(Here’s DGR’s review of the new album by Nightrage, which is out now on Despotz Records.)
Every Nightrage album that comes out reinforces the conviction that Nightrage are a band who exist by sheer force of will. Who would’ve guessed that so deep into the band’s career they would finally have a vocalist who would stick around for more than two albums? Yet Nightrage’s Wolf To Man sets that record. Who would’ve guessed that the band’s eighth album kept them to a relatively stable schedule, with a relatively stable lineup, and (as it turns out) a relatively stable formula for music? And on top of all this, that they would manage to finally have a song mentioning the name “Nightrage” within the title? Yet Wolf To Man accomplishes all this.
Nightrage’s career is one that has seen the band go through numerous lineup changes (and even here they wound up changing the rhythm section, with a new bassist and a new drummer, as previous drummer Lawrence Dinamarca found himself busy with a newly revitalized Carnal Forge since 2017’s The Venomous), yet somehow always remain something of a standard-bearer for the mid-2000s melodeath scene, and in some ways its sound.