Oct 012021
 


Unto Others

(NCS contributor Gonzo returns with another end-of-month roundup of music that caught his ears.)

There are a few bittersweet observations I’ve come to realize in the past month, related both to music and to the endless hellscape that is the human condition:

As of this writing, 2022 is just three months away and I’m still processing whether 2020 was even real. This means that while I survived the endlessly overwhelming shitstorm of that year, it does beg the question of how much worse this planet could get for humans over the next decade.

While live music is back and I’ve been reveling in the joy of sweaty venues and the sleep deprivation that comes with festivals again, I was just notified that Judas Priest is postponing the rest of their tour due to Richie Faulkner’s heart condition.

The next date would’ve been where I would see them (for the first time, no less) here in Denver.

Fuck.

The good news? Sabaton, who opened for Priest on this tour, is still playing a show in Denver, and by the time this piece goes to print, I’ll have seen the show and will post a full review in the coming days.

In the meantime, I’m at least somewhat distracted by the troves of amazing heavy music that keep blasting out of the darkest corners of the netherverse as of late.

Join me as I take you through some unfettered heaviness and savagery that’s emerged in the past month and kept me sane as we descend into 2021’s final few months. This month, I’ve got two albums and three singles for you to delve into. Continue reading »

Sep 122021
 

 

Yesterday a combination of factors prevented me from posting the usual Saturday round-up of new songs and videos that appeared during the week. I did spend a big block of time surveying the field and making selections, but by the time I finished doing that it was mid-day and I decided to fuck off instead of beginning to write.

It has become clear to me that I can’t do the usual writing today either, if I’m to have any hope of preparing a SHADES OF BLACK post today. So I’m resorting to the format of just throwing all this stuff at you without artwork, or most of the usual links, or my usual commentary, just a few scattered notes.

But trust me, I did exercise some judgment about what I thought was worth sharing. It’s just that I thought A LOT was worth sharing — 16 songs and videos, to be precise. I alphabetized the collection by band name and then divided it into two parts.

ANOMALIE (Austria)

This is a very welcome return after a four-year hiatus between albums. The new full-length features Nornagest of Belgium’s Enthroned on harsh vocals. The new album, Tranceformation, is coming on November 5th from AOP Records. Continue reading »

Mar 142020
 

 

Many of us here in the U.S., as elsewhere, are essentially stuck at home. We’re supposed to stay away from our fellow human beings, and there’s not much to do away from home anyway. Fortunately, the virus hasn’t infected the internet so I can still eject new songs and videos at your head, which I’ve been doing at great volume today — a dozen of them in Part 1 of this post (here), and almost another dozen in this one. I mean, what the hell else do you have to do?

Once again, everything is organized in alphabetical order by band name, picking up from the items in Part 1, and I’ve again truncated my usual commentary.

MASS WORSHIP (Sweden)

Get seduced by the dual-guitar intro, stay for the jackhammering of your neck and the vocal scorching of your face… a bitter and battering experience. Continue reading »

Feb 112019
 

 

With the weekend now behind us we’re resuming the rollout of this list, beginning the 6th week of the trek, with a self-imposed stopping point looming closer (by the end of this month, and possibly earlier — not sure which, since I haven’t finished compiling the list).

Almost every year I’ve shoe-horned music into this annual escapade that doesn’t really fit the label of “extreme metal”, and I’m doing it again today (and might do it yet again before I’m finished this year). Among other things, these two songs have plenty of (very good) clean singing. But although they may not be as extreme as almost everything else, they’re heavy enough — and they’re also damned memorable

KHEMMIS

I’m very happy to say that we’ve been backing this Colorado band since long before they became household names — and if they’re not yet at household name status, they can’t be far away, after three such exceptional and broadly appealing albums — Absolution, Hunted, and now Desolation. Among the core group of NCS writers, Andy Synn was the last to tumble to how good Khemmis‘ music is, though he tumbled pretty hard once he gave it a chance following the band’s performance last year at Maryland Deathfest. Continue reading »

Jun 192018
 

 

(We present Andy Synn’s review of the new album by Colorado’s Khemmis, which will be released on June 22nd by 20 Buck Spin in North America and by Nuclear Blast everywhere else.)

I’m more than happy to admit that I’m a very late joiner to the Khemmis train.

Oh, sure, I’d heard the name around, I knew they were pretty well liked and that there was a fair bit of hype building behind them, and had even caught a glimpse of their eye-catching artwork here and there, but – for whatever reason – I’d just never found the time to actually listen to one of the band’s songs/albums.

Thankfully, their brilliant performance at this year’s edition of Maryland Deathfest made me an immediate convert to their cause, and I’ve spent the time since then immersing myself in the band’s back-catalogue and catching up on everything which I’ve been missing, just in time for Desolation to drop into my inbox with a resounding (digital) boom. Continue reading »

May 212018
 

 

The 2018 edition of Roadburn Festival is in the history books. From April 19th through April 22nd at the 013 venue in Tilburg, The Netherlands, metal fans got the chance to choose from among performances by more than 100 bands across four stages and a fascinating array of musical genres. NCS was fortunate to be represented by the fantastic photographer Teddie Taylor, who made a visual record of the event for us.

We left it to Teddie to decide which bands to see; no doubt she had a lot of difficult decisions to make — and we had difficult decisions of our own in determining which of her images to share with you (they’re all really damned good!). We’re dividing this collection of pics into four parts, one for each day of Roadburn 2018. We asked Teddie to introduce herself first, to those of you who may not be familiar with her work:

“I am an Alabama transplant currently residing in the glorious swamp that is New Orleans. Growing up, I regularly went on adventures to photograph the flora and fauna of the Gulf Coast and thought I’d eventually pursue nature photography. I’ve always been involved with the arts, whether it be attempting to dance or taking vocal lessons, and fell hard and fast into music photography during a college internship at the local rock radio station. A few years and seemingly hundreds of deafening nights in small bars later and I am an intern at Relapse Records and Earsplit PR and travel regularly to interview and take photos of musicians I adore. I apologize in advance if my tall, camera-hauling self blocks your view or whacks you with a camera during a show.”

And with that preamble, here are some of Teddie’s photos from the first day at Roadburn 2018: Continue reading »

Mar 082018
 

 

(An NCS fan who we’ll call Barbarian Mike turned in this guest review of the presentation of DECIBEL Magazine’s 2018 tour in Seattle, Washington, on March 6, 2018.)

Whether you consider yourself a fan or not, it’s impossible to deny the status and reverence Enslaved has earned within the community of heavy music. Over a span of 27-years and 14 studio albums – barring live-show DVD’s, splits, and demos – it’s hard to imagine any band as capable as this one in maintaining a passionate fan base and consistently sold-out live performances.

In spite of this success, Enslaved are a band who don’t rest on their laurels, or coast on their hits of yesteryear. In fact, they appear to be continually invigorated by the challenge of creating something new, to pursue new ideas and sounds. It only makes sense that they would headline one of the bigger tours within heavy music – the DECIBEL Magazine 2018 Tour. Needless to say, I was excited to attend the event at Seattle’s own El Corazon. Continue reading »

Feb 042018
 

 

I almost never watch anything available through on-line streaming services like Netflix. I don’t watch multi-part TV series available through cable networks like HBO either (I’m one of four people in the U.S. who has never seen a Game of Thrones episode; the other three have been in a coma since 2010). It’s not that I’m uninterested. It’s a question of time, and choices among what I’d have to sacrifice in order to make room for all the hours of viewing. But I made an exception last night.

My wife is out of town visiting one of her sisters. Time with my wife, who has no interest in watching the kind of shows referred to above, is one of the things I’d have to sacrifice if I watched more TV. Time with NCS is another one. But with my wife gone and with my NCS post for today (not this one, the next one) at least planned out in my head, I decided to start watching Altered Carbon on Netflix. The first season became available on February 2nd.

The book of the same name, by Richard Morgan, is an old favorite of mine; I’ve read every other sci-fi book he’s written, too, but I always thought it would be great if someone turned Altered Carbon into a movie or TV series. So, with some extra time on my hands, this was a temptation I couldn’t resist. Continue reading »

Oct 072016
 

12 Jacket (3mm Spine) [GDOB-30H3-007}

 

The rise of Denver’s Khemmis into the upper echelons of doom has been nothing short of meteoric, thanks in large part to the enormous appeal of their 2015 debut album Absolution. Since that album’s release, Khemmis have confronted what always comes with stellar debuts — the pressures and perils of high expectations by fans for a follow-on album. In two short weeks, that testing time will arrive as 20 Buck Spin releases the second Khemmis album, Hunted. By one measure, Hunted has already met and exceeded expectations — Sam Turner has again created one hell of a metal album cover, with the Khemmis wizard on an armored steed, flanked by death dealers you wouldn’t want to meet in a dark alley. As it turns out, the music meets and exceeds expectations, too.

In 2015 we had the pleasure of premiering a song from Absolution, along with one of the most interesting and entertaining band interviews we’ve ever published. We now count ourselves lucky that we also get to bring you the premiere of a song from Hunted in advance of its October 21 release. Its name is “Beyond the Door“. Continue reading »

Aug 132016
 

Migration Fest poster

 

Here I am on a gorgeous Saturday morning in Olympia, Washington, still pinching myself to make sure what I’ve been experiencing isn’t some kind of fantasy (or more likely, incipient dementia). Yesterday was the first day of Migration Fest, and the night before that was the unofficial start of the party with a three-band pre-fest show. In a nutshell, it’s been an absolute blast so far. More words (and amateurish photos) to follow.

This is, of course, the first edition of what by all rights should become a never-ending tradition, a labor of love jointly organized by Adam at Gilead Media and Dave at 20 Buck Spin, with support from a whole bunch of their tireless friends and family members. They assembled a stellar line-up of bands, and based on what I’ve seen so far (at least from a fan perspective), they’ve been executing on the plan like a well-oiled machine. Continue reading »