Jun 012025
 

(written by Islander)

I’m no Cinderella but on days like this I do turn into a pumpkin (charred black).

After missing two Sundays due to festival-ing in May I had grand plans to partially make up for those absences in a larger-than-usual column today. But I forgot about plans my spouse had made for us this morning that will take me away from home and computer.

So the grand plan has been trashed. Rather than rack my brain trying to figure out what to save, I decided instead just to start and to keep going until time runs out (and I turn into a pumpkin). Continue reading »

May 272025
 

(This is DGR‘s review of a new EP by the Swedish band Carnal Forge, released in March by ViciSolum Productions.)

Much as it is tempting to turn every review into a tome that could challenge Webster’s Dictionary in terms of pages, sometimes something shorter and sweeter is the order of the day. Carnal Forge have been kicking about since the late ’90s, with one real lengthy gap between releases in that time. Their 2019 album Gun To Mouth Salvation was their first full-length in close to twelve years so it’s not too hard to believe that in an age of ever-shifting lineups a near-six-year gap would then follow before we heard from the guys again.

March 2025 offered us a peak behind the curtain of what the band still have in the tank with a three-song EP entitled The Fractured Process, and judging by the near-eleven or so minutes of material that this EP is offering up, they’re not looking to rock the boat too hard. Carnal Forge are continuing the walk the pathway of some very sinister melodeath and thrash music, effectively kicking the machine back into motion right where it left off from Gun To Mouth Salvation. Continue reading »

May 212025
 

(The Polish titans Vader have bestowed upon us a new EP named Humanihility that will be sprung free by Nuclear Blast on May 30th. Below is our writer DGR‘s take on what it offers.)

It’s the most wonderful time of the year! It’s that time of year in which Vader drops a new EP on us that will no doubt offer a solid preview of things forthcoming from the now three-guitarist-armed band. Vader have done this like clockwork for years now, in between full-length albums offering up a two- or three-song EP that shows where their headspace is at, usually as a tight enough package on its own that it can hold people over for the extended wait that some album cycles tend to require.

They’re also a pretty good preview of what sort of Vader you’ll likely be getting on whatever upcoming full-length the titans have in store. Will it be death metal heavy Vader? Will it be thrashier Vader? Will Vader buck all trends and finally go full avante-garde and unleash some sort of blackened folk swing with extra emphasis on tuba? Will we get another fun cover song in the mix? Will we finally figure out how to work the word “lugubrious” into a review without calling attention to it beforehand?

Schrödinger’s Vader exists in multiple forms in the lead-up to the first spin of a new Vader EP and the sheer potential of it all is enough to keep things exciting. Continue reading »

May 182025
 

(written by Islander)

For reasons explained yesterday I’ve had less than the usual amount of time this week to explore new music from the blacker realms of extreme music. I’ll fall behind again next week due to MDFing and will likely leave a void in this column’s place next Sunday.

Bereft of the time needed to make a more complete survey this week, I randomly threw a couple handfuls of mental darts at all the tabs I’d opened for new songs and albums. There were misses, but enough solid hits to furnish the following collection, which I hope will both darken and immolate your day. Continue reading »

May 162025
 

(written by Islander)

In this feature we are taking a few large steps off the various beaten, broken, and thorn-shrouded paths we usually follow in our musical meanderings around here. The connections to those paths, such as they are, derive in part from the person who made the music you’re about to hear.

That person goes by the name “twi” in this new project, but we can disclose that the person is the Slovakian musician and vocalist also known as Twisted in the experimental industrial doom/death metal band 0n0, whose music we’ve written about repeatedly over the last nine years (here’s the proof of that).

The name of the new project is hspdn. hspdn‘s first release is Heyday’s Ruin, a four-song, 18-minute work set for release open May 23rd and self-described as “an EP about climate and personal crises”. What we have for you today is the premiere of its title song. Continue reading »

May 132025
 

(written by Islander)

Frequent visitors to our site (and other people equally intelligent and tasteful) will know the names Thecodontion and Clactonian. If you don’t know those names, you can find out why I think you should know them by plowing through the volumes of words we’ve spilled about their music (collected here and here, respectively). Both bands are the brainchildren of Italian musician G.E.F., joined with other very talented friends in each group.

Now we have another name you need to know, another brainchild of G.E.F. This one is Veia. Under the banner of Veia G.E.F. is the vocalist and lyricist, joined here by bassist extraordinaire G.D. (also from Thecodontion) and exceptionally talented people from Svart Vinter and Veil of Conspiracy on drums and guitars.

Unlike Thecodontion and Clactonian, Veia is predominantly a vehicle for black metal. The band’s members have been at work on a debut album to be entitled Vacal, and they expect the recording sessions to be completed later this year. But to help introduce Veia to listeners, G.E.F. decided to release two “raw excerpts” from the album this month through his new-ish label Prehistoric Sounds, and we have premiere streams of both songs for you today. Continue reading »

May 082025
 

(Andy Synn highlights four recent EPs he thinks you need to hear)

Today’s collection of “short but sweet” reviews features four ripping releases from across the ‘core spectrum – from blazing Blackened Metalcore and filthy, fire-breathing Crust to monstrous, Death Metal-influenced Metallic Hardcore and visceral Post-Screamo violence – which serve to remind us all that this sort of music truly lives in the moment, delivering a short, sharp (but also sweet) shock to the system devoid of pretense or pretention, each of them possessing an immediacy and intensity, as well as a sense of individuality, which makes them impossible to ignore.

Well, that’s how I feel anyway. Let’s see if you do too.

Continue reading »

Apr 202025
 

(written by Islander)

I didn’t think I would do this column today. First, because yesterday I agreed to an emergency request for a premiere today in celebration of the high holiday. And second, because I didn’t go to sleep until 2 am this morning due to an alcohol-fueled reunion with old friends last night.

But so far I haven’t received what I agreed to premiere, and though my brain is very fuzzy I’m thinking some blackish music might clear away the fuzz. So, blaze and praise, here we go. Continue reading »

Apr 172025
 

(written by Islander)

We’re about to present a new EP that’s a prime example of music that’s vitriolic and vicious, ferocious and vile, yet as catchy as whatever respiratory virus is now asserting its dominance over a pitiful humanity. It doesn’t play to the cheap seats — it hates you and wants to eat you alive — but even while it’s ruthlessly gutting its listeners and ravenously consuming the remains behind truly abominable vocals, it does so with a flair that’s viscerally compelling.

We’re talking about a new four-track barrage from the Swedish death metal band Övervåld (though it wouldn’t be wrong to brand the new EP “blackened death metal”). The EP’s name is Vigrav and it will be released on CD and digitally by the band on April 20th, with a vinyl edition expected in May via Seven Metal Inches Records. Here’s how Övervåld introduce it: Continue reading »

Apr 132025
 

(written by Islander)

Biting off more than you can chew: I came real close to doing that yesterday. All the songs by those 14 bands tasted so good, I had to bite into them, though I don’t know how many other people listened to them all, much less read all the words I frantically spilled out.

I guess my mental jaws were sore this morning because, after starting to get caffeinated, I stared at what I’d planned to do for today’s black roundup and backed off. I hadn’t planned an extravaganza on the scale of yesterday’s sonic storm, but it still seemed like a lot, or at least a lot more than I could manage without spinning like a top again, so I pulled out the paring knife and started shaving it down. (Man, that’s a lot of metaphors already and I’m still just in the intro!).

A painful process it was, deciding what to go with and what to leave behind. I hope the pain you’re about to experience below is only the kind of pain you seek. Continue reading »