Andy Synn

Jun 152026
 

(Andy Synn highlights his history with Hardcore, along with three recently-released gems)

I’ve mentioned it in passing before, I’m sure, but I don’t think I’ve ever really gone into how important Hardcore was as part of my formative years as a music fan (and still is to this day).

Like most of us, I’d imagine, my early forays into forming my own music taste were somewhat scattered and inconsistent, and it wasn’t until a friend of mine at the time (whose name I’ve long since forgotten) lent me a CD of various Metal and Hardcore acts, introducing me to bands like Earth CrisisZao, and Vision of Disorder – then a little later the likes of Shai Hulud, Ringworm, All Out War (all three of which I was lucky enough to get to see live again last year) – that I truly began to develop a sense of what I really liked (and didn’t).

It wasn’t just that these bands were loud, aggressive, and filled with the sort of energy that I needed back then (and still do now) it was the way they weren’t afraid to wear their ideals and beliefs loudly and proudly… standing for something as part of an actual counter-culture that prioritised things like collective resistance and communal action, rather than simply being against whatever the current “thing” was… that made me feel like this was music with more substance, more meaning, than what the mainstream charts at the time were full of.

And while my personal experiences with the wider “scene” weren’t quite so positive – the increasing presence of insular cliques and “crews” (with their mean-girls style “you’re not tough/cool enough to sit with us” vibes) and the growing emphasis on “conformity” over “community” (especially when it came to judging the worthiness of someone’s “mosh style”) meant I once again found myself as an outsider amongst outsiders – I’m happy to see that there are still bands (and fans) out there fighting the good fight and standing up for what they believe in (and making some kick-ass music at the same time).

The reason I’m saying all this is because while I still love Hardcore, I don’t necessarily live Hardcore (and if you don’t know what that’s a reference to feel free to ask your parents)… but that’s not going to stop me from highlighting as many bands as possible from across the ‘core spectrum (whether that’s Hardcore, Metalcore, Post-Hardcore, Screamo, Mathcore, etc) that I think our readers should hear.

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Jun 112026
 

(Andy Synn presents three short-but-savage examples of the Metallic Hardcore arts)

Ok, I’ll admit it, I’ve been neglecting the short-play side of the scene again

So today I’m going to shine a light on three hefty pieces of Hardcore – of the more Metallic variety, naturally – whose brief run-time still packs one hell of a punch.

And then, if you’re lucky, I’ll follow up with a more Death Metal focussed one next week, deal?

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Jun 102026
 

(Andy Synn girds himself to take on the epic new album from Khemmis, set for release this Friday)

Self-titling an album is always a bold move.

After all, what it says to an audience… for better or worse… is “this is the definitive version of who we are“.

It stands to reason, then, that self-titling an album when you’re already more than a decade into your career, with four other incredibly successful records already under your collective belt, is an even bolder move.

Because it doesnt’t just say “this is who we are“, it also says “this is what we’ve been building to all this time“.

So let’s see exactly what Khemmis have been building, shall we?

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Jun 082026
 

(Andy Synn kicks off another week here at NCS with a brutish blast of Hardcore/Death/Grind)

Last week was a big week for Hardcore/Metalcore (the good kind, obviously) with the release of new albums from both Converge and 100 Demons (as well as a whole host of other, equally abrasive acts from across the ‘core spectrum).

And while I’m hoping to write a little something about them later on this month (I’ve already got Embrace the Black Light pencilled in for the next edition of “Things You May Have Missed”) I thought that my time and energy might be better expended covering something that probably needs the exposure a little more.

Which is why today we’re taking a look at the recently-released debut album from France’s Corruption Pact, which delivers a short, sharp burst of stripped-down, straight-to-your-face Hardcore – blended with a lethal dose of razor-edged, Death Metal influenced riffing and pissed-off, Grind-inspired politics – that gives absolutely zero fucks and takes no prisoners!

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Jun 042026
 

(Andy Synn offers another four killer examples of albums you may have overlooked last month)

This particular edition of “Things You May Have Missed” is definitely less diverse than yesterday’s article (which you can, and should, read here if you haven’t already), but that doesn’t mean it’s totally lacking in variety, as while there’s definitely a focus on the more “blackened” side of the spectrum – not by conscious decision, I might add, that’s just what ended up making the cut this time around – there’s also a wealth of twisted dissonance, grinding fury, sludgy groove, and depressive angst on display across these four albums.

So, without further ado, let’s see what else you may have missed… but shouldn’t… last month.

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Jun 032026
 

(Andy Synn presents four fascinating releases from May that are well worth checking out)

May was an odd month… obviously we were quieter than usual here at NCS due to our annual NWTF/MDF break, but it also felt like there were fewer releases during that time that I really wanted to check out.

Of course, that all changed in the last week or so, as it seemed like every band/label out there decided to back-load their releases, meaning that there’s a lot for me to get through in this article in order to feel like I’ve at least semi-caught up with what I missed.

Hell, I’ll probably end up doing a second one of these “Things You May Have Missed” pieces later this week… and even then I’ll have to leave a few things on the cutting room floor (such as my wider thoughts on the new Devin Townsend, which some have called “a masterpiece” but which feels to me like yet another attempt to sum up his entire career in one “definitive” form that, as a result, simply iterates on existing elements and ideas rather than actually adding to his artistic palette).

Until then, however, enjoy some (hopefully) new music that you may otherwise have missed!

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Jun 012026
 

Recommended for fans of: Celeste, This Gift Is A Curse, LLNN

Call them what you will… Sludge, Post-Metal, “Negative Hardcore”… there’s no question that this band, by any other name, would still sound just as dark and heavy.

That name, by the way, is Erdve, and the band in question hail from the balmy Baltic shores of Lithuania, a country which – despite its relatively small stature on the global metal stage – has also given us the likes of SisypheanAortesJuodvarnis, Luctus, Awakening Sun, and many more.

And with the recent release of their thrilling third album, Epigrama, last week now seemed like the perfect time to take a deep dive into their discography courtesy of The Synn Report!

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May 252026
 

(Andy Synn, who spent the whole weekend at MDF, still found time to handle today’s premiere)

In my opinion, the job of an article like this – one that’s simultaneously both a premiere and a review (you might even call it a preview) – is not so much to tell you what to think as it is to shape your expectations, so that those thoughts can proceed and develop free of any incorrect assumptions or misconceptions about the music.

This is particularly relevant in this case, as while Montana-based quartet Galvanist are often billed as “Experimental Doom/Death Metal” I feel that this has the potential to be misleading, even counterproductive, going into their upcoming new album, The Silence Between Stars, which has more in common – to my ears at least – with the more progressively structured, esoterically atmospheric end of the Black Metal spectrum.

That’s not to say there aren’t some deliciously doomy moments to be found – elements like the sundered atmospheric synthscapes underpinning “Dreich” and the gloom-laden, grand guignol climax of “Spiorad” recall the bleakest (albeit still “blackened”) moments of Mizmor and Bethlehem (especially the former) – but there’s also a clear debt owed here to the likes of Leviathan and Blut Aus Nord (particularly the latter’s more cosmically-inclined compositions), and it’s in this context that the album is best approached.

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May 192026
 

(Andy Synn returns to his homeland, in spirit at least, for another edition of the Best of British)

I’m still over in the good ol’ US of A at the moment, gearing up for this year’s edition of Maryland Deathfest, and while I’ve loved my time here – as always – I’ll admit that I’ve been feeling the occasional pang of homesickness every now and then.

So to help quell my longing for the green and pleasant lands of my birth I thought I’d put together another carefully-curated collection of British bands, from a variety of styles and sub-genres, to remind us all of what’s waiting for me when I get home.

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May 142026
 

(Andy Synn dedicates his first post-NWTF review to the Post/Sludge/Doom stylings of We Follow the Earth)

Right now, in case you didn’t know. we’re in what’s called the “post Northwest Terror Fest slump”… which is where we’re largely reliant on DGR’s forethought in producing a bunch of reviews to cover for the fact that he and I are visiting Seattle and spending more of our time (which includes spending some much-needed face-to-face time with Islander) drinking and hanging out and explicitly not writing for the site.

That being said, I’m going to try and fit in a few reviews – starting with this one – between now and the end of our trip (which also involves a trip to Baltimore for Maryland Deathfest), so let’s cut to the chase, shall we, and get into it with the new album from North Carolina Sludge-slingers We Follow the Earth.

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