Andy Synn Archives - Page 20 of 151

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

Sep 012024

(Andy Synn somehow manages to pick just four albums from an overloaded August to talk about)

I feel like August was even more jam-packed with new releases than any other month this year so far… right?

And I don’t just mean all the “big” names – of which there were several – I’m talking about all the cool, more underground records and releases which came out during the last 31 days.

There was the intricate, immersive Prog-Death of Moonloop and the intense, in-your-face Deathcore of To The Grave… the disgustingly dark and devastating double-team of Teeth and Pneuma Hagion… as well as rites, both Vile and Modern in the form of Senescence and Endless.

And then there was the unquantifiable, uncompromising new album from Uniform – which I hope, one day, to get round to reviewing (just as soon as I’ve got my head around it properly) – plus several more which I might just end up covering separately at some point.

Until then, however, please enjoy this genre-crossing look back at the last month!

THE SYNN REPORT (PART 174): OXYGEN DESTROYER

THE SYNN REPORT 3 Responses »

Aug 312024

Recommended for fans of: Vader, Goatwhore, Revocation

Sometimes a band and their theme just go so well together – think Slugdge and their mollusc-worshipping metallic magic, or Sulphur Aeon and their obsessive Lovecraftian occultism – that you can’t ever imagine them doing, saying, or singing about anything else.

Such is the case with Seattle’s own Oxygen Destroyer whose monstrous sound – a ravenous hybrid of Death, Black, and Thrash Metal, designed to take your breath away – has become totally inseparable from their monstrous subject matter.

So prepare yourselves, it’s time for a rampage.

AMIENSUS – RECLAMATION, PART 2

Album Reviews 1 Response »

Aug 282024

(Andy Synn closes the circle with his review of part 2 of Amiensus‘s new double-album, out Friday)

There is, of course, no way to talk about Reclamation, Part 2 without considering it in the context of its already-released predecessor – the two of them forming both sides of a singular (in both senses of the word) coin.

That doesn’t mean, however, that Part 2 is incapable of standing on its own – far from it – it’s just that the group’s decision to release Reclamation in two parts, almost a full four months apart, offers us an opportunity to reassess the latter while analysing the former at the same time.

So, let us begin, shall we?

BLACK BIRCH – BLACK BIRCH

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Aug 272024

(Andy Synn says the new self-titled album from Black Birch is one you need to hear)

Just recently I was chatting online with a bunch of Metal musicians – all far more famous and prominent in the scene than me – about how difficult it’s become, in an age of constant information overload and what seems like an ever-decreasing attention span, to make your band stand out.

Sure, I’ve seen and read all the well-meaning advice about jumping on the latest social media trends, optimising your “content” for platforms like TikTok and Instagram, and so on, but all of it seems so forced and performative and, let’s face it, has less to do with the actual music and is more about turning your band into a “brand”.

Still, there are ways to grab your audience’s attention that don’t involve doing silly dances or otherwise acting like a validation-hungry jackass… and getting yourself some eye-catching artwork is one guaranteed way of getting me to check out your album, at the very least.

And when said artwork (created by Black Birch vocalist/guitarist Gina Wiklund, in this particular case) is accompanied by some absolutely electrifying Black Metal?

Well, then you’ve really got my attention. Continue reading »

SHORT BUT SWEET: ATAVISTIA / HOLY BLADE / SOLNEGRE / TIDES OF ACCRETION

SHORT BUT SWEET 3 Responses »

Aug 222024

(Andy Synn recommends a quartet of short but sweet recent releases to check out)

We’ve featured a bunch of pretty big and/or up-and-coming bands this week – Spectral Wound, Fleshgod Apocalypse, Leprous – so maybe it’s time to shift focus back on some lesser-known names?

And since I also haven’t covered anywhere near enough EPs so far this year I was thinking… why not kill two metaphorical birds with one proverbial stone and write about a bunch of short-form releases that, perhaps, haven’t gotten enough attention?

LEPROUS – MELODIES OF ATONEMENT

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Aug 212024

(Andy Synn continues his on/off love affair with Leprous, whose new album comes out 30 August)

Being “heavy” is not the same as being “good”. We all know that, right?

But I must admit, as someone who first fell in love with Leprous back when they were still serving as Ihsahn‘s backing band, and who still believes that Bilateral is one of the best and most unique albums of the new millennium, I was certainly excited by the announcement that Melodies of Atonement was going to showcase a “heavier” side of the group than what we’d seen/heard in recent years.

Don’t get me wrong, I’ve continued to be a fan (to a greater or lesser extent) of the band’s output – Coal and Malina are also still firm favourites, and there’s some great tracks on The Congregation, Pitfalls (including the outstanding “The Sky Is Red”), and Aphelion (whose cinematic highs more than make up for the record’s occasional lows) – but the idea that they might be bringing back some of the edginess and punchiness of their earlier work(s) certainly had me intrigued.

Of course, as any sensible person might have predicted, MoA isn’t just Bilateral, Part 2 – there’s some moments here that probably deserve that comparison, but overall the two albums really share only the most basic musical markers, enough to tell that they’re related but probably not enough to make them genetically compatible – as the Leprous of today is quite literally not the same band they used to be.

Even so, however, I can tell you now that the group weren’t lying when they said that this would be a “heavier” album… even if the story is a little more complicated than that.

SPECTRAL WOUND – SONGS OF BLOOD AND MIRE

Album Reviews No Responses »

Aug 192024

(Andy Synn gets deep in his cups with the new album from Spectral Wound, out Friday)

Blame it on whatever you want – the insidious influence of social media, the growing desperation of Youtube “critics” and their need to monetise their “hot takes”, or simply the seemingly endless (and futile) competition for attention in an overloaded digital world – but it definitely seems like a lot of the nuance has been bled out of our ability to engage with, and analyse, music.

The fact is that if you were to listen solely to the mass-media hype machine you might start to think that new albums come in only two forms, either “best album ever” or “total fucking garbage”, to the point where I’ve seen some of the more excessively online fans of certain bands absolutely losing their shit if a writer decides to give one of their favourites anything less than a perfect score.

There’s also an expectation – one which I find entirely unfair and thoroughly counterproductive – that a band’s new album must be “better” (which is an extremely loaded word when it comes to art in the first place) than their previous one, which ends up creating an impossible set of expectations as well as discouraging risk-taking and/or experimentation.

And the reason I’m saying all of this (which some of you may already have worked out) is because I don’t think that Songs of Blood and Mire is better than 2021’s fantastic A Diabolic Thirst… but to say it is anything less than its equal, now that would be a crime.

BEST OF BRITISH: KUROKUMA / SUNFALL / TENDRILS

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Aug 152024

(Andy Synn provides three more recommendations for some home-grown British brutality)

I must apologise for my relative lack of writing/posting over the last couple of weeks – I’ve been pretty busy with a combination of personal, professional, and musical stuff (we’ve got a festival show coming up, for one thing, which will be our first time playing as a three-piece, and then spent all Tuesday this week hanging out at a local brewery and helping out with the creation of a signature beer for the band) which means I haven’t had as much time, or energy, to devote to NCS as usual.

But while I’ve not been able to write very much that hasn’t stopped me from listening… and today’s triptych of album reviews is a product of all that time spent sifting through all the musical chaff to pick out the real diamonds in the rough.

Which may be a mixed metaphor, but I’m running with it all the same.

DUHKHA – A PLACE YOU CAN’T COME BACK FROM

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Aug 122024

(Andy Synn says that listening to the new Duhkha album is an experience you can’t come back from)

While a lot has been written about the various Death Metal bands incorporating more and more stripped-back, straight-to-the-throat Hardcore dynamics over recent years (some more successfully than others, I might add) much less has been written about bands going the other way.

Which is a shame, because the last few years alone have seen the likes of END, Incendiary, Bridge Burner, End Reign, Underneath and Umbra Vitae (whose latest I still haven’t gotten around to reviewing) all stepping up to demonstrate that the lines between the likes of Earth Crisis and Entombed, Overcast and Obituary, Cro-Mags and Cannibal Corpse, have always been blurrier than the “scene police” pretend.

And now we’ve got Duhkha, whose absolutely devastating debut album, A Place You Can’t Come Back From is here to put one more humongously heavy nail in that particular coffin.

PRIVATE PRISONS – EXCOMMUNICATION

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Aug 062024

(Andy Synn signs up for a life sentence with Private Prisons)

The joy of discovering new music is something I hope never leaves me.

Sure, everyone loves a good bit of nostalgia now and then, and I’m a big fan of long-running bands continuing to put out excellent work, but there’s something about stumbling across a new band or album that just instantly “clicks” with you that just feels right.

Heck, it’s one of the big reasons I enjoy writing for NoCleanSinging so much in the first place, as it gives me the chance to keep up with new releases and encounter fresh new faces in the scene and then share that experience and my enthusiasm with our readers.

So, without further ado, let’s get nasty with the new album from Californian crushers Private Prisons.

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