(This is the fourth installment in a seven-album review orgy by our man DGR, who is attempting to free his mind for year-end season by clearing away a backlog of write-ups for albums he has enjoyed in 2020. We’ve been running these on consecutive days — except we missed Friday — and today’s subject is a debut album released last spring via Nuclear Blast by the Spanish band White Stones.)
The March 13, 2020 album Kuarahy by the band White Stones is such a fascinating release for a number of reasons. This far out from its release, it’s been interesting to see how things have played out for the group’s debut release via Nuclear Blast. On the homefront, we covered the music videos in the lead-up to the debut of this project led by Martin Mendez (of Opeth bassist fame), but upon full release it kind of full off the site’s radar. We’ll rectify that here.
This is a record I’ve listened to a multitude of times since its release, and by the end of multiple listening sections and a seven-month writing delay it remains stubbornly ‘interesting’, in part because what keeps grabbing me seems to nebulous. Every time I think I have a hold on it, it wriggles away and moves just slightly out of vision again. It’s a bizarre creature that seems to exist permanently ‘elsewhere’, even though at first glance it never seems to garner much more than ‘that’s some prog-death music alright’.