Andy Synn, Author at NO CLEAN SINGING

Andy Synn

KRALLICE – MASS CATHEXIS 2: THE KINETIC INFINITE

Dec 042023

(Andy Synn, our resident Krallice curator, offers his thoughts on the band’s new album)

Is there anything less surprising than a surprise Krallice release any more?

Not that it’s a bad thing by any means. Honestly, I love that the group continue to do things their own way and work to their own timescales, rather than trying to live up to any outside expectations or bow to external pressures.

But if you ask any group of metalheads (well, those of a more “underground” disposition, at least) the question “what band just dropped a brand-new album out of the blue?” I bet 9 out of 10 of them would immediately say Krallice without hesitation.

On their new album, however – their second of 2023 – the band have an even bigger surprise up their collective sleeve… a direct sequel, both stylistically and spiritually, to 2020’s Mass Cathexis.

THE SYNN REPORT (PART 165): BULL ELEPHANT

THE SYNN REPORT No Responses »

Nov 302023

Recommended for fans of: Yob, Baroness, Boss Keloid

It takes balls… huge, pendulous balls… to go all in on not just one concept album but a full-on trilogy, especially when your creative concept begins with the story of an undead elephant, resurrected by Nazi occultists and infused with Lovecraftian energies, which then (due to some timely intervention by a vengeful shaman) turns against its masters and goes on a fascist-stomping rampage… and then only gets crazier from there.

It’s good then that enigmatic UK unit Bull Elephant have the necessary testicular fortitude required to tackle such an epic (and, let’s be honest, utterly ridiculous) story, as well as the necessary instrumental abilities and songwriting skills to ensure that their pachyderm-based Prog Doom (which also incorporates touches of Sludge, Death Metal, and Thrash) is more than up to the task in a musical sense as well.

PHOBOCOSM – FOREORDAINED

Album Reviews 1 Response »

Nov 282023

(Andy Synn reviews the new album from Phobocosm, out next week on Dark Descent Records)

With all the digital ink that’s been spilled about Death Metal this year you’d think that more of it would have been dedicated to Canada’s Phobocosm.

Then again, perhaps the band’s gloomier, doomier brand of oppressive, post-Immolation heaviness is just a little too dark, and a little too demanding, to receive the same sort of wider acclaim which has been lavished on many of their more popular peers.

But the fact that it demands a little more from its audience also means that Foreordained offers more rewards in the long run.

AN NCS PREMIERE: FAWN LIMBS & NADJA – VESTIGIAL SPECTRA

Premieres No Responses »

Nov 222023

(Andy Synn handles hosting duties for our premiere of the new collaborative album from Fawn Limbs & Nadja)

The last few years have undoubtedly blessed us with a number of phenomenally creative collaborations between artists whose creativity and talent is absolutely unquestionable.

From Cult of Luna & Julie Christmas to Oranssi Pazuzu & Dark Buddha Rising to Mizmor & Thou – and many more besides – the fruits of these labours has often (though not always… Lulu anyone?) resulted in a collective whole far greater than the sum of its parts.

And now its the turn of Fawn Limbs & Nadja to combine their forces.

CRUCIAMENTUM – OBSIDIAN REFRACTIONS

Album Reviews 2 Responses »

Nov 212023

(Some things in life are worth waiting for, and Andy Synn says that includes the new Cruciamentum)

Common consensus would tell you that 2023 has been a great year for Death Metal, and I… disagree.

Don’t get me wrong, it’s not been a “bad” year, by any means, but I’ve found – and I know this will be controversial – that a lot of the so-called “great” albums of the year have been hugely overhyped, and I’m honestly worried that we’re right on the edge (if not already over it) of total oversaturation.

And while that might sound appealing to some, it seems to me that with more and more bands churning out these largely interchangeable slabs of slavishly retro-riffs and second-hand songwriting there’s becoming less and less that actually distinguishes them from one another with each passing month.

But, even so, there have still been some major bright spots here and there – albums have burned that little bit brighter, stood that little bit taller, and been that little bit bolder – and one of them, as you’re about to discover, is the new record from Cruciamentum.

RACETRAITOR – CREATION AND THE TIMELESS ORDER OF THINGS

Album Reviews No Responses »

Nov 202023

(Andy Synn offers his thoughts on the new album from Racetraitor, which was released last week)

As I may have mentioned before, my original introduction into the “alternative” music scene came via Punk and Hardcore, with the latter in particular playing a fundamental and formative role in my early musical development.

And while my tastes eventually expanded and evolved, Hardcore has always retained a special place in my heart, with last year in particular doing a lot to renew my faith in the genre with its bumper crop of artists and albums representing the wide variety – from the melodic to the metallic, the punkiest to the proggiest – and resurgent vitality of the modern scene.

Unfortunately, by and large, 2023 hasn’t been anywhere near as good, with too many of the biggest and most hyped-up releases, in my opinion at least, making a lot of noise without really saying anything.

But that’s not an accusation that could ever be levelled at Racetraitor, and their new album is no exception.

SADUS – THE SHADOW INSIDE

Album Reviews 1 Response »

Nov 162023

(Andy Synn offers his humble thoughts on the first new Sadus album in seventeen years)

Some bands, as I’m sure you’re aware, are so seminal that fragments of their musical DNA still litter the genetic code of pretty much all their descendants, no matter how far removed.

For example, no matter how “extreme” or “avant-garde” or “genre non-conforming” you might be, there’s always going to be some Black Sabbath or Judas Priest or Motorhead in your music, in the same way that we all, deep-down, still have bits and pieces of our earliest ancestors swimming around in our primordial protoplasm.

But it’s not just the biggest and most notable (or notorious) names who leave their mark upon us. And chances are that if you’ve ever been a fan of the proggier side of Thrash or the more technical end of Death Metal then you’ve probably absorbed some Sadus into your system, even if you didn’t know it at the time.

And now, seventeen(!) years since we last heard from them – a time in which a whole generation of Metal fans may well have grown up having never even heard of them – Sadus have returned to retake their place in a Metal scene whose seeds they undoubtedly played at least some small part in sowing.

HINAYANA – SHATTER AND FALL

Album Reviews No Responses »

Nov 142023

(Andy Synn offers his two cents on the new album from Texan troubadours Hinayana)

Common consensus would have it that 2023 has been a great year for Death Metal.

And while my thoughts on that assertion are somewhat… complicated… I will say this – if you’re talking about the gloomier, doomier, and more moodily melodic side of Death Metal then you’re definitely right, as the last twelve months has seen a number of illustrious releases from the likes of Aetherian, Fires In The Distance, Foretoken, and more (with a few more to come) which have, when taken together, led to a low-key resurgence of the more epic and euphonic side of the spectrum.

And now we have the new album from Hinayana to add to that list.

BEST OF BRITISH: PLEIADES, SEA MOSQUITO, WARCRAB

Album Reviews 2 Responses »

Nov 092023

(Andy Synn presents three more metallic morsels from his green and unpleasant homeland)

As always I’ve done my best to cover as many of the homegrown acts from here in the UK who have released albums this year and, ultimately… have probably only written about a small fraction of them.

But that’s always going to be the case, I suppose. I’m just one person after all (at least, I think I am) and can only do so much with the limited time that I have.

Plus, to be brutally honest, because I only write about albums I actually like that means some good stuff that I, personally, just don’t really rate is going to end up getting left by the wayside.

So consider this my apology to every band and artist I wasn’t able to feature this year. It’s not you, it’s me.

MEPHORASH – KRYSTL-AH

Album Reviews No Responses »

Nov 072023

(Andy Synn lavishes praise and worship on the new album from Mephorash, out Friday)

I love a band with ambition, don’t you?

Don’t get me wrong, there are often times when all I’m looking for are some meaty riffs and tasty hooks, and any band that can satisfy that craving is a band I’ll probably come back to again and again, but there’s something to be said about swinging for the fences, going the extra mile and… other, related clichés.

Whatever you want to call it, that’s exactly what Mephorash have done on Krystl-Ah, employing a twelve-person choir (paid for entirely out of their own pockets) and a variety of other instrumental embellishments and creative collaborators to help their music achieve its ultimate form.

Older Entries Newer Entries