Sep 232026
 

(Andy Synn presents an exclusive premiere of one of the darkest, harshest albums of 2026)

Success, or so they like to say, can be a double-edged sword.

And the music business in particular is full of bands who have reached the heighest of heights – whether critical, commercial, artistic, or some combination of all three – only to then have to live in the shadow of their success for the rest of their careers.

For Swiss Black/Sludge/Doom coven Rorcal this sonic apotheosis came in the form of 2019’s demonically intense Muladona (based on the novel of the same name), whose visceral, soul-scarring assault on the senses deserves – in my opinion, at least – be held up right alongside the nastiest, gnarliest works of Dragged Into Sunlight, Primitive Man, and This Gift Is A Curse at their very best.

That’s not to say that the band’s previous output – from the colossal Drone-Doom of Heliogabalus to the grinding attack of Világvége to the asphyxiating, Post-Metallic atmospherics of Κρέων – were in any way lacking (indeed, the latter is, quite rightly, considered to be something of an underground gem), but Muladona raised the bar so much, creatively and conceptually, that both 2021’s Witch Coven collaboration and 2023’s more Blackened Hardcore-leaning Silence still felt somewhat eclipsed by their progidigious predecessor.

This Friday, however, will see the release of the band’s nightmarish new album, Mahre, which doesn’t so much seek to escape the shadow of Muladona as it does dive even deeper into it, pursuing a darker, more disturbing path, and today we have distinct (mis)fortune of presenting the album in its entirety via the medium of a fascinating, and disturbing, full-length video accompaniment for the record, created by the band’s frequent collaborator (and friend of the site) Eeli Helin.

Continue reading »

Sep 222026
 

(written by Islander)

2026 will be an eventful year for the Flemish black metal band Bloedmaan. On October 30th they will have their third album Circle of the Moon released by Immortal Frost Productions, and the day before that — on October 29th — Void Wanderer Productions will release an album-length split by Bloedmaan and the Belgian duo Crypts of Dusk. The name of the split is Curse Of The Emerald Knight, and as you can see, its cover art (created by Bloedmaan mastermind Rönarg) is a fine representation of the title.

Bloedmaan’s side of the split includes four songs, and today we’re premiering an engrossing video for the first of those, “Haunting Call of the Waning Moon“. Continue reading »

Sep 222026
 

(written by Islander)

The prime curator of Personal Records continues to prove the depth and quality of his tastes by joining forces with the Belgian black metal band Bokkerijders for the release of their debut album Crush Kill Destroy on October 23rd.

The album’s name points the way to the nature of Bokkerijders‘ concoctions, but not the entirety of their nature. Even the simple label of “black metal” doesn’t tell the whole story, because the band have clearly imbibed other elixirs from the casks of heavy and extreme music while creating their own intoxicating brews.

You’ll see what we mean when you hear the album track we’re premiering today — “Calcination Pyre“. But before we get to that, we should ponder the band’s name, shouldn’t we? Continue reading »

Sep 212026
 

(written by Islander)

Pranjal Tiwari, the Oakland-based creator behind the musical project S.C.R.A.M. (which stands for Safety Control Rod Axe Man), was inspired to create S.C.R.A.M.’s new album Coma Filament by a single image — a ghost ship encountered in the outer reaches of space light years away from where any human has been before. He named the album for a galaxy thread that forms part of the Coma Wall, one of the largest known superstructures in the observable universe. And he created the music as an answer to the question, “What if Andrei Tarkovsky had directed the first Alien movie?”

If you’re a fan of science fiction, and more specifically of tales of horrors encountered in deep space, then you should be quite intrigued at this point. If you’ve actually seen Tarkovsky’s 1972 Soviet science fiction and psychological horror film Solaris, based on Stanisław Lem’s 1961 novel of the same title, then you’re even more excited. I certainly was, because in this writer’s humble opinion that’s one of the best sci-fi movies ever made, based on one of the greatest sci-fi novels ever written.

To be clear, Coma Filament isn’t a re-telling of Alien or any other single literary narrative. The idea of what might have resulted if Tarkovsky had directed Alien is more about what kind of soundtrack would best suit such a movie, and more broadly what kind of listening experience would evoke the physical and psychological pressures of a journey through deep space and the terrors we imagine might be encountered there, with Tarkovsky acting as the muse.

We have Pranjal Tiwari’s answers to these questions today through our full streaming premiere of Coma Filament in advance of its release this Wednesday, September 23rd, the Fall Equinox. Continue reading »

Sep 212026
 

(written by Islander)

Within the dark domains of death/doom Northern Ireland’s The Crawling hold a special place for this writer and others at our nefarious site. Their music is not comfortable, because they have devoted themselves to renderings of “lonely desolation, bleak truths and never healing wounds of loss and regret” (not our words, but they speak accurately), yet their records have been so powerful on both a raw sonic level and emotionally that they stand out, and we go back to them.

We’re three years on from The Crawling’s last album of new music, All of This for Nothing, and soon we will have something more from them, a new two-song EP named What We Leave Behind (they also released a fantastic live album this past January, which you can find here).

What we have for you today is an exceptionally well-made video for the first of these two tracks, “A Song To Nurse The Sickness“, and while we will of course share our own thoughts about it, we’ll turn back to the previously quoted press materials for their own evocative introduction: Continue reading »

Sep 182026
 

(written by Islander)

Once again, and for the third time since mid-June, we’re connecting you to the powerful music and words of the Texas-based black metal band Haintgrove.

The first occasion concerned the project’s debut single, “Starless Passage“, which served as the opening chapter to a larger concept centered on the experiences of enslaved Africans in the colonial South, a concept that approaches the subject “through atmosphere, landscape, memory, and emotional perspective”.

The second occasion, in August, was our premiere of Haintgrove’s second single, “I Dream in a Tongue I Cannot Speak“, along with a beautiful yet desolate video that Haintgrove filmed along the coast of the South Carolina Lowcountry.

And now we’re premiering a third song, “Kingdoms in the Thicket“, which sheds more light on Haintgrove’s inspirations, and specifically the role that the Lowcountry plays in those inspirations. Continue reading »

Sep 182026
 

(written by Islander)

“[M]erging the ferocious thrash attack of prime Kreator with the soaring melodies of Nevermore and Vektor.” That’s a very quick introduction to the sound of the Italian band Adversor and their forthcoming fourth album This Mortal Coil, which is set for release on November 6th by Selvajaria Records.

But we have a more direct representation of Adversor’s new music for you today through our premiere of a song off the new album called “Shattered Visions“, and a pulse-racing video to go along with it. Continue reading »

Sep 172026
 

(written by Islander)

Today we help spread the word about a new Philadelphia-based band — a new band, but formed by people who aren’t newcomers to heavy music. The name of the band is ORB (which stands for Occult Renegade Bastards), and it’s the joint effort of vocalist Lord Gourd (aka Lord Klauf from Morgul Blade) and Jim Viola (also from Morgul Blade, and a member of Wild Beyond) on guitars, bass and keyboards. On their debut album they were joined by session drummer Miles Ziskind.

That album, Supernatural Season, is a fitting celebration of the time of year we’re about to enter here in the northern hemisphere. As the band describe, it’s “A veneration to all that is autumnal, nocturnal, and supernatural” — a journey into “the Land of Forever Autumn”.

Of course, as you can already tell from the album’s cover art and those references to nocturnal and supernatural happenings, the album is especially suited to a particular night that lies ahead of us in October, and its October 23 release date will make it available in time for that parting of the veils that will occur on October 31st.

As for what ORB’s music sounds like, we have an example in our premiere today of its second single, “First Frost“. Continue reading »

Sep 162026
 

(written by Islander)

On September 4th of this year the Apocalyptic Witchcraft label released Primordial Bloodlines, the debut album from UK-based Wyrdstæf, a band whose music is described as “atmospheric blackened tribal metal band”, and what we have for you today is the premiere of an evocative lyric video for the album’s title song.

The inspiration for both the band and their first full-length is worth describing at length, because it provides important insights into what you’re about to see and hear. To do that, we’ll excerpt the following eloquent passages from the materials circulated by Apocalyptic Witchcraft: Continue reading »

Sep 162026
 

(written by Islander)

Today we again find ourselves in the favored position of premiering a song from an album by the long-running Czech death metal band Cutterred Flesh.

We have done this twice before, for each of their two most recent albums before this newest one. The last time, three years ago, we praised “the band’s capacity for inflicting bombastic, mind-mauling, and terrifically brutalizing punishment, while also throwing in unexpected changes that keep listeners perched on their toes.” And lo and behold, they are doing that again.

The name of their new album is The Shapes of Hidden Malice, and it will be released by Transcending Obscurity Records on November 13th. Each song on the record represents a unique horror story inspired by classic authors. In the band’s words: “They dissect the mechanisms of fear and translate them into sound”.

The song we have for you today (the fourth single to be revealed so far) is “The Letter U“. Continue reading »