(This is DGR’s review of Amon Amarth‘s 11th album, which was released by Metal Blade Records on May 3rd.)
Amon Amarth are fun when Amon Amarth get “weird” around the fringes of their music.
Well, let’s walk that back a bit, since there’s a lot of power in those quotation marks around weird. It’s not weird in the usual sense, as Amon Amarth remain fairly conventional, and hew pretty closely to all of the traits that make them recognizable, on their latest album Berserker. They are one of the trope vanguards of the term ‘shuffle band’, in that their music has found such a consistent bar of quality that you don’t really need to do full-album runs any more. You can throw their whole discography onto a playlist, shuffle it up, and still have a good time.
That happens to a lot of bands when they strike upon a sound that they then make their own, and Amon Amarth did that sooo long ago — about the time of Fate Of Norns and With Oden On Our Side — and since then their discography has felt like iterations upon that particular formula. Huge and epic for Twilight Of The Thundergod, surprisingly death metal for Surtur Rising, weirdly experimental on the fringes of their sound on Deceiver Of The Gods, and a big old block of a lot of the ‘same’ on the concept album – about Vikings – that was Berserker’s immediate predecessor, Jomsviking.