Jun 102020
 

 

(In this post DGR reviews two new albums, one by Sweden’s Centinex released by Agonia Records on May 29th, and one by Norway’s Nexorum released by Non Serviam Records on March 6th.)

 

CENTINEX – DEATH IN PIECES

The path Centinex have charted since their return in 2014 has been an interesting one, if not one of the more uncompromising returns out there. They’re a band who are meant to be taken at face value, a death metal group playing the most stubborn version of it that they can, and benefiting from a renewed interest in that particular sound right around the time they came back.

The band exists partially as the other side of a death metal coin for bassist Martin Schulman (and at this point basically the last one standing of the earliest formations of the band) with the other half being a more modern-oriented death metal group with former Centinex members in the form of Demonical. Continue reading »

Apr 152020
 

 

For today’s mega round-up of new songs and videos I decided not to alphabetize everything as I’ve been doing. Instead, I’ve created five pairs of songs. By sheer good fortune, as I continued to hack my way through an ever-burgeoning listening list, I not only discovered these 10 things but found that they could be organized in this way. The songs in each pair aren’t completely similar to each other by any means, but they do share certain qualities that made them fit together nicely (at least to my addled mind).

OIL SPILL (U.S.)

Felicitously, I discovered quotations from others about this new EP by the Texas band Oil Spill that seemed quite fitting, and they had the side benefit of saving me a bit of work in coming up with my own verbiage. These two are from commenters on the EP’s Bandcamp page: Continue reading »

Mar 182020
 


Abysmal Dawn

 

Here we are again. with so many new songs and videos that I want to recommend that I’m resorting to what I did last weekend — compiling lots of sights and sounds (which are all over the map in genre terms), accompanied by only very brief comments of my own. I also added one news item that excited me, though there’s no music to be heard yet.

I should add that I hope you are all well, and that you’re doing your damnedest to physically stay away from other people to the greatest extent possible.

ABYSMAL DAWN (U.S.)

We begin with a jackhammering, shivering, and slithering piece of death metal menace, complete with thoroughly beastly vocals and twisted melodic accents and grooves that both prove to be ridiculously catchy. I could swear they actually used a heavy-caliber machibe gun instead of drums for parts of this, and that they tortured a poltergeist for the solos. Continue reading »

Jan 212017
 

 

For the 15th installment in our Most Infectious Song series I decided to create a death metal immersion, with three songs that all have old school flavors, the first most strongly of all, but are all different from each other in interesting ways, too. I’ll also mention that all three of these tracks were recommendations from my comrade DGR, who has a thing about speed and a certain kind of drumwork, although a couple of these songs were also on my own list of candidates that grew as 2016 rolled along.

For those who might be joining this rollout only now, you can browse the previous 14 parts by clicking this link.

CENTINEX

After eight albums going back to 1992’s Subconscious Lobotomy and a dozen shorter releases, Sweden’s Centinex disbanded in 2006 — but they crawled out of their grave in 2014 and released a comeback album named Redeeming Filth, which was a hell of a comeback. And I put a deliciously morbid track from that album (“Moist Purple Skin”) on my 2014 Most Infectious Song list. In 2016 they released a killer follow-up with Doomsday Rituals, which is the source of the first song in this installment of the 2016 list. Continue reading »

Jul 132016
 

Centinex-Doomsday Rituals

 

(DGR embarks upon a review of the new album by Sweden’s Centinex.)

One of the interesting things about the recent wave of death metal revivalism that has been slowly worming its way through the metal scene over the last few years has been the resurgence of bands who had disbanded years ago. Centinex are one such group, having been on hold for the better part of eight years before returning with 2014’s Redeeming Filth — an about as red-meat-as-they-come, Swedish death metal disc.

It was a throwback in a sense, as Centinex have made no qualms about the fact that they aren’t exactly aiming to be innovators, just playing something that they know the in’s and out’s of and had been doing for a long time, and playing it well enough to dish out good music in that genre.

Centinex are one of those groups who are proudly a genre-fare band, which is actually something of a rarity these days. They’re happy to make meatheaded and Cro-Magnon-level death metal, comprised of huge chugging grooves and thick-sounding drums that sound like piston hammers. In an odd way, they are a throwback to a sound that has never really gone away, but has mutated into a variety of different and faster forms. Centinex choose to be the slow-moving grinder of the mix, albeit with better production.

July 8th, 2016, saw the group release the follow-up disc to Redeeming Filth — one that the band have said they weren’t going to wait around to record – entitled Doomsday Rituals. It’s as good a sign as any that Centinex are making zero attempts to slow themselves down and, if you’ll forgive the pun, have finally fallen into their groove. Interestingly enough, though, despite the hallmark mid-tempo grinders Centinex built Redeeming Filth out of in their proud honoring of the traditions of yore, Doomsday Rituals actually steps on the accelerator a bit — and that is where things get fun. Continue reading »

Jun 022016
 

Wombbath at MDF-photo by Bryan Zakala

Wombbath at MDF – photo by Bryan Zakala

 

When I started this recap of Maryland Deathfest XIV a couple of days ago (here), I explained that I didn’t intend to report on the festival day-by-day, as I’ve done in previous years, but instead decided to focus on the best performances I saw, grouped into four loosely defined categories. In that introductory post, I only wrote about one band (Dragged Into Sunlight), because their set was the best one I saw at this year’s edition of MDF.

DIS happens to be in one of those four categories, but I’m going to leave that one for another day. Today I want to focus on one of the others, which I’m labeling Swedish (and Dutch) Death Metal Supremacy.

But first I want to publicly thank these four dudes: Continue reading »

May 112016
 

Centinex-Doomsday Rituals

 

I’m still significantly distracted from the mission of NCS these days for personal reasons that I’ve described in previous posts, and that will likely continue to be the case for at least the next week or two. But although the round-ups haven’t been coming as frequently as usual, I did manage to pull this one together over the last few days. All the songs (and one video) are fairly recent and all provide some very tasty flavors of death metal (lots of cool cover art in this post as well). For better or worse, I need to keep my own verbiage short and let the music speak for itself.

CENTINEX

That’s a hell of an album cover up there (created by Bahrull Marta of Abomination Imagery) for a hell of a band — Sweden’s Centinex. Their new album Doomsday Rituals is set for release by Agonia Records on July 8.

The band’s current line-up, which is different from the one that released eight albums prior to the disbanding of Centinex in 2005, is truly impressive: Martin Schulman (Demonical) on bass, Sverker Widgren (Demonical, Diabolical) on guitars, Alexander Högbom (October Tide, Spasmodic) on vocals, and Kennet Englund (Interment, Centinex 1999-2003). And so is the new song that premiered yesterday. Continue reading »

Apr 172016
 

Rearview Mirror

 

Death metal will never die, and some death metal bands are really hard to kill, too.

After eight albums going back to 1992’s Subconscious Lobotomy and a dozen shorter releases, Sweden’s Centinex disbanded in 2006 — but they crawled out of their grave in 2014 and released a comeback album named Redeeming Filth, which was a hell of a comeback. And they have another album on the way now. Continue reading »

Dec 302014
 

Today we bring you Part 7 of our evolving list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

I’m really not sure how this happened. Somehow I’ve rolled out the first six installments of this series without including even one piece of vicious, old-school Swedish death metal, even though that’s my main musical comfort food. Well, I’m going to fix that right now by including not two, but three songs in this installment (and I’m going to fix it again before this series reaches the end).

JUST BEFORE DAWN

As I wrote in my review of Just Before Dawn’s The Aftermath, “Anders Biazzi has two things going for him: He can write death metal riffs that are pure gold, and he’s friends with a bunch of monster vocalists and soloing guitar demons.” And to quote myself again (because if I don’t, who will?):

The Aftermath captures and combines all the qualities that make this kind of old school death metal a primal, undying force while at the same time enriching the canon with songs that are vibrant and memorable. I think you’d have to be very jaded and hide-bound not to feel the spark, no matter how wedded you may be to the classics. And therefore I say, it’s unusually good.” Continue reading »

Nov 202014
 


Photo credit: Dustin Rabin

 

I need to whine for a couple of minutes. Yes, even I, with my usually sunny disposition, need to whine every now and then.

First, I’ve been getting so little sleep lately that my eyes are as red as a baboon’s ass. Second, I inflamed a muscle in my arm from curling massive amounts of weight at the gym, the kind of crushing weight that’s comparable to a grocery bag loaded with a single loaf of bread. Third, and most egregious of all, my fucking day job has been making me run the gauntlet the last two days, with no end in sight, leaving me no time for my usual self-appointed NCS duty of scouring the web for news and new music.

I do know about a bunch of song and album premieres that appeared over the last 24 hours, but only because of messages received from my co-writers and some sharp-eyed readers. I’ve collected streams or links to them in this post, but don’t have time to write about them or even provide album art or helpful links. Shit, I haven’t even listened to all of them. How embarrassing. Continue reading »