AN NCS VIDEO PREMIERE: FROM THE VASTLAND — “99999”

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Oct 142024
 

(written by Islander)

Many of our visitors, probably most, are well aware of From the Vastland. Even just focusing solely on our site, we’ve been avidly following and writing about the band’s music for more than 11 years (witness all these reviews and interviews), beginning with a review of the band’s first live performance at Oslo’s Inferno Festival in 2013.

But for those who might be encountering From the Vastland for the first time, it’s the black metal brainchild (and heart-child) of Sina Winter, a project he began in his homeland of Iran in late 2010 and then carried forward to greater heights after moving to Norway, where he has been accompanied in live performances and recordings by an impressive collective of allies.

Since 2010 From the Vastland‘s discography has grown to seven albums, released by an array of respected labels, and an eighth one is now on the horizon. This new one, Tenebrous Shadow, is set for release on November 1st by the German label The Crawling Chaos, and today we’re hosting the premiere of a song from the new album called “99999“, accompanied by an official lyric video. Continue reading »

AN NCS PREMIERE: LÓSTREGOS — “AUGA – ONDAS SERPEANTES”

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Oct 112024
 

(written by Islander)

On the basis of their debut EP and two following albums, we’ve come to expect great things from the Galician band Lóstregos, but I’ve still been left stunned by their new album Nai, and especially by the song from that album which we’re premiering today. The band’s name is the Galician word for lightning, and they’ve really earned it.

“Melodic Black Metal” and “Pagan Black Metal” are the genre labels most commonly affixed to the band’s music, with the “Pagan” label a recognition of their inspirations in Galician folklore. The Dusktone label, which will release the new album on October 25th, has provided this description for the new album:

“Nai is defined by the band as a singular point of balance between light and darkness. It’s an introspective and conceptual journey across the primordial elements led by the endless coil, without forgetting about the main focus of the band on Galician Folklore.”

And yet those genre labels, while valid as far as they go, just scrape the surface of what’s revealed by Nai, as you’re bout to find out for yourselves through today’s song premiere. Continue reading »

AN NCS VIDEO PREMIERE: MIRACLE BLOOD — “HELLO HELL”

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Oct 102024
 

Fair warning: the song and video we’re about to present includes singing. The music also includes head-butting punch, bone-grinding heft, and explosive screaming. The song, after all, is called “Hello Hell“. And it turns out the singing is one of the strong points of the music instead of something you have to grit your teeth (the ones the song doesn’t bust out) and endure.

“Hello Hell” is the title song to the forthcoming second album from Boston-based “dissonant noise-punks” Miracle Blood, following up their 2022 debut LP Melter. As the band rightly say, they decided to get a lot meaner, heavier, and noisier on the new album, and the title song proves the point. Continue reading »

AN NCS PREMIERE: POSSESSIVE — “INSTIGATION”

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Oct 102024
 

Res Ipsa Loquitur: the Latin phrase which means “The thing speaks for itself.” The Idaho band Possessive (a collaboration among members of bands such as Hummingbird of Death, Tempestarii, and Lunar Temple) chose that phrase as the name of their new album because they wanted their genre-splicing musical havoc to speak for itself.

In light of that, it’s tempting to simply provide you the stream of the album track we’re premiering today, without comment. But we want to speak for the song, and Possessive have also provided some comments about what they’ve done, fleshing out the significance of the album’s name, and we want to share that too. So let’s begin there: Continue reading »

AN NCS VIDEO PREMIERE: CURSED CEMETERY — “YANJA”

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Oct 092024
 

(written by Islander)

The song you’re about to hear from the Romanian band Cursed Cemetery is a mysterious and often deeply disturbing trek of nearly 11 minutes. At times it creates chilling spells, at others it shakes the ground and fractures the rafters. It builds searing crescendos of pain and soundscapes of vast catastrophe. From start to finish, even when viscerally muscular in its power, it sounds thoroughly unearthly, like a nightmare, or a guided tour through terrors of an underworld (or a ravaged inner world) made real.

The song, named “Yanja“, is one of four long tracks on the band’s new album Magma Transmigration, which will be released by the Dusktone label later this month. It’s accompanied by a video whose harrowing and hallucinatory imagery suits the music extremely well, enhancing the riveting but disturbing impacts of the audio experience. Continue reading »

AN NCS PREMIERE: BIRKENTAL — “SUPERBIA”

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Oct 082024
 

(written by Islander)

The German black metal band Birkental started as a one-man project by bass player Raug after a band break-up during the covid pandemic around the end of 2021. He wanted to create a project to experiment with bass-only black metal.

The drummer Zlam joined the project after about a year of its existence, and from then on Birkental has been a two-man project with Raug writing the songs, playing bass, and performing vocals and Zlam playing drums and keyboard. After about another year, they finished a debut album named Peccatum Mortiferum, which will be released on December 13th by Void Wanderer Productions.

Today we’re premiering the first advance track from the album, an intriguing song named “Superbia” that furiously assaults with visceral power but also proves to be both gloom-ridden and eerily otherworldly. Continue reading »

AN NCS PREMIERE: ORISKA — “BISMUTH”

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Oct 042024
 

(Written by Islander)

The world as we know it is a bleak place, our inner worlds too often beset by turmoil and disappointment, and the outer world too savaged by humanity’s abundant, never-ending flaws. To be sure, we have glimpses of beauty and hope, but much of the time it’s a struggle to see them through the new and continuing ruins each day brings, inside and out.

Some metal bands succeed in creating diversions from the darkness, others seem to embrace it with a kind of nihilistic joy, and still others ruefully capture the grimness of what they see and feel in the most honest and powerful way they can, creating a staggering and shattering catharsis for others and for themselves as well. Oriska is that last kind of band.

This collective is headquartered in Fargo, North Dakota, but with members dispersed across California, Montana, North Dakota, and Minnesota. Their lineup features former members of Battlefields (Init Records, Translation Loss), Dispensing of False Halos, and Sleeping in Gethsemane (Init Records).

Oriska‘s self-titled debut album is now set for release on November 15th by Mind Over Matter Records and Init Records. “Blackened post-metal” is a shorthand description of the album’s music, but like many succinct genre terms it leaves a lot to the imagination. Better to see what that really means in the context of a song, and today we have one for you. Entitled “Bismuth“, it’s the album’s centerpiece and a formidable basis for the thoughts we tried to express above. Continue reading »

AN NCS VIDEO PREMIERE: DYING HYDRA — “GRASPING STONE”

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Oct 032024
 

The Danish trio Dying Hydra named their forthcoming second album Strange and Beautiful Things — tangible proof that beauty is in the eye of the beholder, because the band’s rendering of atmospheric sludge metal on the record is capable of reaching harrowing depths of ugliness and devastating heaviness. You’ll discover what we mean when you see and hear the video we’re premiering today for an album track named “Grasping Stone“. Continue reading »

AN NCS VIDEO PREMIERE: EVERTO SIGNUM — “COLOSSUS”

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Oct 032024
 

(written by Islander)

On November 1st the Monumental Rex label will release the second album by the Portuguese black metal band Everto Signum. Entitled Beastiary, it has an unusually interesting concept behind it, described as follows:

“The band stays true to their elemental background by writing an immersive story that guides the listener through a chain reaction of natural disasters. These calamities are beastialized – manifested as wild uncontrollable beasts exhibiting intrinsic animalistic shapes, traits and behaviours.

“The plot is comprised of seven chapters, each consisting of a contextual introduction that describes the scenery and sets the mood for the destruction to come, and an interpretation of the actual cataclysm. Written in English, the expressively poetic lyrical narrative portrays a journey from an ice-covered mountain top through a valley, down to the depths of a meromictic lake and finally into a perennial forest to witness the dreadful wrath of ancient forces.” Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): BILE CASTER — “WRITHING BETWEEN BIRTH AND DEATH”

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Oct 022024
 

(written by Islander)

“Nasty, miserable, no-nonsense sludge played at maximum volume with a focus on what is shit in life.” That’s the elevator pitch that Cursed Monk Records throws for Writhing Between Birth And Death, the debut EP from the UK band Bile Caster, and it hits the mark.

This Leicester-based trio, who might draw comparisons to the likes of Primitive Man and Meth Drinker, specialize in ugly, angry, primitive music that slugs hard enough to rupture spleens and is bleak enough that it might leave damaged souls looking for a permanent way out.

The new EP also has the capacity to leave anyone who survives it feeling dazed. It’s too ruthless to be truly entrancing, but the shock-and-awe effect may be enough to leave people feeling incapacitated, wondering what the hell they’re going to do while waiting for their reptile brains to yield back control of the higher faculties. Continue reading »

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