AN NCS PREMIERE: CRYPTWORM — “INFECTIOUS PATHOLOGICAL WASTE”

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Feb 262026
 

(written by Islander)

We have observed before that only in the musical realms of death metal are adjectives like “grotesque”, “disgusting”, “regurgitating”, “mutilating”, “rotten”, “foul”, “putrescent”, and “maggot ridden” considered words of praise. Try publicly excreting those words on the music of Taylor Swift or Luke Combs and see where that gets you. But those are among the descriptors discharged on behalf of Me Saco Un Ojo Records and Extremely Rotten Productions for the forthcoming third album by the UK filth-mongers Cryptworm, and they cause salivation around here instead of disgust and repulsion.

The name of the new album is Infectious Pathological Waste, a title that would also cause most surface-dwelling music consumers to run for the hills — and they would run sooner and faster if they caught a glimpse of the album’s colorfully horrific cover art. We, however, are more than ready to dive into this diseased effluvium, maybe involuntarily swallow some of it, and see what happens.

You can have a big gulp yourselves, through our premiere of the new album’s traumatizing title track. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): HELA — “A REIGN TO CONQUER”

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Feb 252026
 

(written by Islander)

Almost six years after their previous album Vegvísir (November 2019), the Spanish doom metal band Hela have created a new album, A Reign To Conquer, that will be released on February 27th by Ardua Music and Tormo Records. Those six years were of course tremendously eventful in the life of the world (and tremendously disruptive), and Hela encountered their own internal challenges which delayed the completion of their newest work. But sometimes the struggle to overcome challenge leads to triumphs that smooth sailing never would have produced, and that’s true of A Reign To Conquer.

To be sure, as the labels rightly describe, Hela’s new album is still a voyage “through realms of shadow and sorrow” — a voyage that in some important respects will be familiar to fans of their preceding albums. But other changes will be noticeable. Among them is the appearance of Hela’s new vocalist, Raquel Navarro, and we should begin with her contributions as we start introducing our premiere stream of the new full-length today. Continue reading »

AN NCS VIDEO PREMIERE: WINCE AND FRISSON — “KÄRRHÄXAN”

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Feb 242026
 

(written by Islander)

We would like to introduce you to the “dissoblack and death metal” band Wince and Frisson. They are a duo, one in North Carolina and one in New Jersey. Their names are not “Wince” and “Frisson”. One of them goes by Triumvir Kaleido, and the other is Steve Wiener, who is the artist behind Am I in Trouble? and a member of Eveale, Negative Bliss, and Ashenheart.

Triumvir is the group’s songwriter, guitarist, bassist, and vocalist. Triumvir also creates the band’s artwork and is responsible for the animated music video we’re about to share with you for their first single, “Kärrhäxan“. Steve programmed the drums and produced, mixed, and mastered the music you’re about to hear.

But to briefly go back to the band’s name, “wince” is a word that describes “a slight involuntary grimace or shrinking movement of the body out of or in anticipation of pain or distress” (as a visitor to NCS, you probably knew that already), while “frisson” refers to “a sudden strong feeling of excitement or fear, a thrill”. Why did they pick this name? You’re about to get some clues. Continue reading »

AN NCS VIDEO PREMIERE: CENOTAFIO — “ACAUSAL ESCISIÓN”

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Feb 242026
 

(written by Islander)

This seems like a good time to leap right into a linguistic preview of the song “Acausal Escisión” that you’re about to hear, and then come back to you with further details about where the music comes from.

You would be best advised to gulp lots of air before listening, because violent madness and dreadful misery reign in the song with punishing power. The madness comes first. Without prelude, Cenotafio explode in a stunning assault of light-speed blasting, viciously roiling and insanely shrieking guitars, monstrously malignant roars, and fanatical howls. It is an absolutely unchained, electrifying, and harrowing experience. Continue reading »

AN NCS PREMIERE: TERATOMA — “STERTOROUS WHISPER”

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Feb 232026
 

(written by Islander)

If you’ve ever listened to the music of the German band Teratoma, as first captured in their 2021 debut album Purulent Manifestations, you know their choice of band name wasn’t some random shot in the dark. They clearly searched for a real-world representation of the hideous ghastliness they sought to channel in their death metal, and they found the teratoma tumor to be suitably horrid. (FYI, the term comes from the Greek word for “monster” plus the “-oma” suffix used for tumors.)

But even within their debut album Teratoma’s brand of death metal manifested other aspects of monstrosity besides sensations of horrid disease and blood-congealing creepiness. Like the tumor whose name they chose, the music was abominably multi-faceted.

Their new album, Longing Voracity, further expands those other aspects, as the album’s title itself foretells, and we have a prime example of what they’ve achieved achieves through our premiere of the album’s closing track “Stertorous Whisper“. Continue reading »

AN NCS VIDEO PREMIERE: CALVANA — “SUMMER STORM”

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Feb 232026
 

(written by Islander)

We are told that the Italian black metal band Calvana was established in 2015 at the foot of the Calvana massif, an imposing mountainous ridge north of Florence, and that the band exists “solely to amplify the voice of the mountain as a singular, monolithic entity”. On March 20th Adirondack Black Mass will release Calvana’s third album, Sub Janus.

The press materials for the album evocatively describe the music:

As trend-free as ever, the record captures the primal rage of the peaks and the elemental wrath of nature, forged in the fires of old-school black metal. Rough and robust, their roiling screeds of fury remain as potent as ever, locating that ever-elusive balance between the cryogenic and the lava-like. All instruments hold equal weight in their rustic, all-analog soundfield – particularly bass guitar, an instrument often relegated to nonexistence in black metal – further grounding Calvana’s elemental nature.

You’ll be able to appreciate these claims by listening to the second song from the album released for listening so far, “Summer Storm“, which we’re premiering today with an unsettling lyric video. Continue reading »

AN NCS VIDEO PREMIERE: BURIED SHALLOW — “RISE, I THE MARTYR”

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Feb 202026
 

(written by Islander)

Buried Shallow’s new single “Rise, I The Martyr” is not about golf. To oversimplify the lyrics, they are essentially about the joys of making heavy music and raging on stage. But someone had the genius demented idea to send these Australians out on the links for the song’s video, adorned in apparel that you’re unlikely to see on any course, public or private.

The result is a hell of a lot of wild fun, over on the “batshit crazy” side of the sanity scale. A large part of the fun is the brutal soundtrack to the increasingly brutal match, i.e., the song itself. Somehow it all works, or at least that’s our assessment. You can assess for yourselves down below, because (with big smiles) we’re premiering the song and video today in advance of the single’s official release on February 27th.

But first, let’s have a look at the band in their usual finery: Continue reading »

AN NCS PREMIERE: SURTURIAN — “BLOOD WITCHERY”

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Feb 202026
 

(written by Islander)

Are you tired of your face? Have you reached the point when you don’t even want to look in the mirror? Has the task of trying to mask your horror at daily life just become an exercise in futility? Would you prefer to just erase the slate and start over? Well, you’ve come to the right place, because we have a song for you today that will rip your face right off.

The song in question is “Blood Witchery” and the ripping is performed by the bloodthirsty Munich band Surturian. The track, which is being released today as a single, is the one that closes the band’s new album II – Hessian Spears, which is set for release on March 13th by Crawling Chaos Records. The album follows Surturian’s debut EP, I – The Eyemaster. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): PRISON OF MIRRORS — “DE SEPULCHRIS OCCULTIS ET IGNE PROFANATIONIS”

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Feb 192026
 

(written by Islander)

De Sepulchris Occultis et Igne Profanationis (Of Hidden Tombs and the Fire of Profanation) is the second album (or EP if you prefer, since it’s on the borderline) from the Italian band Prison of Mirrors. It consists of two very long songs — “Chants Beneath the Shunned Shrines” and “The Devouring Fire of Demonic Doctrine“. It will be released by ATMF on February 24th. And you can listen to it today through our full streaming premiere.

While making references to “the desolate lines traced by the darkest Blut Aus Nord and Akhlys,” ATMF describes the record as “a work that is bleak, profound, suffocating, and all-encompassing: a sonic ritual that grants no respite and, like a slow-acting poison, will wound its listeners, consuming both mind and senses” — “a journey into the core of an abyss with no bottom, where every step drags you deeper, until nothing remains of former memories — only the faint echo of a consciousness undone.”

After that, you’ll be happy to know that the record is survivable, but the mental wounds it leaves won’t heal quickly. The experience is hallucinatory and labyrinthine, and around all of the many strangely curling corners something very unsettling and intense awaits, though the intensity manifests in different ways, leaving different scars. Continue reading »

AN NCS PREMIERE: LESOTHO — “A FLASHING ON PLAIN GLASS”

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Feb 182026
 

(written by Islander)

Just two days ago we hosted the premiere of an instrumental metal song by Utah-based Osmium Gate. We concluded the introduction by proclaiming, “It really is one of those songs that’s so emotionally evocative, so viscerally soul-stirring in its impact, that vocals are unnecessary, and indeed would have risked distraction from all the other marvels had they been present.” Coincidentally, we’re now premiering another instrumental metal song, this time from the other side of our continent, and the same impression holds for this one: You won’t miss the vocals at all.

What we have for you today is the title song for A Flashing on Plain Glass, the intriguingly named forthcoming third album from the Boston-based instrumental post-metal trio Lesotho. Continue reading »

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