Dec 242019
 

 

(For the sixth year in a row, we’re grateful that Neill Jameson (Krieg, Poison Blood) accepted our invitation to share with us and you a list releases from the past year that made an impact on him. His lists always provide welcome discoveries, and the one this year — which is divided into two parts — is no different. You can find Part 1 here.)

I knew the moment I hit “send” on the first part of this that I’d remember a few records I wanted to write a bit about. That’s one of the nicer things about years like this: there’s so much out there worth listening to that you somehow forget all of it when you’re pressed to talk about it. Like I said previously, this is more of an “odds & ends” part of the shit I filled my ears with in 2019. So rather than fill space with more pointless exposition let’s just get right to it: Continue reading »

Dec 232019
 

 

(For the sixth year in a row, we’re grateful that Neill Jameson (Krieg, Poison Blood) accepted our invitation to share with us and you a list releases from the past year that made an impact on him. His lists always provide welcome discoveries, and the one this year which is divided into two parts — is no different. Look for Part 2 tomorrow.)

Going over my year-end thing from last year I’m struck with how dour of a tone it takes and I’m reminded of how difficult I found putting that list together. Not that the choices I made were bad, far from it, but those were the only records I could pull out of last year that I felt anything for. Only two of them remain in rotation, maybe three. Kind of self-fulfilling since nearly every time I’ve been given the honor to thrust my tastes at you I always warn of how people don’t actually pay attention to the records on these lists a few weeks after the new year starts. I guess this means I’m not better than any of you since I’m guilty of the same thing, and now my entire world is crumbling. Also I quit smoking a week ago.

Any of this only matters because I’ve had a much more difficult and, honestly, awful year than I have in… well… years, and yet the only reason this list is a lot tougher than 2018 is because this has been an incredible year for music and I’ve only scratched the surface with this list. Much like 2017, I have to do two pieces for shit I think you should give a listen to. Hope you get something out of them. This first part will focus on the full-lengths while the second part will be the fucking myriad odds and ends this year that kept dropping like a rat shitting in a hoarder’s dining room. Continue reading »

Dec 272018
 

 

(For the fifth year in a row, we’re grateful that Neill Jameson (Krieg, Poison Blood) accepted our invitation to share with us and you a list releases from the past year that made an impact on him. His lists always provide welcome discoveries, and this year is no different.)

I have to be honest, this year I really didn’t listen to a lot of new records. I guess there’s a bunch of reasons why, each one more boring than the last. Sort of like most of the year-end lists I’ve seen on social media the last six weeks. Am I just getting too old and burned out to enjoy some of this shit? I mean that seems like a solid enough reason rather than just coming out and saying a lot of “popular” (I guess) metal this year felt disposable, and while a lot of you will rise up to tell me I’m a fucking moron I’d be willing to put a solid six or seven dollars down that you won’t be listening to the majority of your year-end list in two years.

Last year I had a massive list and I still stand by the bulk of it. 2017 was a great year for new music. 2018? I dunno, I’ve been distracted. I haven’t even listened to the new Drudkh yet. I’m sure it’s great. I’m sure a lot of great stuff happened this year and I’m sure a lot of it is under my radar and possibly yours too. I don’t want anyone to have the impression I feel like I have superior tastes to you when I do these lists; I don’t. And neither do you. We all should listen to what we enjoy without having to worry about what some asshole a few seats over is going to think. Continue reading »

Jul 272018
 

 

(This is Todd Manning’s review of the new split by Integrity and Krieg, which will be released by Relapse Records on August 3rd.)

Oftentimes, split recordings are an opportunity for two lesser known bands to introduce each other to their respective fan bases. It is representative of the camaraderie of the underground, and one of both Metal and Hardcore’s most beloved formats. What we don’t see as often are two well-established acts doing a split together. While there are a few examples, such as Napalm Death’s work with the Melvins and Converge, these exceptions prove the rule.

The latest exception now comes from the pairing of Hardcore legends Integrity and Black Metal juggernaut Krieg. It’s unlikely these groups got together as some sort of calculated marketing move, but rather out of a mutual respect for one another. Continue reading »

Dec 192017
 

 

(For the fourth year in a row, Neill Jameson (Krieg, Poison Blood) kindly accepted our invitation to share with us his list releases from the past year that meant the most to him. It comes in two parts. In this second part, Neill’s list is devoted to splits, reissues, and “non-metal odds and ends”. Part I, which includes albums and EPs, is HERE.)

 

Still with me? Thanks, I promise this won’t be as wordy. 2017 was also a great year for splits, reissues, and dark music that doesn’t fall into the “metal” category but is worth your attention just the same. That seems like enough of an intro, let’s dive right in. Continue reading »

Dec 182017
 

 

(For the fourth year in a row, Neill Jameson (Krieg, Poison Blood) kindly accepted our invitation to share with us his list releases from the past year that meant the most to him. It comes in two parts; we’ll have Part II for you tomorrow.)

2017 was a really great year for music, a year that comes only once every ten years or so for me. Nearly every subgenre had at least one recording this year that I could see listening to in a few years time. That’s always been something that perplexes me regarding this time of year: how many of the records on some people’s top 175 of the year are actually going to stay in their lives beyond a few bylines during the year it was released? With so much shit being pressed into these massive lists, not to mention the literal thousands of releases that don’t make the cut, how much time do we really give these records, to let them sink in, and to really look at them as the benchmarks of the ending year?

In the end none of these lists mean much beyond the bands (hopefully) being proud of what they accomplished and our own ego stroking, as writers, to basically force our tastes onto you. What matters is what you get out of a record, even if your favorite didn’t make anyone’s list. Who gives a fuck as long as it’s a meaningful record to you. Here’s what records ended up being meaningful to me this year: Continue reading »

Sep 272017
 

 

(Red River Family Fest II took place in Austin, Texas on September 22-23, 2017. The appearance of Krieg on the line-up took Krieg’s frontman Neill Jameson to the event, and he prepared these thoughts about the fest and the bands he saw. Credit for all the great photos accompanying his article goes to NecroBlanca Photography and Design.)

 

If you’ve ever read anything I’ve written or spoken to me you probably have the (correct) opinion that I generally don’t enjoy myself often. It might be the few decades of going to shows and fests or talking to people that have jaded me, but I tend to approach playing a fest as more of a job than a joy. But my experience over the weekend at Red River Family Fest II was surprising enough for me that by the end of the first night I was ready to sit down and write about it, and it wasn’t just the alcohol talking.

This is a recap of everything I experienced over my few days in Austin, Texas. I was able to catch at least a song from most every band with a few exceptions and I really enjoyed what I heard, again with a few exceptions. Continue reading »

Aug 242017
 

 

I know I posted a round-up of new music just yesterday, but there are far more discoveries I’d like to share, and these go a bit deeper into the obscure realms of the underground than the ones I picked yesterday.

Lots of interesting stuff here, so much that I’ve divided this post into two parts. You may need to skip a meal and a bathroom break to get through both parts, but you’ll be glad you did, even if you begin gnawing your fingers and wetting yourselves. That ain’t fake news.

REX DEMONUS

The first band here is Rex Venomous, they are a multinational group, and the debut two-song EP you’re about to hear is Tenetur et Relicta. I looked up those two Latin words, and they translate as “bound and abandoned”. Continue reading »

Apr 272017
 

 

(We welcome Neill Jameson (Krieg) back to our site, who in this post recommends music by some of the more obscure U.S. black metal bands, mainly from the ’90s — some of whom have new releases in the works.)

This past weekend was the Decibel Metal & Beer Fest, and while I was proving to the world I can’t hold my liquor I ran into some people like Austin Lunn who can actually carry on the kind of conversation about black metal that gives me pause, and also the motivation to do something like this. I also ran into a few old friends who were a part of the burgeoning ’90s US black metal scene, members of bands that I find criminally underrated.

Between that and all the talk about what “USBM” should and shouldn’t be, I figured I’d talk a bit about bands that are from a time where Antifa wasn’t throwing smoke bombs into apolitical shows or bands didn’t get name-dropped on Chris Brown’s vest. Continue reading »

Mar 072017
 

 

Well, for those of you who actually pay attention to such things, I obviously failed to post Part 2 of this week’s SHADES OF BLACK column, which I began (here) on Sunday and said I would continue on Monday. And in the meantime, of course, more new metal in a blackened vein has appeared, and it happened to be new music that I really like. So I’ve adjusted my plans (i.e., I’m making this up as I go along so what else is new).

Part 1 of this feature included full album streams, and my intent for the original Part 2 was to focus on individual advance tracks I’d picked from forthcoming albums. I still intend to do that, except that has become Part 3. What I’m doing here is focusing on the new tracks that grabbed my attention yesterday.

ENSNARED

I’ve been very curious to hear Dysangelium, which is the debut album of Sweden’s Ensnared. Dysangelium will be jointly released by Invictus Productions and Dark Descent on May 12. The first track, which debuted yesterday, is very promising. Its name is “Apostles of Dismay“. Continue reading »