Dec 112025
 

(Andy Synn presents another detailed selection of 10 albums representing the absolute best of 2025)

In the words of the late, great Lieutenant Jean Rasczak… “this is for all you new people.”

Now the “Critical Top Ten” is not, and I need to stress not, a traditional “Top Ten”, in that it’s not ranked, nor is it actually intended to be the 10 “best” albums of the year (since, if we’re being realistic, that’s pretty much impossible to quantify, considering all the different factors that go into making all these different styles and sub-genres of Metal).

What it’s supposed to do, however, is provide a selection of 10 of the best releases of the year, drawn from my “Great” list (so if it wasn’t there then it’s not going to be here either… something which I try to clarify every year, even though I still get people complaining that [x] band isn’t mentioned despite the fact that, as I’ve stressed several times, if it wasn’t featured in my massive round-up over the last couple of days that means I didn’t get round to hearing it), that are designed to represent the impressive quality and creative variety of the scene over the last twelve months.

Again, it’s not comprehensive… obviously… and while I try to be as objective as possible in my selections (these aren’t my “favourite” albums of the year, those are coming tomorrow) I’m sure there’ll be lots of disagreements with my choices (in fact, looking at some of the comments we’ve already received, some of you are going to be very pleased, and a few of you are going to be very upset, but all of you should at least appreciate some of the surprises I have in store this year).

But I’ve found the best way to think about this article is as a sort of “time capsule” of the year… sure, there’s not room for everything, but when future generations look back on 2025 this should serve as an excellent snapshot of the year in Metal, across as many styles and sub-genres as I was able to squeeze into just 10 albums!

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May 012025
 

Recommended for fans of: Ulthar, Mithras, Cryptopsy

It honestly amazes me that we’ve never written about Inoculation before, outside of a few passing mentions here and there.

But with the recent release of their third album, Actuality, a few weeks ago now seems like the perfect time to address this terrible injustice.

You see, while the majority of the US Death Metal scene is currently (and, perhaps understandably) obsessed with the “New Wave of American Death Metal” (the most prominent names of which I’m sure you’re all aware) that updates and upgrades the classic OSDM sound for more modern ears, this crushing Cleveland trio – who firmed up and finalised their line-up in 2016, and released their first full-length in 2018 – draw just as much (if not more) influence from the late 90s/early 00s explosion of Brutal/Technical Death Metal bands.

That’s not to say that keen ears won’t be able to detect the influence of the likes of Death and Deicide here and there, but I’d argue that its bands like Demilich and Deeds of Flesh whose DNA has the most dominant impact on the band’s ultimate sound (especially after they shook off those early growing pains after their debut).

But don’t just take my word for it… give the band’s collective output a listen below and hear for yourselves (and, if you’re of a mind to, check out what else I’ve written too).

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