty grateful for. What’s left for us in Europe is to hope their superb tour together with Disentomb, Internal Bleeding, and Gloom will be re-scheduled, but things look certainly gloomy grim here when it comes to shows in the foreseeable future. Continue reading »

Mar 312020
 

 

(Yesterday we presented Part One of an extensive interview Karina Noctum conducted with Morean of Dark Fortress, and today we present the conclusion, again with our thanks to Morean for devoting so much time to the discussion.)

This is the second part of the in-depth interview with Morean from Dark Fortress. While the first part was about composition and creation of music, among other topics, this part is solely devoted to the lyrical themes of Spectres from the Old World, the band’s latest album,  which was released back in February of this year. Continue reading »

Mar 302020
 

 

(Today we present the first part of an extensive two-part interview that our Norway-based contributor Karina Noctum conducted with Morean of Dark Fortress (and Alkaloid and Noneuclid), and we are grateful to him for devoting so much time and thought in furnishing the answers.)

The latest Dark Fortress album, Spectres from the Old World, released back in February, has gotten good reviews. This is not surprising and it is a natural consequence of the amount of experience the musicians that form part of this band have. Both Ylem and Venereal Dawn are on my playlist of favorite BM albums, and I must say the latest album made it as well, of course. It is not just more of the same though, it has a distinct touch, it stands on its own, and it fulfilled my expectations.

I took the opportunity to interview Morean, who I admire a lot both as a composer and as an excellent, multifaceted metal musician. His musical expertise makes all his bands and contributions truly interesting. In fact one of his orchestrations of the three parts of the Requiem performed by Triptykon and the Dutch Metropole Orkest at Roadburn Festival is coming out soon through Prowling Death Records / Century Media Records. There are many interesting projects and bands surrounding Morean but the focus of the first part of this in-depth interview is going to be Spectres from the Old World, its composition, its music, and other particulars surrounding its release. In the second part of this interview we will deal solely with the lyrical themes, which are complex and very interesting. Continue reading »

Mar 172020
 

 

(Karina Noctum continues with her series of interviews of metal drummers, and with this one has turned in one of the most interesting, articulate, and in-depth interviews we’ve published in a long time — and we thank Romanian drummer Septimiu Hărşan for devoting so much time and thought to it.)

This is an Interview conducted with Septimiu Hărşan, who is the drummer of the Dutch Death Metal legends Pestilence and is currently working on the release of two albums, one with the Dutch masters of raw brutality Disavowed, which is one of the albums to look forward to the most within that sub-genre this year.

This in-depth interview offers insights into Septimiu’s drumming career, gear, and musical preferences, as well as some good news when it comes to Pestilence and his other bands CodeRed and Necrovile. Continue reading »

Mar 162020
 

 

(On March 27th Osmose Productions will release Wrath of Wraths, the new album by the formidable black metal band Enepsigos, and in this new interview our Norway-based contributor Karina Noctum spoke with V.I.T.H.R (aka Doedsadmiral), who created this new album together with drummer Thorns and new guitarist/bassist Rituul.)

Enepsigos has unique qualities and is innovative in the context of the Norwegian scene. This interview was conducted with one of its founders V.I.T.H.R (Doedsvangr, Nordjevel, Svartelder); the band also includes Thorns (Blut Aus Nord, Darvaza, Fides Inversa) and Rituul as well.

Their latest album Wrath of Wraths is excellent and has a fresh approach to song structure. It has a riff-structure oddness that is something you would have come to expect more from bands coming from Australia or the US rather than from Norway.  It is entertaining to the ear and complex. Nevertheless it has a typical Norwegian-ness to it surfacing here and there, something that adds a lot of groove and feeling combined with a French-like darkness and atmosphere. The dark ambience has been enriched by an eerie atmosphere a la Mercyful Fate, which is awesome. It’s a mix of really good qualities that will for sure put this album in the best-of-the-year lists in the Black Metal genre. Continue reading »

Mar 032020
 


photo credit – Nadja Geskus Photography

 

(Our Norway-based correspondent Karina Noctum forges ahead with her series of interviews of drummers, and here presents a discussion with Namtar, former drummer with the Dutch symphonic black metal band Carach Angren.)

2020 started with several losses of both musicians and bands in the metal scene. So to join the row of sad news it was announced that Namtar from Carach Angren was going to leave his band, and so I took the opportunity to talk to him.

Carach Angren had a pretty well-conceived and interesting concept, both musically and image-wise, that will continue for sure, but no two drummers are the same. So it remains to see who is going to take his place and how it will turn out. A new album called Franckensteina Strataemontanus to be released on May 29 has been announced, but the news is taken with mixed feelings of course. Continue reading »

Feb 262020
 

 

(Karina Noctum conducted this extensive interview with the prolific and multi-faceted drummer AntiChristian, touching upon many subjects, including the activities of three of the very different main bands he now plays in.)

AntiChristian is a Norwegian drummer known for playing in Tsjuder and Gothminister. He also plays in a less-known band called Beaten to Death that is getting increasingly more recognition both in Norway and elsewhere. This interview includes some in-depth questions about BtD since it is a pretty interesting and unique band that picked up my attention since the beginning. In addition to drum-talking, there is also some cool news when it comes to Tsjuder and Gothminister, which will most likely be topics for in-depth interviews in the future. Continue reading »

Feb 172020
 

 

(We present Karina Noctum‘s recent interview with Hannes Grossmann, the German drummer, composer, and producer who made his name drumming with such bands as Necrophagist, Blotted Science, Obscura, Alkaloid, and Hate Eternal. His most recent solo album Apophenia was released last year, and he is now recording a new solo album.)

 

As a drummer you have played various styles of metal throughout the last years. You’re also a successful composer and producer/sound engineer. Which task and what style do you find the most challenging?

To me it is very important to have an even work balance between writing, producing and drumming. I wouldn’t be satisfied if I just played drums for various bands. My first professional band was Necrophagist and it was extremely difficult to play their music. But it wasn’t the technicality I was interested in in the first place, it was the fact that the music was something unique, something new.

Of course technical stuff like Blotted Science and Necrophagist was the hardest to play on the drums, mainly because it’s fast and complicated. There isn’t any room left for improvisation, unlike in Obscura or Alkaloid. In those bands, being a main songwriter, I have much more freedom to express myself on the drum kit. But then writing and producing is really tough. Especially the last Alkaloid album Liquid Anatomy was difficult. Overall it is probably the hardest record I’ve done, but also the most rewarding. So it really depends. I can say that with every difficult task I have grown as a musician. Continue reading »