Jul 132022
 

(We present DGR‘s review of the first solo album by Sakis Tolis from Rotting Christ, which was released this past spring.)

Sakis Tolis is one of the more prolific music creators out there. The Rotting Christ name remains relevant in press cycles because the band always seem to have some sort of new song or project going on, and considering that the main two behind Rotting Christ are the Tolis-crew it wouldn’t be hard to say that a lot of that is because the band is a creative avenue for him. It hasn’t even been too much of a stretch for the lines to blur between the projects Sakis has been involved in, such that Rotting Christ have been known to break out a cover or two of songs by Thou Art Lord over the years.

This is the reason the March release of Sakis Tolis‘ solo album Among The Fires Of Hell so interesting, since the body of work that he’s responsible for is so vast already. Within seconds of starting up the album – if you weren’t aware already – it becomes clear who has been mostly responsible for a lot of the writing within Rotting Christ over the years. Among The Fires Of Hell is surprising even, because it creates a weird situation where the question that winds up being asked is that, for a musician with as vast a body of work as his, is there really so much left to say that it requires a full solo release? Continue reading »

Apr 242022
 

 

This will be much shorter than I expected. Overnight, one of my family members was seriously injured and will need surgery today. I’m now crossing the water from the NCS island headquarters in order to be with him in the hospital. I know everyone here will understand.

I’ll leave you with a new Rotting Christ song, “Holy Mountain,” which features guest vocals by Lars Nedland of Borknagar and Solefald. In turn, Nedland‘s band Black Void released a new song last week that included guest vocals by Sakis Tolis (I wrote about that one on Friday). Continue reading »

Jul 262020
 

 

The last 10 days have been rough. I mentioned last weekend that the virus had claimed the life of someone I was very close to, and my day job has simultaneously become very demanding. The combined impact has stressed my work at NCS. Just haven’t had the time or mental health necessary to plow through all the new music that is somehow still managing to come out.

For the first time in an unusually long time, I did do some updating of my out-of-control listening list yesterday, and checked out some of the more recent entries that I thought might be suitable for this column. I also re-listened to a few things I’d intended to write about before calamity struck. From those excursions I made selections that I’ve divided into two parts. The way I divided the groupings makes musical sense to me, but who knows if it will make sense to anyone else. Part 1 includes individual songs and videos; there are a bunch of full album streams in Part 2.

ROTTING CHRIST

My memory is spotty at the best of times, but I’m pretty sure that at least once before here at NCS I’ve mentioned that Rotting Christ were the first band who opened my eyes to black metal. That was about 13 years ago. Before that I’d dabbled a bit in the genre but wasn’t hooked, and then I discovered Theogonia, and the rest is history. Speaking of history, after being wowed by Theogonia I traveled further back and listened to some of RC‘s earlier output, including 1994’s Non Serviam, whose opening track was a song named “The Fifth Illusion“. Continue reading »

Jan 212020
 

 

For tomorrow’s installment of this list I’m diving deep into the underground again, but for this 12th Part I decided to include music from a couple of the biggest names in extreme metal. Both bands also seem to have arrived at a place where they’ve become… institutions (for want of a better word)… with a sound of their own that isn’t subject to significant change but is still usually appealing.

ROTTING CHRIST

DGR began his extensive NCS review of The Heretics in this way: “To say that they’ve found a sound would be putting it politely; Rotting Christ not only found a sound, but they also basically defined it and then later let it define them. Especially in more recent years they have basically shifted from being a fire-fueled black metal nightmare into an almost Hollywood-esque war-drums-and-all hybrid of martial rhythms, ’70s prog guitar influences, and the straightforward guitar stomp and lead work that has made them so insanely catchy over the years. The group’s latest disc, The Heretics, is a giant block of that specific sound.” Continue reading »

Jul 042019
 

 

I have mixed feelings about the Fourth of July, especially this year, and I’m not the only American who’s feeling torn today. While there are migrants in the midst of a humanitarian crisis on the southern border, the country’s most famous Independence Day celebration has been turned into a taxpayer-funded militaristic political rally for a man who not only could care less about what’s happening to people in Texas detention camps, but actively tries to score extra political points among his supporters by doubling down on the prisoners’ misery. And that’s just today’s most visible one-two punch to the nation’s ideals. There will be more battering tomorrow, and the day after, and the day after that.

On the other hand, I still feel fortunate to have been born here, and still take pride in much of what the country has achieved, and in much of what it stands for when it’s at its best. I also recognize that even though I’m not feeling particularly celebratory today, the Fourth is for many Americans a day of joy, even if it’s just because the day is a good excuse to be in the company of good friends or family, to gorge on comfort food and too much beer and booze, and to watch pretty explosions in the night sky. To all those people, I wish them a fantastic fucking day. Continue reading »

Apr 072019
 

 

This edition of SHADES OF BLACK is different from most, in two respects. First, my paying job (i.e., not NCS) has been crushing me lately, including this weekend, and I don’t have time to accompany what I’ve chosen with my usual impressions and links. Second, there’s not as much music in this post as you might guess from the title of the post. I’ve made the rare decision to include three album announcements at the end of the column even though there’s no music available for streaming yet. I did that because I’m so excited about those announcements.

ROTTING CHRIST

The first item I’ve chosen is Rotting Christ‘s new video for “In the Name of God“, one of the tracks on their latest album, The Heretics, which was released in mid-February and reviewed here by DGR. As he wrote, The Heretics follows what the band have established as their “blueprint” — a “sort of larger-than-life, titanic paradigm of martial prowess turned black metal.” It doesn’t push the genre or the band’s music forward as much as it represents a summing-up of their career so far, playing to their most familiar strengths. “In the Name of God” is but one example of that. Continue reading »

Feb 152019
 

 

(DGR reviews the new album by the now-larger-than-life Greek black metal band Rotting Christ, which is being released today by Season of Mist.)

If at this point in their career Rotting Christ have decided to be the AC/DC of anti-religious heavy metal then I am all for it, even if it just boils down to me having an easier time explaining why I enjoy the songcraft that the band have been up to for so many years now.

To say that they’ve found a sound would be putting it politely; Rotting Christ not only found a sound, but they also basically defined it and then later let it define them. Especially in more recent years they have basically shifted from being a fire-fueled black metal nightmare into an almost Hollywood-esque war-drums-and-all hybrid of martial rhythms, ’70s prog guitar influences, and the straightforward guitar stomp and lead work that has made them so insanely catchy over the years. The group’s latest disc, The Heretics, is a giant block of that specific sound. Continue reading »

Feb 072019
 

 

As explained in Part 1 of today’s round-up, I feel particularly inundated by new metal this week, far too much for me to cover comprehensively (and I’ve still got a lot of catching-up to do with music that came out before this week). I’m not sure there’s much rhyme or reason to what I chose to write about in this two-part installment. The choices were pretty damned impulsive.

For example, I could have written about the new songs and videos by Allegaeon, Continuum, Kartikeya, Katechon, Latitudes, Nightrage, and Sectioned (to name just a few), but I haven’t — though you can click those hyperlinks and check them out anyway. Here’s what I am writing about:

ROTTING CHRIST

Yesterday the Russian site Satanath (home to Satanath Records) premiered another new song off the new album (The Heretics) by Rotting Christ, which will be released by Season of Mist on February 15th. The name of the song, “Vetry zlye (Ветры злые)“, explains the choice of Satanath for the premiere. But although the song title and some of the lyrics are in Russian, it’s not Sakis Tolis who “fights his way through a maze of Russian phonetics” in the chorus, but guest singer Irina Zybina (vocalist in the Russian folk metal band Грай [Grai]). Continue reading »

Dec 252018
 

 

If today is a holiday for you, we hope you’re enjoying it, regardless of whether it has any ecclesiastical meaning to you. If it’s not a holiday for you, we hope it will be a good day for you, too.

We don’t observe any holidays at NCS, not because we’re against them, but because from our first year the goal was to post something every day of the year, a goal we’ve kept with very rare exceptions. I can’t exactly remember why I set that goal (come on, it was 9 years ago!), but probably because I thought our best chance of getting readers was to be out there on days when there was no competition. Now, we keep doing it out of sheer stubbornness.

Since it is Christmas Day, I thought about exclusively going with metal that has some kind of holiday theme, but with a trio of exceptions at the end of this giant new-music round-up, I tossed that idea out the window, unless you count the introductory music from Rotting Christ. And why wouldn’t you?

ROTTING CHRIST

My NCS colleagues and I seem to be having a disagreement about RC‘s new album The Heretics. One of us, who shall remain unnamed, thinks it’s repetitive and boring, a distillation of the sound of the last three or four albums but lacking in dynamic peaks and troughs. A couple of us (including me) acknowledge that it’s basically Rotting Christ firmly in their established groove, but is nonetheless a whole lot of fun. Continue reading »

Nov 292018
 

 

Last Sunday when I wrote about my imminent two-week vacation I though it was unlikely that I would be able to assemble any new-music round-ups. But for my traveling companions, yesterday was an especially lazy day, and so I found a bit of guilt-free time to explore new music.

Not a lot of time, mind you, and so I didn’t cast a very wide net over everything of interest that had surfaced since the last of these round-ups, nor was I able to choose as many songs as I usually do. But these three struck a strong chord, and I’m happy with the choices.

ROTTING CHRIST

Season of Mist uses the term “anthemic” to describe the new Rotting Christ song it released yesterday, and so it is — in a way that’s distinctively Rotting Christ. If you’re familiar with their music, you would know it’s them even if no one told you. Continue reading »