Dec 092021
 

 

(Here is Wil Cifer‘s review of the new Hypocrisy album, which was released on November 26th by Nuclear Blast.)

This album deserves some love.

As a kid in the ’80s the Devil seemed dangerous to me.When bands like Deicide and Morbid Angel came out the darkness felt more tangible. While what they say about metal being the gateway to Satanism is apparently true, since 36 years later I am even more devoted to the Left Hand Path, and not the Entombed album, I can see where the concept of Ole Scratch has lost the danger it once held. Thus a band like Hypocrisy seems even more vital than they did in the ’90s by releasing an album about conspiracies.

Pentagrams are a fashion statement, government plots involving other-dimensional beings scares a larger audience as if an institution is going to conspire about aliens. What else might they not be truthful about? Thus the lyrical content of Worship gives a heavier feel to the music as a whole. Continue reading »

Dec 022021
 


Kayo Dot

(Here are Gonzo’s album recommendations from among those released during November 2021.)

And just like that, November came and went.

While most of us are probably still unpacking the bullshit that 2020 brought, it’s hard to believe that we’re only a month away from 2022. Follow me for more proof that we’re living in a simulation.

Though November was a flash in the pan in the big scheme of things, the music that was released during those 30 days have sent my year-end list plans into a tailspin. Too much good stuff, not enough time to listen to it all.

That said, the stuff I did get around to spending time with was damn good. Four albums in particular have made the cut this month. Continue reading »

Oct 032021
 

 

I’m playing catch-up, as usual. I had hoped to get this humongous round-up of new songs and videos (and one news item) posted yesterday, but the day didn’t work out as planned. Should you choose to go through everything (and you damned well should), it will take a while, because there are 15 items here, divided into two parts. And on top of that I still hope to pull together a SHADES OF BLACK post.

I’ve again alphabetized the selections by band name. There is singing to be found, especially in Part 2, as well as many candidates for my year-end list of Most Infectious Extreme Metal Songs. To get this done I’ve again limited my own verbiage to just brief scattered comments, without artwork and missing some of the usual pre-order links.

AQUILUS (Australia)

I don’t have any music to share for this first band, merely the long-awaited news (and yes, a 10-year gap between albums qualifies as “long-awaited”) that Horace Rosenqvist has a new Aquilus album named Bellum I set for release in early December by Blood Music. That’s so exciting that I thought it was worth including the news, which I usually never do when there’s no music yet. Also, the cover art by Julius von Klever is great. Continue reading »

Sep 122021
 

 

Yesterday a combination of factors prevented me from posting the usual Saturday round-up of new songs and videos that appeared during the week. I did spend a big block of time surveying the field and making selections, but by the time I finished doing that it was mid-day and I decided to fuck off instead of beginning to write.

It has become clear to me that I can’t do the usual writing today either, if I’m to have any hope of preparing a SHADES OF BLACK post today. So I’m resorting to the format of just throwing all this stuff at you without artwork, or most of the usual links, or my usual commentary, just a few scattered notes.

But trust me, I did exercise some judgment about what I thought was worth sharing. It’s just that I thought A LOT was worth sharing — 16 songs and videos, to be precise. I alphabetized the collection by band name and then divided it into two parts.

ANOMALIE (Austria)

This is a very welcome return after a four-year hiatus between albums. The new full-length features Nornagest of Belgium’s Enthroned on harsh vocals. The new album, Tranceformation, is coming on November 5th from AOP Records. Continue reading »

Mar 272021
 

 

In yesterday’s round-up I burrowed deeply into the underground and surfaced with a collection of six songs that I thought were insane and unnerving in different ways. Today I’m on a different tack, leading off with some bigger names and then tunneling into underground depths again.

In addition, all of the following tracks were recommended to me by NCS colleagues and other friends. They didn’t let me down; hopefully you won’t feel let down either. There’s so much genre-spread here that you ought to find at least something that strikes a chord.

(I should mention that my friends didn’t just send me music. They also made me aware of the news that Meshuggah is recording a new album, and that it will feature the return of Fredrik Thordendal, trading places with Per Nilsson. They also passed along an announcement, accompanied by the photo of Peter Tägtgren above, that Hypocrisy’s new album has been completed.) Continue reading »

Apr 022019
 

 

(On March 27th our Atlanta-based contributor Tør made his way to The Masquerade venue to take in performances by Aenimus, Fleshgod Apocalypse, and Hypocrisy as part of their ongoing national tour. He sent us this report, along with a large batch of his own excellent photos from the show. For a full list of remaining dates on the tour, go here.)

I walk in late and it’s already happening. Openers Aenimus have just taken the stage and are blazing through their set. The crowd is into it: with every riff, the front-row crowd inches closer to the stage monitors. I stand on the side and enjoy the gig -— I like what I’m hearing. The metalcore-tinged proggy riffs take me to a place I’ve been to before but can’t quite recall. I’ve liked what I’ve heard of the new album, Dreamcatcher (Nuclear Blast) so far, and the band doesn’t disappoint live. Despite the solid start to the night, nothing prepares me for what is to come soon. Continue reading »

Feb 162019
 

 

(Andy Synn is the author of the following opinion piece, which we will not attempt to summarize here and risk spoilers… so please read on….)

I’m not sure if you’ve all noticed, but a LOT of people have been VERY angry online over the last few weeks.

Whether it’s furore over the upcoming release of the (frankly rather terrible looking) Lords of Chaos movie, the apoplexy inspired by a certain festival headliner announcement, or the excessive sniping, ignorant sexism, and self-congratulatory back-patting inspired by the purposefully click-baity title of a recent (and otherwise extremely well-written) article, there’s been a ridiculous level of rage on display across the interweb recently, something that only seems to have further fostered and widened the inherent divisions within our disparate community.

And while I don’t have time to dive into all of these issues, there’s one in particular I’d like to share a few thoughts and feelings about. Continue reading »

Sep 052013
 

Collected in this post are a handful of tours that I decided were worth mentioning, even though only the first one is within my grasp. I’m trying to be less self-centered. This is like trying to levitate, but I should get points for the effort, don’t you think?

BEHOLD…THE ARCTOPUS / BOTANIST / LESBIAN

Earlier today we posted Old Man Windbreaker’s review of the entire discography of Botanist. And only now I come to find out that Botanist will be here in The Emerald City at Highline along with two other stellar bands in little more than a month (October 13). One is the brain scrambling Behold… the Arcoptus (featuring Colin Marston on Warr Guitar, Mike Lerner on Guitar Guitar, and Weasel Walter on drums), and the other is Seattle’s own Lesbian, who are riding a big wave of entirely justified attention drawn by their latest album Forestelevision.

But this turns out to be just one stop on a brief West Coast tour by BtA. On October 12, Behold…the Arctopus and Botanist will be playing together with Agalloch and Eight Bells at Day 3 of the Fall Into Darkness festival in Portland (OR). And on October 11 BtA and Botanist will be playing Oakland along with a Bay Area band named Burmese. Continue reading »

Apr 262013
 

May 14 was a day I was really looking forward to. That was the day that the “End of Disclosure” North American Tour featuring Hypocrisy, Krisiun, Aborted,  and Arsis was supposed to roll into Seattle and flatten it like a pancake. That line-up was so damned fine it was almost too good to be true. Turns out it was too good to be true. I received this press release from Nuclear Blast about half an hour ago:

Swedish death metal legends HYPOCRISY, have been forced to sit out their upcoming North American tour this May due to reasons beyond their control. The band members had received their visa approvals and everything was going as scheduled, until the embassy let them know that the earliest they could pick up their visas, get them stamped and so on, wasn’t until late June at the earliest. A regular procedure that would normally take just a few days to sort, takes much longer at the moment due to that current workload Homeland Security is experiencing.

“As we were getting ready to go get our visas stamped and ready for the tour we were informed that the earliest we could go initially was sometime in July,” explains guitarist/vocalist Peter Tägtgren. “We then immediately continued to call them, got the label to help with some letters, and put our lawyer to work etc. The best that got us was an appointment in late June. This is a HUGE blow to us, to our fans and everyone who has supported HYPOCRISY in North America. Sometimes there are battles you can’t win, and this is one of them. We will be back, I can promise that!”

Continue reading »