Aug 132021


This is Part 2 of a mountainous round-up of new songs and videos that surfaced during the last week. If you haven’t perused Part 1, it’s here. Before cutting these 16 offerings into two pieces I arranged them in alphabetical order by band name, and so here we have L – Z. Musically, this one might be even more wide-ranging than what you’ll find in Part 1.

LLNN (Denmark)

“Although the song begins with spacey ambience, it quickly falls forward into a mighty chug that’s then handed off to vocalist-guitarist Christian Bonnesen‘s stone-scraping howls. It only gets heavier from there, as avalanching bass rumbles and violent drums bash the groove into the ground with the force of King Kong punching the earth.”

That’s what Revolver’s Eli Enis wrote in introducing the premiere of this next song two days ago, presented through a video that depicts an entity from beyond our solar system swallowing our planet whole. And it is indeed a humongously heavy track, and a creepy one. Continue reading »

Jun 212017


(DGR once again takes over round-up duty, compiling a selection of nine items for your listening and viewing pleasure, culled from the last week.)


Clearly nobody got the email that we sent out announcing that we would be incredibly busy late last week Northwest Terror Festing, and therefore decided that it would be a good time to flood the heavy metal world with news. You wouldn’t know that by visiting NCS, because we slowed to a crawl, with writers Gorger and Andy Synn coming through as the heroes keeping the fortress guarded whilst the rest of us rotated between drunk and exhausted.

Now, though, DGR has come to collect his dues, so I have compiled a round-up with every single thing that I kept notes on from Thursday of last week ’til now, and I guarantee you that I’ve still missed a handful of things. Still, though, this collection of music videos, lyric videos, and live performance(s) is gigantic in its own right and it is certified NCS “Fresh”, which means it should only mildly smell like rotting beef carcasses.

Abhorrent Decimation – Conspire

When I first saw the artwork by Karmazid for the upcoming Abhorrent Decimation album The Pardoner, I declared that if the music on that disc could be half as cool as the artwork it bore or the concept behind it, then I would be a happy camper. Well, with “Conspire“, Abhorrent Decimation have shown that they are in good standing on that front — releasing a monstrous six-minute brutalizer. Continue reading »

Apr 182016

The Zenith Passage-Solipsist


(DGR delivers a two-fer… reviewing the new albums by California’s The Zenith Passage and Omophagia from Zurich.)

If you’re a fan of the modern tech-death scene — the one in which tech-death has evolved into its own shorthand moniker to represent an entire genre as opposed to just a way to describe complicated death metal — then last week should have proved to be pretty big for you, as Unique Leader had two releases hitting right in the same window.

The label, which has specialized in a brand of tech-death that is equal parts technical and groove-focused, has spread out quite a bit in the past few years and has become increasingly prolific, to the point where they’ve actually developed something of their own sound. You could say, “Unique Leader tech-death” to some people, and they would have a pretty good starting point as to whatever bands you’d be describing at that moment. While the label has always delved heavily into the California scene (at one point seeming like they were sweeping through the Bay-Area-to-Sacramento run especially), recent years have also seen the label adding quite a few international acts to the mix — which brings us to this point.

Last week brought two fairly big Unique Leader releases, one of which is the first full-length release for So-Cal-based The Zenith Passage and the other the second album (after a five-year wait) for Swiss death metal proprietors Omophagia. As such, I felt it might be interesting to slam the two albums into one big review package, because both of them by their nature feel like two takes on the same subject — two differing styles of death metal but with one very solid throughline between them. Continue reading »