May 142024
 

(We present another one of Dan Barkasi‘s monthly collections of reviews and recommended music, taking stock of 8 records that saw release in April 2024.)

April is in the rear view, but my allergies sure aren’t. Ah, yes, the time of year in Florida when the “winter” time of perfect temperatures has transitioned to sweltering heat and pollen so thick that it will layer upon vehicles left outside. It’d sure be nice to breathe out of my nose again. Don’t get me started about the fucking lovebugs. Nothing like a ton of awesome new tunes to rattle oneself back into the groove.

Maryland Deathfest is also coming up very fast, and while we have tickets for all of the days this year, it’s questionable if we’ll be able to make it. Hopefully the stars align and it happens – just look at that loaded lineup. Bands like Dismember, Fossilization, Altars, Sodom, Crypt Sermon, Ahab, Esoteric, Spectral Voice, Spirit Possession, Imperialist, Severe Torture… well, you get the idea. Here’s to hoping we see a few of you fine folks there! If you can attend, do yourself a favor and make it happen. One of the best fests on this side of the globe.

While I’m sure that the (hopefully) three of you left came to hear me drone on about my problems like our pal George, let us get to the music. It was the most difficult month thus far to narrow my choices down to eight, with a few that were especially painful to cut. But, it’s my column, so the hell with it – Draugnim’s Verum Malum and Fierce Diety’s A Terrible Fate both represent dramatically different genres and characteristics, but each is executed with extreme proficiency, which should earn at least a spin. Now, onto the rest of this month’s selections. Continue reading »

Jun 022021
 

 

(We welcome guest writer Nick Awad, who shares his review of a 2020 black metal split release among Hajduk, Akantha, Nimbifer, and Sørgelig that deserves more attention.)

Though the style of Raw Black Metal is not particularly new, it is currently having a moment. These days, countless bands are emerging from the shadows with ominous promo photos, grainy audio production, and fast-selling physical releases. Depending on who you ask, this is either a golden age or the dumbest thing since the recent OSDM revival. As with most things, there is some validity to either stance. For every worthwhile Raw Black Metal project, there are about a hundred duds. Duds that may check plenty of the grim aesthetic boxes, but offer no real substance. That being said, those aforementioned worthwhile projects are absolute gold. Among those praiseworthy projects is a split released in the late summer of 2020.

Ruins of Humanity is a four-way split full of vicious songwriting and macabre ecstasy. The bands on the release; Hajduk (Bulgaria), Akantha (Greece), Nimbifer (Germany), and Sørgelig (Greece); prove themselves to be an arterial cut above the endless menagerie of aesthetic-obsessed internet vampires. Though the songs on this split do nod to the ideas that precede them, they are far from the soulless riff recitations of a “worship-style” project. They represent a culmination of traditions coupled with modern influence that does not stray from the necessary orthodoxy of the craft of Black Metal. Continue reading »

Apr 072019
 

 

This edition of SHADES OF BLACK is different from most, in two respects. First, my paying job (i.e., not NCS) has been crushing me lately, including this weekend, and I don’t have time to accompany what I’ve chosen with my usual impressions and links. Second, there’s not as much music in this post as you might guess from the title of the post. I’ve made the rare decision to include three album announcements at the end of the column even though there’s no music available for streaming yet. I did that because I’m so excited about those announcements.

ROTTING CHRIST

The first item I’ve chosen is Rotting Christ‘s new video for “In the Name of God“, one of the tracks on their latest album, The Heretics, which was released in mid-February and reviewed here by DGR. As he wrote, The Heretics follows what the band have established as their “blueprint” — a “sort of larger-than-life, titanic paradigm of martial prowess turned black metal.” It doesn’t push the genre or the band’s music forward as much as it represents a summing-up of their career so far, playing to their most familiar strengths. “In the Name of God” is but one example of that. Continue reading »