(Andy Synn continues his long-standing love-affair with Massen and their upcoming new album)
As much as I enjoy dissonance and discordance in my music, it remains true – even at the most extreme end(s) of the spectrum – that melody often plays the most important role in an artist’s output.
And why shouldn’t it? After all, melody is one of the prime (and one of the most primal) ways in which we communicate an emotion. Melody isn’t just about catchy hooks, it’s about telling a story.
But, perhaps just as importantly, melody can also tell you a lot about a band’s history as well – where they come from, how they became who they are – and explains so much about why, for example, Melodeath bands from Finland or Black Metal bands from Sweden sound different from their compatriots from other countries.
It should be no surprise then that, beneath their fiery mix of furious Melodic Death Metal, folk-infused Black Metal, and potent protest Punk, melody plays a key role in the sound of Gentle Brutality, the new album from Berlin-by-way-of-Belarus band Massen.
