Mar 082024
 

No long-winded introduction today, nor any long-winded impressions of the songs and videos either, because… there are so many of them!

Most of these choices (though not all of them) are from bigger names in the extreme metalverse. Most of them were also suggested by my NCS compatriots, because I didn’t do a great job of keeping up with new releases this week. I do plan to have another roundup on Saturday, as usual, and will dig deeper into obscurities, of my own choosing.

ULCERATE (New Zealand)

This first item is a rarity, just a news item without any music to go along with it. But it’s exciting news, and so I couldn’t resist. Continue reading »

Dec 132018
 

 

(Andy Synn‘s week-long round-up of metal in 2018 continues with this list of his picks for the year’s ten best albums across a range of metal genres — one of which hasn’t been released yet and is reviewed here.)

It is a truth, universally acknowledged, that any attempt to craft a “Top Ten” list that represents the wide variety and near-infinite density of the modern Extreme Metal scene is doomed to failure. There’s simply too much of it, too many different competing styles and sub-genres, for a mere ten albums to cover.

That doesn’t stop me trying every year though, so what you’re about to read is my latest effort to capture a clean snapshot of the very best of the best from the past twelve months.

Interestingly this list seems to differ significantly from the various other sites and zines I’ve been keeping an eye on, though that’s not by conscious design. It also skews in a surprisingly “progressive” direction overall, which is not something I anticipated when I first began trying to piece it together, with a massive 70% of the albums featured here making use of clean vocals in some form or another.

In demographic terms, this year’s list features two entries from the USA, two entries from Germany, one from Portugal, one from Iceland, and three from the UK – which, again, wasn’t by design – as well as one international collective whose members come from all across Europe.

It also runs the gamut of practically the entire twelve-month period, with the “oldest” album on here having been released all the way back in the first week of January, while the “youngest” entry won’t even be out until the 21st of December! Continue reading »

Jan 052018
 

 

(We present Andy Synn’s review of the new album by the Portuguese band Sinistro, released today by Season of Mist.)

 

Is it just me or… are we undergoing something of a Doom renaissance right now?

I may be somewhat late to the party in acknowledging this – explicitly at least – but it definitely seems to me that the last 6-12 months have seen a real resurgence of interest in the style, bolstered by a plethora of truly spectacular releases running the gamut from the more gothic end of the spectrum, all the way to the groaning weight of the most crushing Funeral Doom, via the brooding misery of the always-welcome Peaceville sound…. with little sign that this slow-moving tide is starting to slacken off or ebb.

But, with albums as good as Sangue Cássia still coming out, why would we want it to? Continue reading »

Sep 212016
 

the-lost-hours-iii

 

Where I live, the season is changing rapidly. The daylight hours are diminishing, the darkness constricting like a noose. A chill is in the air. The fall is coming.

Last night a strange and serendipitous thing happened as I was making my usual way through a list of new songs I had discovered yesterday. I happened to listen to everything I’ve now collected in this post, one after the other, right in a row. I was struck by how perfectly they suited the mood of the change in seasons. I’ve re-ordered them slightly in this post, as compared to the order in which I originally heard them, to include two songs that are exceptions to our “rule” in the middle of this chilling playlist.

LOST HOURS

I discovered Lost Hours through an e-mail they sent us yesterday. They’re from Atlanta and a few days ago they released their third album (III) through Bandcamp. It consists of two songs, “Gently Before She Dies” and “Your Vice is a Locked Room”. Continue reading »