May 292021


To improve your Saturday, and quite possibly your whole weekend, I’ve collected a baker’s dozen of new songs and videos (including a couple of previously hard-to-find tracks from forthcoming reissues).

I grouped these 13 offerings in ways that I thought made sense. As usual for these kinds of posts, I didn’t take time to track down and upload artwork or purchase links, and I decided to organize my meager introductory comments by the categories I’ve arranged. (Don’t punch me too hard because of the category labels I chose, because I do realize they’re not 100% accurate.)


The first two choices here were recommended by DGR, and the above label clearly applies to both. Andy Synn recommended the third one, and although most people wouldn’t categories Agrypnie as melodic death metal, I do think their new song fits well alongside the first two. Continue reading »

Aug 132019


(This is Todd Manning‘s review of the new album by the Michigan-based grindcore band Cloud Rat, which is set for release on September 13th by Artoffact Records.)

It’s funny to watch the cycling of musical sub-genres. It’s not so much that anything goes away nowadays, but when it comes to sonic extremity, certainly flavors tend to move more or less out of focus. Recently, it seems Grindcore is starting to push to the fore with a batch of innovative releases. 2019 has seen not only the return, albeit in slightly altered form, of Discordance Axis, now under the moniker No One Knows What the Dead Think, but also forward-thinking releases from Immortal Bird and now, Cloud Rat.

Cloud Rat are certainly not rookies and their new full-length, Pollinator, is actually their fourth album. Much like Immortal Bird, Cloud Rat seize the innovation of classic Discordance Axis and make it their own. It is not that they are so much aping the sound of that classic trio as taking the torch of innovation and running with it. Continue reading »

Jul 202018


The second annual installment of Austin Terror Fest took place in the heart of Texas on June 15-17, 2018, proudly co-sponsored by NCS. It featured performances by 30 bands from around the U.S. (and outside it). It was a great event, and we’re already anxious for ATF 2019 (and yes, work is already under way to present the third edition of the festival next year). We were very fortunate that New Orleans-based photographer Teddie Taylor was there to document the fest through her lenses, and to share her photos with us so that we, in turn, can share them with you.

On Wednesday we presented photos from the first day of the festival, and today the focus is on the performances that took place on the second day, with sets by a dozen bands alternating between indoor and outdoor stages at Barracuda in Austin. And without further ado, here’s our selection from the many great images that Teddie captured during these performances: Continue reading »

Nov 172015

drugs of faith-cloud rat-print


Let’s cut to the chase: Poland’s Selfmadegod Records is releasing a 7″ vinyl split by Drugs of Faith and Cloud Rat, and today we’re streaming the premiere of one song from the split by each band. If you know anything about these bands, I’m guessing you’re already scrolling down to hit the play buttons, and I wouldn’t blame you one bit for that. If perchance you’re unfamiliar with the bands, or you’re curious about how many adjectives I can string together to describe these songs, read on.


Both of the bands on this split are distinctive, they go their own way, and they’re very, very good. Drugs of Faith are based in Northern Virginia and have been kicking around since circa 2002. Their current line-up consists of vocalist/guitarist Richard Johnson (Agoraphobic Nosebleed, Enemy Soil), bassist Taryn Wilkinson, and drummer Ethan Griffiths. They’ve produced a variety of short releases since their founding, as well as a debut album in 2011 (the phenomenal Corroded). Their most recent releases were the 2013 EP Architectural Failures (here) and a cover of “Paralyzed” by Godflesh for the Fathers Of Our Flesh tribute album (here). Continue reading »

Feb 122015


(Austin Weber brings us a collection of short reviews of grind core albums that have caught his fancy.)

I’m backlogged on metal I want to write about, including a diverse wealth of different-sounding grind bands I feel are worth mentioning. So here is a grind dump of grind bands whose names all coincidentally start with the letter C (except Executive Task Distraction, who have fucked that up). They all happen to kick major ass as well.

Also, watch how many times I say the word “grind”! Since grind is short, sweet, and in your face; the write-ups will be similarly brief. The last two bands give away their albums for free. Freedom is grind, free grind is freedom. Grind yer heart out!

Cave MothThe Black Lodge

Cave Moth sound like the result of what would happen if you took every crooked and dark element of Gaza and condensed them into a hyper-violent grind format with a bit of mathcore influence and supported by a fuckload of stark dissonance. Continue reading »