Andy Synn, Author at NO CLEAN SINGING

Andy Synn

RACETRAITOR – CREATION AND THE TIMELESS ORDER OF THINGS

Nov 202023

(Andy Synn offers his thoughts on the new album from Racetraitor, which was released last week)

As I may have mentioned before, my original introduction into the “alternative” music scene came via Punk and Hardcore, with the latter in particular playing a fundamental and formative role in my early musical development.

And while my tastes eventually expanded and evolved, Hardcore has always retained a special place in my heart, with last year in particular doing a lot to renew my faith in the genre with its bumper crop of artists and albums representing the wide variety – from the melodic to the metallic, the punkiest to the proggiest – and resurgent vitality of the modern scene.

Unfortunately, by and large, 2023 hasn’t been anywhere near as good, with too many of the biggest and most hyped-up releases, in my opinion at least, making a lot of noise without really saying anything.

But that’s not an accusation that could ever be levelled at Racetraitor, and their new album is no exception.

SADUS – THE SHADOW INSIDE

Album Reviews 1 Response »

Nov 162023

(Andy Synn offers his humble thoughts on the first new Sadus album in seventeen years)

Some bands, as I’m sure you’re aware, are so seminal that fragments of their musical DNA still litter the genetic code of pretty much all their descendants, no matter how far removed.

For example, no matter how “extreme” or “avant-garde” or “genre non-conforming” you might be, there’s always going to be some Black Sabbath or Judas Priest or Motorhead in your music, in the same way that we all, deep-down, still have bits and pieces of our earliest ancestors swimming around in our primordial protoplasm.

But it’s not just the biggest and most notable (or notorious) names who leave their mark upon us. And chances are that if you’ve ever been a fan of the proggier side of Thrash or the more technical end of Death Metal then you’ve probably absorbed some Sadus into your system, even if you didn’t know it at the time.

And now, seventeen(!) years since we last heard from them – a time in which a whole generation of Metal fans may well have grown up having never even heard of them – Sadus have returned to retake their place in a Metal scene whose seeds they undoubtedly played at least some small part in sowing.

HINAYANA – SHATTER AND FALL

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Nov 142023

(Andy Synn offers his two cents on the new album from Texan troubadours Hinayana)

Common consensus would have it that 2023 has been a great year for Death Metal.

And while my thoughts on that assertion are somewhat… complicated… I will say this – if you’re talking about the gloomier, doomier, and more moodily melodic side of Death Metal then you’re definitely right, as the last twelve months has seen a number of illustrious releases from the likes of Aetherian, Fires In The Distance, Foretoken, and more (with a few more to come) which have, when taken together, led to a low-key resurgence of the more epic and euphonic side of the spectrum.

And now we have the new album from Hinayana to add to that list.

BEST OF BRITISH: PLEIADES, SEA MOSQUITO, WARCRAB

Album Reviews 2 Responses »

Nov 092023

(Andy Synn presents three more metallic morsels from his green and unpleasant homeland)

As always I’ve done my best to cover as many of the homegrown acts from here in the UK who have released albums this year and, ultimately… have probably only written about a small fraction of them.

But that’s always going to be the case, I suppose. I’m just one person after all (at least, I think I am) and can only do so much with the limited time that I have.

Plus, to be brutally honest, because I only write about albums I actually like that means some good stuff that I, personally, just don’t really rate is going to end up getting left by the wayside.

So consider this my apology to every band and artist I wasn’t able to feature this year. It’s not you, it’s me.

MEPHORASH – KRYSTL-AH

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Nov 072023

(Andy Synn lavishes praise and worship on the new album from Mephorash, out Friday)

I love a band with ambition, don’t you?

Don’t get me wrong, there are often times when all I’m looking for are some meaty riffs and tasty hooks, and any band that can satisfy that craving is a band I’ll probably come back to again and again, but there’s something to be said about swinging for the fences, going the extra mile and… other, related clichés.

Whatever you want to call it, that’s exactly what Mephorash have done on Krystl-Ah, employing a twelve-person choir (paid for entirely out of their own pockets) and a variety of other instrumental embellishments and creative collaborators to help their music achieve its ultimate form.

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

Album Reviews 1 Response »

Nov 062023

(Andy Synn presents four more artists/albums from last month which you may not have heard)

Would you look at that… it’s somehow November already. Which means, in a little over a month, I’ll be taking over NCS for a full week and publishing my lengthy round-up of all the Great, Good, and Disappointing releases of the year – the ones I’ve heard and feel at least semi-qualified to give an opinion of – culminating in my usual Critical and Personal top ten lists.

As always, it’s impossible for me to listen to, or cover, everything that’s released over the course of a year, but that doesn’t mean I’m not going to try and squeeze in as many reviews and recommendations as I can before then.

Making the decision of who/what to include, however, seems to be getting harder and harder – albums which almost made the cut this month include END‘s absolutely devastating The Sin of Human Frailty, the stellar debut album from Voidescent, and the predictably excellent new record from Slidhr – but I’m confident that the four selections I’ve made, two of which were “surprise” released without any warning or fanfare, will be well worth your time (and mine).

ROSA FAENSKAP – JEG BLIR TIL DEG

Album Reviews 4 Responses »

Nov 012023

(Andy Synn offers his effusive recommendation for the debut album of Norway’s Rosa Faenskap)

While common wisdom will tell you that making music isn’t a competition – in that you’re not directly trying to “beat” other bands – that assertion doesn’t necessarily tell the full story.

Make no mistake about it, being in a band means that you are, inevitably, “competing” in some way for people’s attention, for opportunities, for coverage and column inches… all of which, like it or not, are limited resources. In the end, there’s only so much of them to go around.

Case in point, while multiple outlets were quick (perhaps a little too quick) to heap praise upon Agriculture‘s self-titled album earlier this year (although my/our review was a little more critical than most) there’s been much less written about Jeg blir til deg, the certifiably unorthodox and certain-to-be-divisive debut from Norwegian trio Rosa Faenskap.

Which is a damn shame because, out of the two bands, it’s the latter who arguably deserve, and live up to, all the hype.

THE SYNN REPORT (PART 164): PHANTOM WINTER

THE SYNN REPORT No Responses »

Oct 312023

Recommended for fans of: Body Void, Lord Mantis, Amenra

If you’ve been following the site for any length of time, chances are you’ve seen us heaping praise on Germany’s Phantom Winter, whose signature sound – an ear-scraping, heart-breaking blend of sickening Sludge and savage Black Metal, doomy Post-Metal dynamics and sinister, drone-infused atmospherics which the band themselves have playfully dubbed “Winterdoom” – has been terrorising audiences since 2015.

And with the group’s latest album, Her Cold Materials, having just been released last week now seemed like the perfect time to feature their full discography and, hopefully, bring their music o the attention of even more potential listeners.

FUMING MOUTH – LAST DAY OF SUN

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Oct 302023

(Andy Synn gives his thoughts on the new Fuming Mouth album, out Friday)

To describe Last Day of Sun simply as a “post-cancer” album would be overly-reductive.

It’s more than just that, for sure.

But there’s no question that the knowledge of Fuming Mouth frontman Mark Whelan’s battle with, and recovery from, Acute Myeloid Leukemia definitely adds some extra thematic weight to the record’s metallic meditations on mortality and the fragility of existence.

PANOPTICON – THE RIME OF MEMORY

Album Reviews 1 Response »

Oct 252023

(Andy Synn offers some early insight into The Rime of Memory, set for release on 29 November)

It could be argued that I am, perhaps, the wrong person to be reviewing the new album from Panopticon (aka multi-instrumental marvel Austin Lunn), as my history with the band is somewhat mixed.

Like many of you, I fell in love with the seminal Kentucky the moment I first heard it but, unfortunately, I was far less taken with both Roads to the North and Autumn Eternal which – while both good albums in their own right (the latter especially) – just didn’t seem to speak to me in quite the same way.

However, just as I was beginning to accept that our connection was perhaps only a fleeting one, they released the ambitious and expansive double-album, The Scars of Man…, which swiftly rekindled my love for their forlon, folk-inspired sound, and then followed this up with the absolutely masterful …And Again Into the Light, which may well be the best album of their career.

Then again, perhaps this means that I might actually be the best choice to review The Rime of Memory, as I’m less likely than most to descend into unwarranted hyperbole and hero-worship and more willing to offer a mix of both praise and criticism, to whatever extent is warranted?

I suppose there’s only one way to find out.

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