Jan 022024
 

(Today we present the fifth and final installment of Neill Jameson‘s 2023 year-end list. You can find the first four Parts by hitting this link and scrolling down.)

See the subtle change in the title? I’m building a narrative, I’m told that’s a good idea in writing. As far as I can tell (from constantly Googling myself), I’ve been doing year-end lists here since 2014. Initially I would only pick a few records each year, mostly because I was trying to shed light on things that other people may not have noticed throughout the year, which would grow somewhat each year until we made it to 2018, one of the most miserable years I’d had in a moment, and it showed in the lack of anything approaching enthusiasm in my writing. But once 2019 hit, it was like something opened up in me and I was actually interested in seeking out new music, the closest to approaching being passionate about anything I’d been in years. And from there I haven’t slowed down. 

I understand that these lists are read for a variety of reasons, to see if your band was in it, to disagree with it, to tell me I’m either an SJW cuck or a nazi, or (and this is the lowest number) to actually seek out new music that might interest you. Regardless of your reason, I hope you’ve found something you’re looking for out of this. I don’t really want to hear about it either way.

These were my favorite releases of the year not covered by my Invisible Oranges list, which was all album based. There’s a few here too, sure, but this is mostly EPs, demos etc. Not a lot of surprises if you’ve read any previous years. This will probably be wordy, even for me (“long winded” is another description I’ve read about myself) Enough from me, here’s the list: Continue reading »

Dec 222023
 


photo by Hillarie Jason

(One of the perennial highlights of our year-end LISTMANIA series are the articles Neill Jameson has contributed, and we’re very happy that he’s doing so again this year. This one is the third of five Parts we’ll be publishing. To be clear, Neill wrote the title of this feature himself. And hey, you should check out Krieg‘s new album Ruiner too.)

Five. There’s five of these things in total. This is the third one.

These are getting more and more difficult to write because I’ve always taken a minute or two to refresh my memory on what I’m writing about but this year I’ve found myself just drifting off and listening to more and more of each release, which causes a slowdown in my progress. 

This is all fascinating to you, I’m sure. I’ve let my tea grow cold, let’s dive into it before I write more about my old womanly habits. Continue reading »

Dec 212023
 


photo by Hillarie Jason

(One of the perennial highlights of our year-end LISTMANIA series are the articles Neill Jameson has contributed, and we’re very happy that he’s doing so again this year. This one is the second of a handful of Parts we’ll be publishing. To be clear, Neill wrote the title of this feature himself. And hey, you should check out Krieg‘s new album Ruiner too.)

Still here? Good. Don’t worry, you haven’t missed your chance to call me a nazi or SJW cuck, depending on your obviously refined perspective. Here’s the next batch of releases from 2023 you should check out. 

Your band probably isn’t here. Maybe next list. Continue reading »

Dec 202023
 

photo by Hillarie Jason

(One of the perennial highlights of our year-end LISTMANIA series are the articles Neill Jameson has contributed, and we’re very happy that he’s doing so again this year. This one is the first of a handful of Parts we’ll be publishing. To be clear, Neill wrote the title of this feature himself. And hey, you should check out Krieg‘s new album Ruiner too.)

I’m getting a later start on these this year, meaning I’ve already seen a lot of year-end lists, mostly due to checking to see if my last album made any of them. And because of this I could easily make the joke that most journalists have Helen Keller’s musical taste. I’d like to think I’m above such low hanging fruit, however.

In years past I’ve sectioned these lists off by demos, albums and dungeon synth. This year I’m ignoring that format in favor of dumping a ton of unrelated genres together outside of the final one, which will be the traditional “best of” list. Why am I doing this? I’m glad you asked and showed sincere curiosity: in the customer service industry we’ve begun using the phrase “surprise and delight the customer” and I’d like to take this wonderful philosophy into my writing. 

Or I’m just lazier than usual this year. Because fuck the customer.  Continue reading »

Oct 222023
 


Krieg photo by Kassandra Carmona

In a departure from what I usually do for these columns I decided not to string together a bunch of singles from forthcoming records, but instead to write about two albums, one of them a split.

Both of them are already out, so what’s the point of writing about albums you can already hear for yourselves? You might ask that question about almost everything with my name on it, because I almost never scribble review-ish words without including the music streams. Same goes for a lot of the other scribblers around here.

The idea is that the words might induce some people to check out music they weren’t aware of, or decided to pass by. I hope that will happen today. Other motivations: Writing voluntarily can be fun, even when it’s hard. And it’s just good manners to thank someone for making music that resonates in the soul or the muscles or the mush between the ears.

So, with thanks to Krieg, Dream Unending, and Worm, here we go. Continue reading »

Aug 082023
 

The time I have available for NCS activity today is rapidly slipping away, so this roundup will be relatively short — just three new songs — but I wanted to jump on these while they’re still “hot off the presses”.

KRIEG (U.S.)

Krieg haven’t been moribund since the release of their last album of new songs, 2014’s Transient. They’ve filled the intervening years with splits, compilations, and shorter releases, and we got the “Bone Whip” flexi-disc single just last month. But at last there’s a new Krieg album on the October horizon, and yesterday brought the first streaming single, “Solitarily, A Future Renounced”. Continue reading »

Jul 022023
 

Here we are again, ready to blacken the Sabbath with some new things you might not have heard, the kind of things that would ruin most people’s days but I hope will turn yours into warming bonfires. Well, maybe not warming, more like incinerating, but still welcome I hope. What’s ahead is a new stand-alone single, a couple of tracks from a forthcoming album, and two just-released full-lengths.

KRIEG (U.S.)

Neill Jameson has made a name for himself as a music writer, often wise-cracking, irreverently cynical, and creatively foul-mouthed but with a finely-honed and widely respected taste that makes lots of people pay attention to his recommendations of underground gems. We’ve benefited from that here ourselves, usually through his year-end lists for our site but also at other times when he’s been moved to send something our way.

But before he made a name for himself in those ways, he and his band Krieg made a name for themselves in the annals of U.S. black metal. Krieg‘s musical output, beginning with their debut album in 1998 (recently reissued by The Devil’s Elixirs Records), ran in a hot, year-after-year torrent through 2018, mostly splits and EPs but with 7 more albums also scattered along the way. Then there was a four-year pause before 2022 brought forth a split with Crucifixion Bell, which demonstrated in electrifying fashion that although Time may have aged Krieg‘s members, it definitely hasn’t dulled their knives or moderated their musical savagery.

And now we’ve got a new Krieg single named “Bone Whip,” which is captured on one of those flexi-discs in the new issue of Decibel magazine (the one with Mizmor on the cover, available for purchase here). As disclosed at Decibel’s site, the song was recorded during the sessions for Krieg‘s next album (the name of which is Ruiner), but won’t be included on that album. Continue reading »

Apr 102022
 

 

Greetings to all on another Sunday. This time I’ve chosen a mix of advance tracks from two forthcoming releases plus two complete records (a new EP and the reissue of an album-length demo). All but one of the bands are known quantities to me based on the high quality of their previous works, and that new one has made a startling first impression. Hopefully you’ll enjoy this varied excursion into the black metal underground as much as I have.

KRIEG (U.S.)

I’m beginning with songs from a new split by Krieg and Crucifixion Bell that will be released on April 29th by UK-based Death Prayer Records (on CD, cassette tape, and digital formats). The split includes four tracks from Crucifixion Bell and three from Krieg. The first of Krieg‘s songs launched for streaming is “Incantations of Suffering Souls“. Continue reading »

Dec 212020
 

 

(We have reached the end of the 2020 lists prepared by Neill Jameson (Krieg, Poison Blood), and he closes with the cream of the crop, a lucky 13. We’re again very grateful to have had the chance to share these lists with you.)

And now, friends, we’ve come to the end of an unusually (for me) long list of “best of’s”. In any given year I tend to challenge people who post top 40 to see if they actually listen to any of the dreck they swear made their year a few weeks after list season is over, so I guess in twelve months I’ll report back. I stand by my initial assertion that industry types are mostly full of shit and don’t actually pay attention to what they put on these lists, save that they want to promote some (usually awful) record or try to appear important on some esoteric scale.

Which one am I? Probably the latter except I don’t have anything to hock this year. I still think people that do top 50 or more lists each year are fucking liars, though.

Here’s the best of the year: Continue reading »

Dec 182020
 

 

(We’ve reached the penultimate Part in the 2020 year-end lists by Neill Jameson (Krieg, Poison Blood) that we’ve been fortunate to share with you. The focus of this one is Albums (10 of them). The preceding installments can be found behind these links: Part I, Part II, Part III.)

It hasn’t just been because 2020 turned into whatever you want to call it that we’ve seen a massive surge in quality, captivating music, but rather we’re at one of those rare points in time where there’s  an overflowing of talented and creative people who’ve all somehow climaxed at once. I’m sure there’s some kind of joke there but I’m sure most of you were sick of my shit two paragraphs in on Part I (if not earlier) so I’ll just get into the meat of this piece.

Probably a joke there, too. Continue reading »