Nov 262025
 

(written by Islander)

We might think of the varying genres of extreme metal as a branching warren of subterranean caverns, all of them connected but some very far away from others. Some are oppressive in their pressures, others cold enough to freeze breath, some occupied by near-mindless creatures frenzied in their hunger, some haunted by wailing ghosts or giants that woozily lumber about. In some of them, strains of ecstatic and/or mesmerizing melody thread their way through stalactites rhythmically crashing down.

But in some of those underground spaces sheer chaos reigns. That is where you’ll find Omegavortex, in a spiked cavity where skin-searing white phosphorus burns and hurricanes of grit and blades ruthlessly storm, where demons scream in throes of violence and nightmares come to life.

Since 2017 Omegavortex have carved their underground abyss with a few short releases and their 2020 debut album, the aptly named Black Abomination Spawn, but they will soon expand the reach of their terrible domain with a second album, Diabolic Messiah of the New World Order, now set for release on December 5th by Third Eye Temple. We have a full stream of the album for you today — and some thoughts about the gloriously ravishing and ruinous assaults it encompasses. Continue reading »

Nov 252025
 

(written by Islander)

The Montreal-based black metal duo Anges de la Mort (French for “Angels of Death”) debuted in 2019 with a self-titled EP and then followed that with a second EP in 2020 (Where Spirits No More Shine), an album in 2024 (Notre tombeau grand ouvert), and a split with Ifernach last year.

Now they’re working toward the release of a second album next year, and today we have the first sign of what it holds in store, through our premiere of a ferocious new song called “Le Feu sous la Glace“. Continue reading »

Nov 252025
 

(written by Islander)

Last year the Portuguese metal band Black Hill Cove released their second full-length, Ex Tenebris Vita, on Raging Planet Records, and now they’re following that up with a new single named “Into the Abyss”, which we’re premiering today along with its accompanying video.

On this new song the band collaborated with Norwegian drummer Tomas Myklebust as well as vocalist Ana Cristina Carvalho, who has appeared on previous Black Hill Cove releases. The band have also recently announced that Portuguese drummer Ricardo Oliveira has joined the band, reinforcing the lineup in preparation for upcoming live shows (more about that later in this feature). Continue reading »

Nov 242025
 

(written by Islander)

“Rabid, misanthropic sludge from Sweden.” That’s a succinct and pointedly accurate description of the music made by the band Slôdder, as displayed so far in a pair of 2018 EPs and then in a pair of albums, their self-titled full-length in 2021 and 2023’s A Mind Designed To Destroy Beautiful Things.

And now they have a third album that will drop on November 26th via Shit County Records. Its name is Narcissist, and we’re giving you the chance to hear all of it today. The music is indeed rabid and misanthropic, but as you’ll discover, that’s only part of its personality. Continue reading »

Nov 212025
 

(written by Islander)

Obviously, we host lots of premieres — almost every weekday. Our rule is not to agree unless we’ve first listened to what’s being offered and then come away pleased. There are exceptions, when we’re familiar with the band’s music or have a high degree of trust in whomever’s pitching the premiere. In today’s premiere a different and even more rare kind of exception became insistent: I thought the band’s name could have been a description of myself, and for almost that reason alone, I said YES, without hearing the song.

You can see the band’s name up there: Olde Outlier. I’d never heard their music before, for the good reason that they haven’t released any records yet. The forthcoming album that includes the song we’re premiering — From Shallow Lives to Shallow Graves — is their first one. When I read the pitch, I learned that their lineup makes them appear to be a continuation of an Australia band named Innsmouth, who split up after the 2014 release of their sole album, Consumed by Elder Sign. But since I never heard that album, the history didn’t mean much.

I usually find myself in accord with the choices made by Olde Outlier’s label and the label’s PR agent, so that provided a degree of confidence. And I was enthralled by the album’s cover art. But really, more than anything else, it came down to the band’s name. Maybe a flimsy reed to lean on in deciding to host this premiere, but it turned out to be no reed, but a stout trunk. Continue reading »

Nov 192025
 

(written by Islander)

Based on photographs, Cesena looks like a pretty place. A small city of roughly 100,000 people, it’s near the Apennine Mountains in Italy and about 15 kilometres (9 miles) from the Adriatic Sea on the east coast of the country toward the north. Of course, like every other place in Italy it has an extensive history, and its old architecture reflects that.

Cesena is home to the genre-bending black metal band Sedna. They have a new album that will be released in two days by the Dusktone label. The name of the album is Sila Nuna, a compound word of ancient origin that means “Sky and Earth”. But the language isn’t one of the many that have been spoken over time in the area of Cesena, or anywhere else in Italy. And you probably can’t guess what that language is, because it is so unexpected. Continue reading »

Nov 182025
 

(written by Islander)

The London band Locusts and Honey released their 28-minute debut record in May 2024. Its title was interesting (and still is): Teach Me to Live That I Dread the Grave as Little as My Bed. It was “inspired by the bog bodies of Ireland and Denmark – people of the Iron Age who were sacrificially hanged and found extremely well-preserved in peat.” They described it as “a meditation on death and living well.”

That debut release was the work of a duo — composer and instrumentalist Tomás Robertson and vocalist/lyricist Stephen Murray. Since then the lineup has expanded to five members, and the quintet now have a new EP scheduled for release on November 21st by Toronto-based Hypaethral Records. The title of this one is Shadow of My End. Its inspiration, as described by Stephen Murray, is also interesting: Continue reading »

Nov 172025
 

(written by Islander)

The sharp-eyed among you will notice that the word “PREMIERE” in the post title is cuddled by quotation marks. That is because the song we’re presenting today was out in the world for some number of months beginning last January, when the debut album that includes it was digitally self-released by the band who made it. I heard the song and the rest of the album back then and spontaneously reviewed it because the record blew my mind.

At some point the digital stream vanished, the reason being that the astute Transcending Obscurity Records decided that the album needed a pjhysical release and a bigger audience, and the band agreed. As T.O. has written: “This release is not a rebirth but a necessary resuscitation.” And so now the once-public songs are being slowly revealed again in the run-up to T.O.’s release of the album on December 5th, including the song we’re re-revealing today.

What are we talking about? We’re talking about Death Obvious! Continue reading »

Nov 132025
 

(written by Islander)

“From the abyssal and blistering depths of Alabama and featuring members from Seraphic Entombment and Father Befouled, Ectovoid return with their new album In Unreality’s Coffin! An exhumation of death metal’s spectral essence and a relentless pulse of putrefaction, summoning shadows into eternal decay and entombing listeners in cavernous pummeling riffs!”

Those are among the vivid words offered by Everlasting Spew Records for Ectovoid’s third album, which the label has decided to use as a means of quickly unraveling the New Year; it’s set for release on January 9, 2026. What we have for you today is the premiere of the album’s first advance track, “Collapsing Spiritual Nebula“. Continue reading »

Nov 132025
 

(written by Islander)

The maestro Paolo Girardi painted the stunning cover art for Unviâr’s forthcoming debut album Disglaç. As you can see, it’s out of the ordinary in Girardi’s vast catalogue of works — no monsters, no demons, no writhing horrors or glaring eyeballs, no visions of the world ending. Instead, it’s naturalistic and beautiful, though also ominous and haunting, rather than paranormal and nightmarish.

The artwork may raise a question in the minds of listeners about whether the music of this Italian black metal band, as reflected on Disglaç, is in line with the visuals. We have an early answer today, through our premiere of the album’s title song in advance of the record’s November 28 release by ATMF. Continue reading »